I’ll admit it, I’ve jumped on the MacBook Pro bandwagon a lot later than most. Just a couple of years ago I was beating the drum about how great the old Macbook Air was for photographers. The thing is, after a few weeks with the 13” MacBook Pro, in some ways, I still feel that way.
Articles written by Wasim Ahmad
Ever since I bumped into the limits of my memory card at a wedding when I forgot to format it, I’ve been extra cautious about making sure I format before every shoot, which has served me well, except when it didn’t this past week, and I wiped out my children's first trip to Adventureland by accident.
Love it or hate it, Donald Trump’s salute to America was clearly a spectacle, one that provided for ample excellent photo opportunities. Which makes it completely perplexing is that the only photos the president chose to share of the event for more than two days after were grainy cell phone photos.
When Canon and Olympus were experimenting with live view on their cameras in the mid-2000s, it seems almost comical now that they didn’t think to record video with the feature that already existed on their cameras. History is repeating itself, but this time with the lowly pop-up flash.
You hear it all the time from photographers across the entire range of experience: “I don’t Photoshop my photos.” That photographer is most likely afraid of Photoshop or afraid to disclose that they Photoshop images, and so instead they wrap themselves in this puritanical line as cover.
By now it’s common knowledge that when shooting film, it’s important to not underexpose to hold on to shadows, and for digital it’s key to save the highlights. I’m going to advocate, however, that with modern digital sensors, it’s prudent to shoot underexposed all the time.