Whether you’re shooting on a cellphone or a RED cinema camera, picking the right frame rate is essential for a good finished video. Here’s a guide to choosing the right frame rate for any purpose.
When photographer Felix Renaud first discovered photography, a world of possibilities opened to him. With his background of drawing and cinema, he is drawn towards treating his images as if they were drawn from a film or inspired by a painting. He enjoys creating the ambiance and characters for his images.
It’s amazing what mid or entry-level hardware can deliver when you pair it with great software. The best software will be able to make up for some of the weaknesses and exploit every ounce of its strengths – ideally with relative ease. That's what we'll see here with Capture One's Luma Range tool.
I write a lot of articles about photographers not price cutting you, so I am going to try and approach this from the opposite direction. Here is how photographers are price cutting you.
Pitching can seem like a really scary thing to start doing. But I fully believe that anyone can pitch effectively, they just need to know how to! So today, I’m going to break down how to get started.
Making the move to being pro is fraught with the anxieties of not having the right equipment. So what equipment do commercial photographers use? Being a commercial photographer is pretty much as vague a job description as being an administrative assistant.
When using LUTs, one of the biggest problems is that many apps won't let you preview what they do before applying it. This makes the LUT choice and application slow and very unpractical. That was until Lutify came out with a solution!
Posing tables are one of those accessories you don't know you need until you get one, and then, you cannot live without it. The only problem: its cost. So, let's see how you can build a DIY version for under $60.
Photographer Aaron Anderson has once again created an amazing set of images that came from an idea he could not shake. It's often been said that anyone can do something once but to keep coming back with impressive results is what differentiates the best from the rest.
There's something exhilarating about getting a new client. I love the buzz of working with a new creative direction, team, and objective. But new clients are expensive, and repeat clients are where businesses thrive.
As I've written about recently, I'm pushing incremental changes that provide compound interest. One of the most effective of which I have been tweaking for some time, and it has paid off.
Silverware can be really pretty, but it can also be a complete pain in the you know what when it comes time to photograph it. This great video tutorial will give you numerous helpful tips to deal with distracting reflections on silverware.
As a professional photographer, I can quickly become disenfranchised by my working life while watching Internet photographers living the Casey Neistat life. Here are eight things I didn't expect.
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2019, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
There are two basic models for licensing photography. One is suggested by most professional photography societies and organizations while the other is decried as an unfair and unsustainable model by the same groups. For the past six years I’ve licensed my images using the unpopular model. In this article, I’ll explain why.
One of the most frustrating hurdles we deal with when shooting indoors is the strong color cast that incandescent light emits. I'm going to share with you a quick and easy fix in Lightroom (or Photoshop) to remedy that dreaded "orange glow" when white balance isn't enough.
Photography is a competitive field and establishing yourself is difficult even if you're not making mistakes. So analyze your business practices, with cold contact being a common problem.
For me, flat lays are the king of food photography. Telling a story with a large flat lay is a challenge, here is how I approach it.
Once again Fstoppers talks with cinematographer Gonzalo Amat about his work on the third season of "The Man in the High Castle." In this interview we will dive deeper into the technical execution of the project: preproduction and shooting. A significant part of the article will be on the way Amat worked on lighting the scenes.
Almost weekly I see an article online or a comment about how cheap photographers are undermining the industry or that they are ruining it for us.
Johnny Rico has not created any lists.
