I trust I'm not the only one who has had their eye on Fujifilm's GFX 50S. With its 51.4MP, 43.8mm x 32.9mm CMOS sensor, removable OLED EVF, 3.2" 2.36m-dot tilting touch screen, 117-point contrast-detection AF system, extended ISO 50-102400, weather-sealed magnesium-alloy body, and my love for my X100T (predecessor to the X100F), I've been seriously considering Fuji as a full-on replacement for my Canon kit.
Articles written by Kenn Tam
Photography has come a long way since my 35mm high school days. We've seen it go from film, to prohibitively expensive, low-resolution digital, to stunning high-res cameras in every phone. But the method of viewing digital images has been limited to print and computer screens. Since my very first Canon 5D I've been on the hunt for a digital picture frame that could display images with the same brilliance as print.
Have you ever wondered how filmmakers create realism in their films? Whether it's having a character scramble across a ceiling, severing the head of a zombie, making hair seemingly grow before your eyes, or getting a giant to flip a car over, all of these illusions are achieved by seamlessly combining any number of techniques, crafts, and concepts. In this video RocketJump Film School cites examples from Aliens, Wizard of Oz, The Godfather, Lord of the Rings, and other well known movies, to demonstrate how filmmakers use "movie magic" to sell their scenes.
I haven't been writing very much lately, but when Swedish Commercial Photographer Erik Johansson hit me with an email about his recent creation, I had to stop and take notice. And I'm not the only one. For the third chapter of their miniseries, "Human Made Stories," Volvo (in partnership with Sky Atlantic) spent three days this summer documenting Erik's process as he breathed life into his latest piece, "Wake Up." Volvo's miniseries features defiant pioneers who inspire, do things differently, challenge conventions, and blaze their own trail. Yup, that sounds like Erik to me.
In their latest video, Film Riot's Frontman/Director Ryan Connolly comes to my backyard (Vancouver, BC) to film a truly epic bar brawl short. This entire series of videos is extremely useful when it comes to learning what it takes to film a quality short. The "Uncut Behind the Scenes" video is seriously my favorite of the bunch as you get a very candid look at every little detail and consideration the cast and crew had to make.
The Cooperative of Photography (COOPH) teamed up with Switzerland-based Street Photographer Thomas Leuthard as he hits the streets of Salzburg to demonstrate some of the techniques he uses to be a true ninja street photographer. Leuthard arms himself with a discreet Olympus OM-D E-M10 Mark II mirrorless camera to capture the essence of everyday life as it happens on public streets.
Canadian digital camera store, Vistek, has been interviewing photographers that have exhibits in the Scotiabank Contact Photography Festival, in an ongoing video series called, "The Story Behind My Photo." In case the series title hasn't given it away, Vistek asked talented Canadian photographers to take us behind-the-scenes and share the stories that go along with their photos. These videos are very brief, but are compelling, beautiful, informative, and often, humorous.
In this video, Filmmaker Matt Mangham runs down five important traits that every great director of photography should have. A director of photography (DP or DOP), also known as a cinematographer, directs the camera crews and is responsible for determining the overall artistic and technical aspects of a film.
In this Film Riot video, actor and director Ryan Connolly gives us the rundown on how to create a blind eye effect, similar to what we see happen to Arya Stark in HBO's, "Game of Thrones." Film Riot pulls this off in Adobe After Effects (although this tutorial can be applied to your compositor of choice) and without the use of painful contact lenses.
SLR Lounge founding partner, photographer, and retoucher, Pye Jirsa, walks us through a quick Lightroom tutorial on how to adjust a photo that has mixed light. How many times have you taken a group shot only to find one or two of your subjects were poorly lit because they were too far from the source light, hidden behind another subject, or from using multiple ambient light sources?
Watch YouTube star Julien Solomita follow behind-the-scenes as fellow YouTuber Keaton Keller of Tech Smart reviews the new DJI Phantom 4 Quadcopter obstacle avoidance feature. As a review, it isn't to be taken too seriously with Keller attempting to fly the drone into a tree, branches, a tripod, and finally himself.
When Arizona-based Photographer Chad Castigliano set out to help his wife's non-profit organization, Books To The Rescue Yavapai County, he had no idea that his photoshoot to raise funds and awareness would spread like wildfire. Fortunately for Chad, his good friend and model for the project was Wildland Firefighter Tim Wilson.
Host of The Camera Store TV (TCSTV), Chris Niccolls, has seemingly gone a little stir crazy while his Video Producer and bosom buddy, Jordan Drake, is out of town. To help him past the time, Chris takes a few old cameras, a large caliber rifle, and a Cognisys StopShot camera triggering system for a little hands-on field mayhem... I mean testing. Watch as Chris fires a few rounds, decimates a few cameras, and scores a few snapshots.
London-based Sports and Portrait Photographer Levon Biss wanted to see how he could take his commercial lighting techniques into the world of macro photography. After attaching a microscope assembly to the end of his DSLR lens and getting some samples from the Oxford University Museum of Natural History, Biss was able to achieve extremely detailed, high resolution three-meter prints of 10 mm insects.
Take a look behind the scenes as Photographer, Producer, and Marine Gunnery Sergeant Joseph DiGIrolamo documents the work of Photographer Matthew Callahan. Callahan is a U.S. Marine Combat Correspondent, who, when not telling the stories of the men and women who serve, is working on his personal fine art project, "Galactic Warfighters." This riveting photo essay is aimed at humanizing the fictional, faceless stormtrooper characters of the Star Wars galaxy.
We just can't seem to get enough of New York City-based Photographer David Bergman. Whether he's touring with Bon Jovi, shooting for Sports Illustrated, creating a 20,000-megapixel image, or just popping in with a quick tip from his "Two Minute Tips With David Bergman" series, David never fails to show us something worth our while. For his latest two-minute tip, he teaches us a quick and easy method for dealing with grey, overcast skies.
The Hitfilm crew, Kirstie Tostevin, Josh Davies, and Simon Jones take over Film Riot to bring you a kick-butt tutorial on how to create an Iron Man heads-up display effect with their free HitFilm 4 Express software. This eight-minute video takes us all the way from pre-production to post-production.