We photographers don’t always get the perfect sunset or clear starry night sky every time we head out to photograph desolate areas or national parks. This is when we can take a little post production know-how and can still create other worldly and dreamy images that capture the viewer’s eye. Skylum Software's Luminar 4 has just made that scenario easier and faster to do with its all-in-one software and very powerful artificial intelligence.
Articles written by JT Blenker
Canon has just released the trifecta of f/2.8 lenses that cement the workhorse length of optics for professionals and prosumers alike, but they are still missing a flagship mirrorless camera body to take advantage. This is only part of Canon’s future strategy when competing against Sony and Nikon which may include a new family of f/2.0 zooms.
I usually use natural light as my go-to for quick group photos or for portraits that need to be done very quickly or with very little gear. That doesn’t mean you can’t shape or control natural light to create studio quality images wherever you are. Here’s three easy ways to shape natural light for your next portrait shoot.
In photography, we are always looking for the best lighting for our subject, but when we don’t have the ability to choose the location or need to create interesting and dramatic lighting on the go, we need to be able to use the light we bring with us. This involves starting at the fundamentals and learning how to balance your flash and the ambient outdoor lighting.
The mirrorless wars have been raging for several years now, with Sony going all in with its Alpha line-up of full-frame mirrorless cameras, but should you make the switch? Let’s talk about why you need to be shooting Sony mirrorless cameras and to ditch the Canikon cameras of olde.
Prominent photographer Nadav Kander recently found his portrait of David Lynch on the cover of UK magazine The Big Issue. The problem is he never provided the portrait that was used and the image looks to be a photograph of his photograph which was purchased on stock photo site Alamy.
Telling a story doesn’t stop at your subject in photography; everything in an image gives the viewer context clues to build a narrative around. One of my favorite ways to facilitate interest and story in photography is incorporating color effect gels into the scene, but what are the best ways to use them and why?
To witness a solar eclipse is a once in a lifetime experience and to photograph two within 2 years is an amazing opportunity to leverage your experience to create incredible imagery. Ted Hesser was able to garner a second opportunity with the 2019 eclipse and put his ideas into motion with only weeks to spare before this year's eclipse to gather ideas and compose images that engage our humanity within the cosmos.
Tenba has been creating some very stylish and excellently designed camera bags recently and the Tenba Roadie Air Case Roller 21 is the pinnacle of these new offerings. With a semi rigid hard shell case surrounded by a 1680 denier ballistic nylon shell, the roadie air case is not only an inconspicuous and highly stylized camera bag, but it's also an incredibly protective roller case that’s great for domestic and international travel.
Photographers and professionals alike swear by Apple’s MacBook Pro as their mobile solution to get the job done. Apple’s professional tier of computers are known for their ease of use, battery life, and reliability. As such, it’s rare for them to go on sale. Not only are Apple’s MacBook Pros on sale, but everything from the Apple Watch, iPads, to iMacs are on sale now!
Profoto has just launched the B10 Plus, a 500w/s on-location strobe that outmatches the recently released B10 while retaining most of the previous strobe’s design cues. With a well developed back panel display, a svelte body design, and a more powerful light output, is there any room for the B1X in Profoto’s lineup?
The rumor mill is always turning and the future of RF and Canon’s full-frame mirrorless offerings is where many photographers are keeping their accumulated attention. For those who shoot the “big white” lenses, this just might be the turning point for those whose talents extend to wildlife and sports photography with lenses that many times average more than $10,000 to purchase.
Photographers love soft light and the “wrap around” quality that large modifiers can deliver. We contemplate the large parabolic softbox we need to purchase or the huge umbrella that will help us make window light anywhere. For impactful portraits that are just as compelling maybe it’s time you took a look at hard lighting.
When we think of "need to own" lenses, sometimes we ignore the utility for the aesthetics. Other times, when looking at new equipment it really comes down to the usability of a lens and whether it should be taking up space in your bag. If you’re trying to make those decisions now, Pye Jirsa may be able to help.