Last week Apple unveiled the iPhone 7 and 7 Plus, the later featuring a 28mm wide-angle and a 56mm “telephoto” lens, and both sporting a faster f/1.8 aperture with a 12-megapixel sensor. At today’s Titans-Vikings game, Sports Illustrated photographer David E. Klutho shot some of the first images with the iPhone 7 Plus before the phone’s September 16 release date.
Articles written by Ryan Mense
Over the past few years, the team at SmokyMountains.com have created a map showing time predictions for peak fall colors in the United States. The 2016 version of this interactive map is now live just in time to make those camping reservations or other travel plans to get the best photos of the season.
Expanding upon the high-end manual focus line of Milvus lenses for DSLR cameras, today Zeiss announced they are adding three new additions. These new lenses — a 15mm f/2.8, 18mm f/2.8, and 135mm f/2 — will feature the same solid optical quality housed within a beautiful barrel design that the Milvus line is known for. Created for both high-resolution photography and videography, the new lenses will begin shipping at the end of October.
Continuing their approach of creating high-value products that people can’t seem to get enough of, Sigma has introduced a whole new line of CINE lenses specifically designed for cinematographers. The new lenses come in three different categories: the High Speed Zoom Line, the FF Zoom Line, and the FF High Speed Prime Line. In total, eight new CINE lenses have been announced and we have all the details right here from the announcement.
First launched in December 2013, the Tamron SP 150-600mm f/5-6.3 Di VC USD ultra-telephoto lens is now seeing its first update. The second generation (G2) lens will feature improvements to several areas including faster speed and better accuracy. Canon, Nikon, and Sony A mount versions of the lens start shipping September 28 at a cost of $1,399.
Today the Sony Digital Imaging team announced their latest lens addition, the FE 50mm f/2.8 Macro for full-frame E-mount cameras. Shipping at the end of September, the new lightweight macro lens will offer a 1:1 reproduction and 6.3-inch minimum focusing distance. See all the specifications here as Fstoppers gets a first look at the FE 50mm f/2.8 Macro.
Today DJI is adding an upgrade to their Osmo handheld gimbal with the new Osmo Plus. The Osmo+ features a 3.5x optical zoom camera with an extra 2x digital lossless zoom (while shooting 1080p), which gives it a 22-77mm focal length. Now available for $649 on the DJI website, the Osmo+ is an $80 increase of price over the regular Osmo handheld gimbal.
Due to be released in the fall of 2016, Wine Country Camera’s Filter Holder System is a smartly crafted piece of equipment that is seeking to go beyond anything else currently on the market. I never realized that filter holders could be so awesome until seeing what this could do.
Let’s be honest with ourselves. We don’t always need to bring four or five lenses, two camera bodies, and a portable lighting studio with us every time we leave the house. Sometimes it makes sense to own a lightweight secondary grab-and-go day pack that offers more than just camera storage. In this article I take a look at the Mountainsmith Spectrum, a $90 split-use backpack that’s ready to rock.
Announced today, Nikon has updated their popular entry-level D3xxx series of cameras with the new D3400. Highlights of the new DSLR include always-connected Bluetooth for automatic sharing with mobile devices, double the battery life of the previous D3300, and image quality that is a step up from mobile photography. The D3400 will come with a new Nikkor DX 18-55mm f/3.5-5.6G VR kit lens and cost $646.95, with the option to also add on the new Nikkor DX 70-300mm f/4.5-6.3G ED for a total of $996.95.
In September, Samyang will ship a new full-frame 14mm f/2.8 autofocus lens for Sony E-mount. The lens will have Ultra Multi Coating, be compatible with contrast and phase detect autofocusing, and be shorter in length than the non-AF version. With the popularity and image quality of their 14mm f/2.8 manual focus lens, this is a welcomed addition to their lineup.
As the curator for the Fstoppers Photo of the Day and our Instagram feed, I happen to read a lot of comments and criticisms thrown out at images by semi-anonymous people from all over the world. One thing I can be sure of is that when I post an image that is a composite or incorporates some sort of digital art, some people get offended. This is ridiculous and needs to end for photography to continue growing.
Never underestimate the smartphone as a tool for video. That’s the lesson we learn from “Flying Into Dusk,” an impressive aerial short film completely shot using the iPhone 6s. With the use of a stabilizer and the Filmic Pro app, filmmakers Toby Harriman and Jaron Schneider have created a 4K high-quality video that rivals those filmed with far more expensive gear.
Announced today, Datacolor is introducing the Spyder5CAPTURE PRO bundle for a managed color workflow from capture to editing. The new product includes the Spyder5ELITE colorimeter, SpyderCHECKR, SpyderCUBE, and SpyderLENSCAL. Shipped together in a foam-padded metal case, this bundle is selling for an introductory price of $269.99, which is normally the cost of just the Spyder5ELITE alone.
To preface, most professional photographers are of course only doing their best to help others when they speak from past personal experiences and while giving advice. However, even the most well-intentioned words from somebody may create negative consequences for the listener. Sometimes it’s not even in the words, but the examples they tell through their actions. When it comes down to it though, you must always remember: Don’t let anyone — even the professionals — ever give the final say in how you do your photography or run your business.
If you need a break from the overly technical photography articles that seem to have taken over the Internet, look no further than “More Than a Rock: Essays on Art, Creativity, Photography, Nature, and Life” by Guy Tal. This brilliant 256-page book is filled with topics that can both enlighten your artistic mind as well as challenge your views on the craft of photography, and I could not recommend it more.
Sometimes photography can be difficult, but what keeps us going is our passion for creating images that satisfy something inside us. However, if your passion happens to be wildlife photography, then you have a whole other level of difficulty coming your way. Come to think of it, there are so many valid reasons to abandon this passion and yet, this group of photographers persevere and do it anyway. Here are 10 reasons why wildlife photographers are crazy and why we can’t help but respect their pursuit of happiness.
The Nikon Coolpix P900 has one monster zoom lens. With a 24-2000mm 35mm equivalence, this hybrid point-and-shoot camera really opens up the possibilities of what we are capable of capturing. In a new video from Sci-Tech Universe, we are able to see just how astonishing the results can be when they record video of the moon at full zoom.