Articles written by Usman Dawood
Over the last decade, we've had lots of new wide aperture lenses hit the market. Lenses like the Nikon 58mm f/0.95 make producing images with super shallow depth of field relatively easy. Even significantly less expensive lenses like an 85mm f/1.8 can produce beautiful, shallow depth in an image, but what if you want more depth?
This is probably one of the more frequent questions that I hear. For the most part, I get asked this question by beginner photographers, which is fine of course. Unfortunately, it's not always easy for me to give a straight answer, because there are a lot of factors to consider. Despite this, I think this video may help provide some answers.
Current digital medium format cameras offer some of the best in image quality. One of the big advantages that these large sensor cameras have is dynamic range. Most currently medium format cameras offer around 15 stops worth of dynamic range when shooting raw. How does medium format film compare to that?
When the Peak Design Travel Tripod was first announced and released, I did scoff at it. I thought it was nothing more than just an overpriced tripod. As someone who currently owns the Manfrotto Befree tripod, I thought this release from Peak Design was silly, to say the least.
It's not very often that I watch a video online and react by literally gasping and audibly saying "wow." Watching Captain America stare down Thanos and his whole army, in an IMAX cinema, on a huge screen, was the last time I reacted in such a way. This time, even without the huge screen, resolution, and quality, this video is simply incredible.
In general, the images that I find the most engaging are ones that have motion in them. In some images, the motion can just be implied and that still adds a whole new dimension. Motion can also add an element of storytelling to the image which how engaging it can be. This is why I believe, food images with motion get so much attention.
As the lockdown continues, many of us may be struggling to find ways to keep ourselves entertained. Worse than that is the fact that many of us may be feeling a little under utilized. It's probably not that easy to flex our creative muscles during this time, especially if your kind of work specifically requires you to be out and about.
When it comes to flagship cameras, most photographers tend to buy into one brand and stick with them. It's not very often that people who shoot with these cameras switch from one camera brand to another. A big reason for this is because familiarity is valuable and especially useful when shoots are critical.
When Pentax released its 24-70mm f/2.8 lens back in 2016, people quickly realized that it was little more than a rehoused Tamron lens without the VC feature. More recently, Pentax has announced that it's developing a new FA* 85mm f/1.4. Although there are certain physical similarities to a Sigma lens, I doubt that it's the same lens.
In a previous article I discussed how supermodel, Bella Hadid, was being sued for posting pictures of herself on Instagram. I also talked about how this is seemingly becoming quite a frequent occurrence. I believe this is mostly due to the fact that most people don't seem to understand how copyright laws work.
Previously, we compared a 4x5 film camera to the Canon 5DS R, and the film camera was able to produce incredible results. We mostly focused on the differences in depth of field for that comparison. With 4x5, you're able to produce beautiful bokeh and extremely shallow depth of field. In this latest video, we decided to look at the differences in resolution.
This year, Fujifilm has released two exceptionally good APS-C cameras. In my view, these are the best crop sensor cameras currently on the market. As more and more people get their hands on these cameras, problems relating to overheating seem to be surfacing with the Fujifilm X100V.