No matter the sneaky techniques you use to get around it, sometimes eyeglass reflections are just impossible to avoid when photographing people. It’s always best practice to have the client remove the glasses for a single shot so that you have some bare eyes to work with in Photoshop, but for times when this is just not possible or you simply forget to take that extra step, this video will guide you through some great ways to fix that glare, without a ton of cloning or eye-swapping.
If you are just starting out in photography and looking to build your portfolio, models may not be jumping at the chance to shoot with you to help you build your portfolio, so you may ask friends to help you out and be your models. Whether you're working with friends or as a portrait photographer shooting non-models every day, getting your subjects to be comfortable in front of a camera and to nail some killer poses isn’t going to happen naturally for most.
When getting into videography, the most challenging part tends to be the sound, especially for us photographers. With the latest Adobe Premiere Pro update, auto-ducking has been brought from Audition to make transitions between audio clips smoother and easier than ever before.
When shooting landscape, I’m sure there have been times when you wished you had a wider lens to capture the reflection of the view in a lake. Don’t be full of regret, and try to look for another solution. One way could be to capture multiple shots and the other to rely on Photoshop. In this article, the guys at Tech Genie will show you how you can create a stretch of water from scratch.
Most tutorials available for free on YouTube explaining how to color grade your footage are just ways to sell LUTs, presets, or to show you how to add teal and orange to your clips. Nate from Tutvid decided to make a more comprehensive video to help you get started with Adobe Premiere Lumetri tool so you can grade any of your videos the way you want.
Some model poses seem to pop up everywhere repeating across different mediums and across decades. Many photographers deride these posing cliches, but these cliches can be useful on fashion and other model shoots, especially when working with new models still learning how to move. They can help create serviceable images when you are stuck for ideas or when you need shoot a series of good looks in a short period of time.
Going through retouching related Facebook groups, it seems like the frequency separation trend is fading away. Some people even call the images edited with split frequency "filtered" as if it was as bad as using some kind of filter. Instead, many are learning to grow some appreciation for the art of dodging and burning. It’s said that with the latter, you won’t lose skin texture and it’s not destructive. But if it really is this great, how can some people still manage to have a plastic-like effect on their model’s skin? Let’s have a look at the most common mistake that may keep your images from that sought after natural look.
One of the most obvious telltale signs of an unprofessional commercial or product image is color. The most famous and readily cited issue is color grading, but it's not the only problem and the uniformity of color is often neglected. That is, the even color of the object or two objects' colors truly matching. As always, I will couch my method in the sentiment that it may not be the optimal technique, but it works very well for me.
I'm back today with another utility Action for you all to download, for free, and see how it works for you. It deals with luminosity mask level control of what I often call the Big Three of image control: highlights, mids, and shadows. It's the most common use of luminosity masks, so, why not streamline it into an Action?
In Part 1 of my Instagram Tips series, three sure-fire tips were shared to grow the right following, the right way on Instagram. One of the methods was to use the correct hashtags for your audience. This week we're diving a little deeper into what specific hashtags will work best for you based on specific genre. Get your notes out and lets go!
It's strange to think that I have been a photographer for over 10 years now, yet I have never printed my own work larger than an 8x10. Unfortunately we live in an age where sharing low res digital photos on social media has become the end all be all for the majority of our images. Recently I decided to celebrate some of my favorite personal photographs by printing them LARGE and installing them in the Fstoppers Studio. The resulting 60"x40" acrylic prints I made through WhiteWall.com has me wondering why it has taken me this long to install fine art on my own walls.
When retouching, it is not rare to come across color problems on a model’s skin. Whether it is from a sun tan, dodge & burn, spots or skin discoloration issues, it can be really painful to treat it in post. Despite being all about having it right in camera and doing as little as possible in post, there is an easy way to correct this in Photoshop -- a method that is going to make your makeup artist want to stop correcting redness, yellowness or under-eye bags. It is so easy to use you are going to wonder why you did not think of it earlier!
If there is one thing I get asked, and that has been answered online time and again, it's "How do I get my photos to look like I want them to look on Facebook?" followed immediately by "Why does Facebook ruin my photos anyway?" and finally "I just want my photos to look awesome on Facebook." The bottom line is, Facebook does give us options, loopholes if you like, and we just need to adhere to them and our images will look stellar. But, what are these magical settings? I decided I was going to fuse my two careers together into one article, and explain it all as best I can.
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