It’s no secret that the photography industry is struggling right now. People are taking more photos than ever, but not on actual cameras. That’s where the photography community can step in and change things by adopting this new year’s resolution: introduce a loved one to photography this year.
Articles written by Wasim Ahmad
I’ve always known about Google’s Night Sight mode on Pixel phones as a method to take pictures in near darkness, but it seemed somewhat overkill in daylight. As it turns out, it can actually push your pictures to DSLR-like levels of detail and sharpness if you use it right.
I’ve been exploring alternative workflows to Adobe Photoshop ever since the company forced a subscription model on its users several years ago. For all its bugginess and performance problems, I keep coming back to it, because it still spits out the highest quality images for my purposes. But some of the competition is nipping at its heels.
In 2019, it’s almost unthinkable not to be shooting 4K video, even if it’s not the final resolution of the video you’re delivering to a client. While I’ve made 4K editing work on something even as lowly as a 2013 Macbook Air, chances are, you’ll want a little more horsepower than that. Here’s a video that has you covered on building your own budget 4K editing PC.
It must have seemed like a gift from the business gods when Google didn't include a wide angle lens on its Pixel 4 series. It meant that third-party phone lens manufacturers such as Moment could sell a boatload of their own take on this specialty lens to new Pixel owners jealous of the iPhone's new third lens.
There’s no question that the New York Times photo of American diplomats William Taylor and George Kent, where they detailed their uncomfortable and suspect dealings with President Donald Trump’s handling of a phone call with the president of Ukraine, is going to be one of the iconic ones of our time. There’s also no question about who overwhelmingly seems to dominate the photojournalism field based on this photo: white men.
The Canon EOS R gained Sony-like AI Servo Eye AF with a firmware update earlier in the year, and now, photographer Manny Ortiz takes a look at how it performs. The short answer is that it’s definitely way better, and he says as much, but the real reason to watch the video is to see Ortiz in action on a portrait shoot. It’s fascinating.
I’ve been impressed with the computational imaging I’ve seen with the Google Pixel’s “Night Sight” mode. I’ve also been scared, because there are times where the images that it captures have no correlation with reality, and therein lies the danger of this emerging technology in smartphones.
I’ve always passed on 35mm prime lenses. On paper, they always seemed too close to what I could already capture with my phones or what’s duplicated in my 24-70mm professional zoom lenses. It turns out, I didn’t know what I was missing until I tried out the Tamron SP 35mm f/1.4 Di USD lens.
There’s been a tug of war in the last few years in photojournalism. On one hand, you have the skill and excellence of craft with photojournalists doing their jobs with professional DSLR and mirrorless cameras, and on the other you have reporters doing a “good enough” job with smartphones.
I’ll admit it, I’ve jumped on the MacBook Pro bandwagon a lot later than most. Just a couple of years ago I was beating the drum about how great the old Macbook Air was for photographers. The thing is, after a few weeks with the 13” MacBook Pro, in some ways, I still feel that way.