The rumor mill is always turning and the future of RF and Canon’s full-frame mirrorless offerings is where many photographers are keeping their accumulated attention. For those who shoot the “big white” lenses, this just might be the turning point for those whose talents extend to wildlife and sports photography with lenses that many times average more than $10,000 to purchase.
Articles written by JT Blenker
Photographers love soft light and the “wrap around” quality that large modifiers can deliver. We contemplate the large parabolic softbox we need to purchase or the huge umbrella that will help us make window light anywhere. For impactful portraits that are just as compelling maybe it’s time you took a look at hard lighting.
When we think of "need to own" lenses, sometimes we ignore the utility for the aesthetics. Other times, when looking at new equipment it really comes down to the usability of a lens and whether it should be taking up space in your bag. If you’re trying to make those decisions now, Pye Jirsa may be able to help.
When the original Profoto A1 entered the on-camera flash market, one huge hiccup that many photographers saw was the lack of a Sony option in the speedlight. Now, with a more robust and tweaked flash being released to address that concern and others, how does the new Profoto A1X stack up to its predecessor?
Do you want some new or different ideas on how to use your lighting when shooting a scene, a portrait, or both? Do you have multiple strobes or lighting but haven’t really put them to the test outside with a client? This set of lighting tips from B&H Photo Video and JB Sallee may be right up your alley.
I may be a little biased having spent weeks in and around Death Valley, but it's one of my favorite places in the USA to travel to and an area that always shows you something new. Michael Shainblum and Nick Page give us a look behind the scenes of their trip to Death Valley, as well as a new set of images and time-lapses.
The rise and democratization of digital photography over the past 15 years has been, I would describe, as one of the most socially changing movements in the world, ever. Though the cellular phone may have been the initial catalyst, the camera accompanying that communication device has now allowed billions of people to interact and share worldwide events from a nation's political upheavals to the birth of their own child. With sales of standalone cameras dropping nearly in half in the past seven years, has photography changed for the better, and is this the end of making money in photography?
Are you looking for a new flash and intrigued by the Profoto A1? Maybe you’ve seen the internet rumblings about Godox’s V1 light and the alleged backdoor drama between the two lighting companies and wondered if this new light beats the top priced flash? Which round flash is the best bang for the buck and should you switch or stick with your square flash?
Here in the northern hemisphere, night photographers are starting to come out of their winter slumber and getting ready for the summer night photography season. If you’re looking for some quick tips on shooting star trails on your next over night photography excursion, today is your lucky day.
Testing lighting is usually for those photographers who are a bit more on the “nerd" side of photography, but we always need to know if we have the ability to work through or overcome a lighting situation. I did a quick dive into testing two lighting brands most people either use or are familiar with, and discovered some interesting information for those looking at any of these lighting options.
If you’re looking for your clients to walk away with imagery they think is top notch, it’s a good idea to understand how they see themselves in front of the lens. Peter Hurley gives us a quick rundown of tips and tricks to create headshots that will resonate with the tagline: "Confidence and Approachability."
Peter Hurley has grown into a household name among photographers over the past 15 years while working from his studio in New York City. With a personality that keeps his clients on their toes and a vocabulary that is ever evolving, the leader of the Headshot Crew has some tips for you that may help you grow even faster with your photographic journey.
When making the change from hobbyist to professional, many of us don’t dig deeper into the costs of running our new venture like a profitable business. A few hours going through some numbers and doing the math can yield some surprising, and many times eye-opening, realities. The saying, “You don’t know what you don’t know,” makes a resounding thud in the pit of our stomachs when we realize that our time and talent is being wasted simply by not doing basic Business 101.
Over the past few days several rumor sites have been flushed with inklings of a new Canon mirrorless body being announced in as little as two weeks with the fanfare building before CP+. Each of these leading sites have had conflicting information so which one should we hope to be listening to?
Professional Photographer’s of America (PPA) has been the foremost association campaigning for photographers for over 150 years, but is still growing with its membership even today. With over half of photographers in the non-profit association capturing weddings as part or the majority of their income, PPA has moved forward with creating a new degree that specifically evaluates and promotes wedding photographers. With the Master of Photography degree and Master Artist degree already part and parcel to the education options in the association, does qualifying photographers with a new set of rules make better artists or lessen the value of the other degrees?