Articles written by Jason Vinson
I was recently involved in a conversation via Facebook that centered around new camera gear and becoming a better photographer. The saying generally goes: “It’s not about the camera gear at all.” While I generally agree with this way of thinking, it’s not always accurate.
Every year, CreativeLive hosts an event called Photoshop Week that feature classes from world-renowned experts. These free classes range from beginner level classes to expert level education. While most people only get to see these classes through a computer screen, I got the opportunity to see first hand what goes on behind the scenes.
If you are like me, you probably get numerous emails and Facebook messages from people in India wanting you to use their services for your image editing. While these individuals may give outsourcing to India a bad reputation, I’m here to show you what it’s really like at the reputable post-production service provider that is located in Mumbai, India: Pro Image Editors.
When I first started shooting flash, I would lug my big studio lights and battery packs from location to location. But after a while, this became such a hassle that I stopped doing it. I instead settled for using a hot shoe flash or just shooting with no flash at all. But this may change now that Elinchrom has the new ELB 500 TTL. Not only does this light offer a significant increase in power compared to a traditional hot shoe flash, but it also does it with a much smaller package than standard studio lights while maintaining the benefits of TTL and HSS.
The long-running battle between camera companies is something that will always exist. Forums and article comment sections will always have some type of argument about who has the better high ISO or dynamic range, how Canon has better color than Nikon or why full frame is better than a crop sensor. But when it comes to how a camera company treats the end user, I think everyone could learn a lesson from Fujifilm.