Has anyone ever told you that you're cheating when you apply any post-processing to your image after the initial capture of that image? Well, the reality is that what you were told is completely true. You see, for decades, cameras have had the innate ability to perceive what the scene should look like. In fact, all cameras have always been built with special recognition and reproduction capabilities that quite literally take all the hard work away from the photographer. This leaves you, the photographer, with a much easier job. The advent of the Edit Photo button within Photoshop is simply another way that technology has made our job, as photographers, much easier.
Articles written by Rex Jones
I'll be honest, when it came to shooting swimwear, I went straight to Pinterest looking for whatever ideas and inspiration I could find. Swimwear is different enough from the other types of shoots that I was typically shooting that I really had no idea where to begin. Granted, my clients weren't clothing line companies, so I wasn't aiming for the more routine, catalog-style shots. Since the people wanting the shots were the models themselves, I wanted to make sure that the end results looked as good as possible and hopefully a bit more stylish.
I've actually had quite a few people request that I create a tutorial for my production processes wherein I add background textures into my studio shots. I know, it has taken me forever to get around to actually putting it together, but it's here now! The tools that I will go over in this tutorial are quite handy for a variety of uses. But for this tutorial, we will specifically use them to select and mask the background in a studio portrait shot.
I think most photographers understand the desire to continuously acquire piece after piece of equipment. Looking back at my trip to Yellowstone, of course there are several lenses and at least one other camera body I wish I would have had for that trip. However, at the same time, I am pretty pleased with the images I was able to capture with the gear that I had while out exploring that beautiful place.
It's been several years since I first had the chance to visit Yellowstone National Park, but I can honestly say that it was an incredible experience throughout and I can't wait to go back. The trip to the national park was honestly a game-changing experience for me and how I approach my own landscape photography. I learned so much on that trip, not necessarily about my gear, but about what to shoot and how to capture it in a way that would help me really remember what it was like to see things in person.
When it comes to processing your digital images, there are so many tools available to you and sometimes the process can seem a bit convoluted. Personally, I like to use a mix of both Adobe Lightroom and Adobe Photoshop to make the most out of my images. Perhaps I'll throw Capture One in the mix one of these days, but for now all of my postproduction work is done using Adobe software. This brief tutorial goes over one of the lesser-known tools that exists both in Lightroom and Photoshop, the Dehaze tool.
Sometimes when you're out shooting that epic landscape, in order to capture the entire view, you need to shoot a series of images on location and then stitch them together afterwards in post-processing. I think we've all been there. Depending on which lens you're using, that can create the particularly frustrating challenge of dramatic image distortion. In a nutshell, the wider focal length of the lens, the more distortion you are likely to see when stitching shots together.
There are quite a few different photography communities here online where you can display your work, create a portfolio, and even enter photography contests. Is it really necessary to join all of them? Managing portfolio accounts across multiple platforms can be quite a chore, especially if you want to keep them all current.
You've probably seen some pretty comical behind-the-scenes images of the kinds of positions photographers put themselves in just to get a shot. They climb trees, hang off cliffs, stand in the middle of rivers, lay down in the dirt, all just to frame up that perfect shot. Well there's almost always a reason behind the madness and sometimes those reasons end up having a much bigger impact than most people might expect. Sometimes it's about getting a really intriguing angle on a particular subject, but I find myself laying in the dirt quite a lot just so I can create a composition that carries more depth. Let's compare a couple different shots that can help make some sense of this.
In a time where it so easy for anyone to get ahold of a camera, where short films are literally being shot on cell phones, it can be tricky to figure out where to start when you want to create your own short film. Short films can be a great way to get noticed, they can be the perfect way to get your foot in the door at film festivals, and they can be a whole lot of fun to put together! However, since there are thousands of people out there wanting the same attention for their film that you want for yours, it's important to think about what will really make your short stand out against all the others.