What do oversize truck tailpipes, paleolithic sculpture, and the vibrancy slider have in common? And what might they have to do with helping us create more engaging photographs? Why do some abstract paintings move you and others don't? Why should we react to an abstract work of art at all?
All photographers can agree that you won't stay in business long if you do not charge for your work. But what if I told you that the best way to gain exposure to high-paying commercial clients was to give away your images for free? Today, we sit down with commercial and composite photographer Josh Rossi and explore the concept of free.
Rays of light pouring through trees or a window can enhance the moodiness of an image, but if there aren't enough particles in the air to reflect and diffuse the light, you may not be able to achieve the look you want in camera. With a little help from PiXimperfect's Unmesh Dinda, it's easy to achieve that effect in Photoshop.
Every once in a while an article pops up claiming a cool looking video or an image was shot on an iPhone. Often this becomes a stage for arguments between Apple and non-Apple fans. I decided to look at this film with a different mindset and hopefully you will appreciate it too from a filmmaking standpoint.
Photographers of all genres rely on new inquires as well as returning clients to fill their calendar for the year. Keeping up with returning clients is easily done, however getting the fresh new leads does not have to be a difficult task if your website has a few minor additions.
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