Roger Deakins is one of the top cinematographers of our time, having shot films like "Skyfall," "Blade Runner 2049," and many, many more.
The hosts of DPReview, formerly of The Camera Store TV, have had an annual tradition of reviewing the best cameras and lenses each year over drinks, often times getting a little too merry in the process, and this year is no different.
The Arri Alexa is expensive. Very expensive. But what if I told you it was possible to get one for $6,000?
When it comes to image stabilization there are two major stabilization types — electronic and optical. But how come electronic image stabilization looks so good on my GoPro but not on my "real" camera?
The Fujinon 200mm f/2.0 is a beast of a lens designed mostly for sports and wildlife, but as a portrait shooter I wanted to see how it stacked up.
When just starting out, It's easy to think that we need more gear, different gear, or just one more modifier that will let us achieve our goals. I challenged myself to try and shoot five different looks in my humble home studio with a single modifier and light to show just a few ideas of what you can do with them.
With the current generation of the GoPro Hero 7 at $329USD and the upcoming HERO8 looking to be even more, a lot of us that are more budget minded may be looking for an alternative, and the Akaso V50 Elite may just be that alternative.
So, you shoot Fujifilm and need to achieve 16mm f/2.8 and you're not sure how to get there? Let this be your guide.
The Sigma fp is one of, if not the absolute smallest full-frame mirrorless digital camera in existence. With 4K video and 24-megapixel stills and at just 432 grams with the battery, this is a camera that bats far above its weight.
The Google Pixel 4 is a brand new phone that shows off the best in computational photography, while the Canon EOS RP is a full frame beast of a camera. Which of these will end up on top when it comes to night photography?
The Moment 58mm lens is sharp, easy to use, and believe it or not, it's not just a gimmick.
Photography and retouching are a lot of work. Framing, exposing, getting your color right, cropping, zooming, dodging, burning, sharpening: it's enough to do your head in! But sometimes, we can get lazy, and in my opinion, it can be beneficial to lean into your own laziness rather than burn yourself out working for 10 hours a day.
There are lots of ways to improve your photography. Getting your workflow in order, learning to light, but I think I have learned the one thing that has impacted my photography more than almost anything else. (Other than practice, of course).
Whenever we see a photo we like, our first thoughts are often: "How did they take it? How did you get that lighting? How did you get that depth of field?" But more important questions are "what" and "why".
Making music videos is really difficult. No money, big value. That is what is expected. However, they are a lot easier with these tips from producer Moses Israel, who has produced nearly 1,000 music videos.
We often hear that learning on film is a quick way to learn all of the basics, because every mistake will cost you money, but I recently heard a differing opinion that opened my eyes.
When it comes to light modifiers, there are hundreds if not thousands of options: soft boxes, beauty dishes, grids, umbrellas, etc. After all is said and done, I truly think that I have finally found the perfect modifier.
There are a couple of ways for models to get into an agency, including hiring a photographer to take photos of them and using those to show an agency their range. This requires the photographer to work quickly and efficiently to get as many different looks as possible in a compressed amount of time to save them money.
Most of my portraiture work is known for two things, lots of color and using strobes. I love self portraits to try out new techniques; it's actually how I got myself started in photography, so for this self portrait I wanted to go in a totally different direction and take a shot with natural light and push it as far as I could.
