There's a tool in Lightroom you have likely never touched or maybe just don't understand its purpose. The calibration panel is something I use in nearly every single photo I edit; let me show you why.
If you're a landscape or architectural photographer, you're probably quite used to using filters to control the look of your images. A good polarizing filter, for instance, can have a dramatic impact on your image. Portrait photographers, for the most part, tend not to use a lot of filters, and this could an area where they could experiment more.
If you have never had the chance to shoot portraits with color gels, then this quick tutorial will let you achieve similar results in Photoshop.
Working as a commercial photographer during the COVID-19 pandemic requires a healthy dose of creativity, and commercial photographer Kate Woodman, known for her conceptual images and mastery of color, is using that creativity to navigate how she can still be a viable resource to the industry while keeping an eye toward the future.
Karl Taylor brings us this great video about natural light portraits, and the one tool he feels is essential for shooting into the light.
Lightroom is a great piece of software, when it works. In my case, it's an essential piece of my workflow for photography. Unfortunately, it's got some major quirks. Some can be particularly frustrating to solve — here's 3 weird tricks that helped when I ran into an issue.
Mary Bel is a single mom of 2 teenage kids, works full time, and finds a small glimpse of love, through self-portraiture.
A successful portrait takes the confluence of multiple factors, including lighting, composition, location choice, posing, expression, and more. This excellent video will show you how location scouting, composition, and posing came together to create two portraits and give you some helpful tips for your own work.
A long time ago, I got to visit a friend down in the south of England. We drank (quite a lot of beer), we ate (lots of chocolate brownies), and we set up to shoot a moody portrait.
"Men Wanted For Hazardous Journey: Small wages, bitter cold, long months of complete darkness, constant danger, safe return doubtful, honour and recognition in case of success." Do you think you’d answer this ad if it popped up on Indeed or Monster?
Let's face it, when you're in business as a portrait photographer, the person who usually ends up in front of your camera is not going to be a professional model. That's why it's all the more important that you can give a regular person the guidance they need to look and feel like a superstar.
Nathan Elson, a commercial photographer from Calgary, Canada, just posted a great no-nonsense tutorial outlining his basic lighting set-up. Oh, FYI, there's also a great contest that Elson has put together with Strobepro. Go take a look.
How do you spot a good retoucher from a novice? It's in the skin. Sure, that’s an oversimplification, but one thing that separates the best from the lesser is how they treat skin.
Sony in part led the way for highly customizable cameras that are commonplace on the market today. While there are many different ways to set up a Sony, these are my top three custom settings that I share with you today.
If you're struggling to get the likes, followers, and comments you'd hope for on Instagram then there may be a few things you're doing wrong on the social network. There are definitely a few tricks that can help you grow but also a few things you should avoid at all costs.
Whenever updating software, it is wise to be careful and make sure everything works as expected. Updating Photoshop had recently caused me a pretty serious issue that reminds us of how much our workflow can be affected by something as simple as a software update.
Adobe recently released the new version of Photoshop, and it is relatively faster and smoother than the previous versions. However, it might still crash.
Photography can become ridiculously expensive with gear and props and all the other necessities. So when there is a chance to save, I save!
As is the case with most photographers, I have my usual go-to light modifiers that I know are a safe choice and can guarantee usable shots. However, sometimes, you need to step out side the box.
Selecting and masking hair on a solid background isn't too terribly difficult, but doing it over a non-uniform, complex background can be very hard. This great tutorial will show you how to select and mask a subject's hair and convincingly composite it into another image.
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