There's a myth perpetuated that photographers either do it for a hobby or they're professionals making money. The truth is, the majority seem to float in the gray area between the two.
I have been using The ColourMapX panel extensively and a caveat of it led me to further dig into something I rarely used before, clipping adjustment layers to other adjustment layers. Doing so greatly enhances my experience with this panel, but honestly with any type of adjustment.
Composite work can be fun and exciting, but sometime you may feel defeated at the end when the blending does not match up. Making a believable composite is tricky but not impossible.
Have you ever tried to remove an object from a photo, but just couldn't get it to look right, whether it be because of the lighting, color, or actual selection? This tutorial provides a handful of tips for perfectly removing objects in Photoshop.
The wrong elements of color can disrupt the harmony of photographs and distract the viewer from the story you’re trying to tell. When we’re deliberate though, we can use color theory while planning the components of our photos and use color grading to allow us to create compelling images that add emotion to help us create a story. Dynamic images are created through complementary colors that develop harmony in wardrobe and location, lighting, and mood. Fortunately, there are numerous resources to understanding and implementing color.
Almost every hobbyist photographer has considered making the transition to full-time professional. Similarly, almost every professional photographer has made that transition from hobbyist to professional. There are myriad factors why that career move isn't always possible and a great deal of them stem from the central notion of money, or lack thereof. Whether you want to organically build your photography from hobby to side-hustle and then to a career or you merely want to improve you earnings in any of those categories, developing a niche can make a crucial difference.
I don't care what anyone says. Math and physics are cool. Nonetheless, I understand that you don't particularly need all the theory when you're lighting a subject; you just need to understand how to get the result you want. These helpful videos will show you just that.
Half of every portrait is in the edit. This awesome video will show you how to take a portrait and give it a dramatic edit in Photoshop that subtly draws the viewer's eye to the subject and showcases the emotion you're trying to convey.
When you're first starting out shooting portraits, one of the most important decisions you can make is the focal length you shoot at, as it can vastly change the way a subject is rendered. This helpful video will show you how various focal lengths affect the look of a portrait to help you choose which one is most suitable for your work.
I'm a very technical guy, probably to the point of being a little obsessive. Today I wanted to talk about technical skill and quality versus emotion.
As photographers, a common rhetoric we hear is about finding our style. We are to consider so many technical aspects like lighting, lenses, color grading, and choice of palette. On some platforms, these aspects have become more important than the content of the images themselves. However, there are so many other aspects of photography, and every genre of photography has its own set of considerations. In this talk for TEDx Chattanooga, Photojournalist Billy Weeks discusses the role of the photographer in an area of photography that is often thought to be objective in nature.
Clichéd new year resolutions are as much of a tradition of the holidays as building snowmen and eggnog. Why not change things up a bit this year and set yourself a resolution which is related to helping you grow as a photographer. Here are 10 promises worth trying to keep in 2018.
I’ve written extensively about it before, but, like most business lessons, the message bears repeating. In a marketplace simply inundated with competition from around the globe, it has never been more important for photographers to find their specific niche in the marketplace.
So you've got some upcoming travel plans, maybe to a new destination or maybe to a place you like to visit over and over again. A favorite city maybe, a real home away from home. Obviously you take your camera gear with you with the goal of making the most of your trip. Do you plan ahead of time or will you be flying by the seat of your pants? We're all different, some people want a detailed itinerary while others want to enjoy some spontaneity, but we all want to come home with some great images. Having a plan (even a rough one written on a napkin) can help you to make the most of your travels wherever they may be.
Most tutorials focus on one aspect of the shooting process or another, which can sometimes make it a bit difficult to understand why each creative decision was made at different steps of the process. This great video follows a photographer from planning to finished image, giving an overview of the shoot, what difficulties he faced, and how he overcame them.
The eyes are one of the most crucial parts of a person when it comes to portraiture and retouching, as they are the first thing a viewer looks at and generally the establishment point of human interaction. This helpful tutorial will give you a complete guide to retouching eyes to give them a natural, vibrant look that instantly draws the viewer in.
Fashion Photographer Alexi Lubomirski recently sat down with Kyle Hagler, president of NEXT models, for an intimate and candid chat about the modeling industry and what photographers can do to succeed. Hagler offered an array of fantastic advice that almost any photographer can draw on. Solely focusing on abstract aspects of what makes a great photographer, he is able to provide advice that resonates in a unique way.
I didn’t realize I was an introvert until I was well into my 20s. I’m not shy, and I don’t mind speaking up in a crowd if I’m asked a question, so I always assumed I was an extrovert. You can imagine my surprise, then, when taking the Myers Briggs personality test in college yielded the result that I was an introvert. It all started to make sense. I would constantly find myself shying away from social events, although I considered myself social and had many friends, and I never liked any job that included a high volume of social interaction within a day, it exhausted me. When starting my business, one of my biggest struggles became working with my introversion.
Being a photographer who shoots people in some capacity requires the distinct ability to readily socialize with near-complete strangers and build engagement and trust in a relatively short timespan. For those who are introverted and/or socially anxious, that challenge is doubled. Here's how one successful photographer deals with that.
I still remember the first time I heard the word. Senior year of high school. Sitting lazily squeezed into a metallic desk-chair combination unwillingly decorated with the carvings of amateur graffiti artists from years past. The boisterous post-recess classroom went quiet as my favorite teacher, and apparently everyone’s favorite teacher, Mrs. Wallace entered the room. With an ever-present sense of flair, she strode to the chalkboard and wrote out eight letters in big bold type. P-A-R-A-D-I-G-M. I didn’t know what it meant. Heck, I didn’t even know how to pronounce it. But, in that moment, I was introduced to not only a new piece of vocabulary, but given a dynamic tool to develop as an artist, and as a person.
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