Building a shooting space in your home can be difficult to say the least. For most photographers, a home studio is never large enough and every inch of space becomes a commodity. In this video we show you perhaps the easiest and cleanest way to hang seamless paper in your studio space.
Articles written by Patrick Hall
All photographers can agree that you won't stay in business long if you do not charge for your work. But what if I told you that the best way to gain exposure to high-paying commercial clients was to give away your images for free? Today, we sit down with commercial and composite photographer Josh Rossi and explore the concept of free.
This week we continue our Puerto Rican Photo Challenge. In our second challenge, two photographers explore the elaborate cave systems hidden deep within the central hills of Puerto Rico. In the full article, you can vote which image was the best and later this week we will reveal the winning image.
In today's video we take you behind the scenes in our new Fstoppers studio and show you exactly how we built and designed our latest video set. We will show you all the microphones, cameras, and lighting gear as well as our thought process in tackling this empty canvas of a room.
As many of you know, Lee and I recently moved to Puerto Rico, and with that move, we are having to completely redesign our new studio space. In today's video, we tackle our in-home network and wireless Internet connection. Surely the limitations in Puerto Rico will prove to give us trouble... or will it?
Last week Lee Morris and I embarked on something I like to call "The Puerto Rican landscape challenge." The goal of this series is to not only showcase some of the most beautiful locations on the island of Puerto Rico, but to also find out, once and for all, who is the better landscape photographer. Today is the beginning of this ultimate challenge.
One of the most useful lenses any photographer can own is an ultra wide-angle zoom lens. One of my favorite zooms in this category is the Tamron 15-30mm f/2.8 lens. Tamron recently released the upgraded G2 version of their already great SP model and I wanted to see if this redesigned lens was worth the upgrade.
In today's competitive marketplace, successful photographers are finding themselves creating more and more content that isn't strictly photo based. Platforms like YouTube, Instagram, and Facebook are reaching more and more people with video content. In today's article, I outline 10 simple tips you can use to polish your video content.
Every photographer needs a good website; that's a given. What isn't so obvious is should you have a contact page? What about a photo on your bio? Is it best to have multiple galleries or everything on one landing page? Today Lee and I review a few websites to show you what does and doesn't work when displaying your work.
Every well-rounded photographer needs to be able to tell a story in three images or less. This is particularly important when shooting editorial content for online publications and in print magazines. On today's assignment, I explore three different focal lengths to capture a well-rounded story of a local musician.
Most photographers have invested in several camera bags over their career. Often, you need something that can hold everything including the kitchen sink, but other times, you might want something a bit more stylish and compact. Today, I check out one of the most compact yet stylish bags I've ever reviewed: the Wotancraft Sniper Backpack.
Most photographers are familiar with using a neutral density filter to create dreamy, long exposure photographs, but should you use a neutral density filter when shooting time-lapses too? In today's video, I explore why using a 10-stop ND filter might be perfect for more than just still photography.
Most landscape and cityscape photographers prefer to have images that are void of tourists, traffic, and other distracting elements in their scenes. One way to remove these eye sores is to meticulously clone them out in Photoshop, but what if there was a way to get a scene to look empty with a single exposure all in camera? Today I explore using a 15 stop neutral density filter for the first time.