With the upcoming release of “Off the Tracks,” a documentary that chronicles the seismic shift that Final Cut Pro X introduced to the video industry in 2011, there been some chatter, even here on Fstoppers, about the video editing software’s place in history. I don’t have any qualms about its place in history: Simply put, it deserved better than what it got, which was heaps of shame, blame, and ultimately denial.
Articles written by Wasim Ahmad
When you’re starting out as a photographer, it’s natural to lust after the lenses at the top of the food chain. You know the ones. Sometimes they have red rings around the front, or they are the portrait lens that can obliterate a background. Maybe you want the zoom lens that can survive a monsoon.
It’s happened to all of us – you’re driving, in a hurry to get to work and you pass by something you see every day and think “I’m going to shoot that." Except that you never do. Just like we’re always told to “stop and smell the flowers,” it’s something that’s also true for photos. Photos exist to show a moment in time – and if you wait too long, that moment will be gone forever.
The Nikon KeyMission lineup was announced in January 2016 at the Consumer Electronics Show and left many people scratching their heads. Hadn’t GoPro tried this action camera thing before? Overshadowed by the confusing press around the KeyMission 80 and the KeyMission 170, however, was a gem in the otherwise oddball KeyMission lineup, something unique that got lost in the shuffle, the KeyMission 360. It’s a true 360-degree camera that captures spherical video without any gaps in the footage, something that wasn’t as common in consumer 360 cameras at the time. So after many months with the camera, how good is it, and how does it compares to its nearest competition, the Samsung Gear 360?
Wedding photographers make the worst wedding guests. I know that when I’m at a friend’s wedding, I have a hard time turning it off. And no one should make me - least of all the hired guns photographing the bride and groom for the day. If that sounds blasphemous, let me explain.
If you’ve been following the recent news about Panasonic, it’s possible to believe that the sky is falling over at the camera division, only to find out directly from the company it’s not, but then – reading between the lines – realizing it probably is a bad situation either way. A large, 4/3-sized chunk of the photo community is probably asking how it got so bad – didn’t the company just come out with the killer Lumix GH5?
Apple’s MacBook Air isn’t long for this world. When Apple announced its new lineup of MacBook Pros in October, absent from the update party was the MacBook Air. In fact, Apple quietly removed the 11-inch model from the website around the same time, leaving only the 13 inch to soldier on for the time being. It's not a good sign for photographers invested in the Apple ecosystem (that’s a lot of us) looking for a road-warrior laptop.
With the prices of 360-degree cameras dropping every day, and more people embracing the medium, it was only a matter of time before more video streaming services joined the 360 party. Showing up fashionably late is Vimeo. The company announced support for 360-degree video on its blog yesterday.
When Canon announced the 77D as part of their Valentine’s day gift to photographers, many were left scratching their heads – Where does it fit in the lineup? Is it an amped up Rebel T6s or a toned down 80D? Wait, there was even a camera called the T6s? To answer that second question, it’s a little bit of both.
Seems like protests are a pretty regular thing these days, and so there’s a lot of chances to photograph history in the making. So when you’re photographing a big news event, how do you get a picture while wading through the big-news crowds? Try using a monopod. I'll explain.