It could just be the YouTube algorithms playing a trick on me, or it could actually be a thing, but I’ve been getting a lot of videos telling me why the Fujifilm X-T1 is still an awesome camera in 2020, despite being six years old. And you know what? It actually is still pretty awesome.
Articles written by Wasim Ahmad
Here in the United States, the coronavirus is still (ostensibly) keeping people at home, and that means lost gigs and fewer chances to shoot outside. But that doesn’t mean you can’t get creative at home. If you want to challenge yourself using only your phone (or if that’s all you have), here are a few tips to create some interesting images with minimal tools.
I’ve covered protests in my time as a photojournalist and photojournalism educator, and there are always a chorus of conspiracy theorists postulating that by posting photos that show protestors’ faces, you’re setting them up to later be hunted down and killed and/or imprisoned. The thing is, a leaked phone call on Monday of President Donald Trump talking to the nation’s governors has all but confirmed that this is happening, or at least that the ostensible leader of the U.S. government wants this to happen.
In the automotive world, there’s a saying that there’s no replacement for displacement — a bigger engine is a bigger engine, and that’s all there is to it. One can say that this is the approach that Kandao is taking with its new QooCam 8K: more resolution and larger sensor sizes that make for quite an appealing 360 camera on paper and, as it turns out, in real life too.
There’s been lots of (digital) ink spilled about how great Fujifilm cameras feel to use. While I share many of those sentiments, there’s another seemingly oddball camera brand that I find myself reaching for, even when I have (ostensibly) much better options available: Olympus. Here’s a look at why I often find myself reaching for the company’s pint-size powerhouses.
The new iPhone SE looks mighty tempting to photographers hanging on for dear life to their older generation iPhones. It brings the promise of combining the smarts of the A13 Bionic chip with a single camera unit in a body similar to the iPhone 8, but does that help it’s photography any? Not much, it seems.
The first time you do anything, you’re bound to do it poorly. The first time I shot football, I thought a 1/200 s shutter speed would be perfectly fine to stop action. The first time I shot portraits, I thought my f/1.6 photos were perfectly sharp (they were not even close). And the first time I flew a drone was a catastrophe worse than both of those experiences.
Like many photographers in quarantine, I’ve been trying to get creative without the ability to get out. I’ve had a lot of gear sitting around that doesn’t get much use, and so I’ve gone through my boxes to dust them off and see what’s possible. One gem I had forgotten about was the FotodioX Mount Adapter that lets me mount my Nikon F glass to my Micro Four Thirds cameras.
The Fujifilm X-T200 looks like it swallowed an iPhone. With a screen size that matches that of a previous-generation iPhone 4, it might as well have. It's this screen that is the camera's most significant selling point, boldly signaling to smartphone users to put down their poor, small-sensor cameras to embrace this instead. It primarily works for its intended audience, with a few caveats.
We all live in Zoom right now. With the global pandemic, chances are your client meetings aren’t happening in person anymore. But while your photography gigs may have temporarily dried up, you still have to put your game face on, even if it’s via videoconference. Here’s some gear to help you do that.
Photojournalism is a contact sport. Or at least it used to be, before the coronavirus rolled into town. Despite the health risks with taking photographs of people in close quarters or crowds, photographers at news organizations around the country are still, more or less, on the job.
Being a photographer with a “real” camera always carries risk. People well within their rights to photograph in public are harassed online all the time. I’d argue, though, that being a brown person in the United States adds an extra layer of risk that other photographers don’t face, namely fears that you’re a terrorist taking photographs to plan for a future attack.
When I’m working with new photographers, something I’ve noticed is how carefully they store their DSLRs by removing the lens, placing caps and covers on everything, and gingerly ensconcing their entire setup into a branded bag. Sometimes they’ll even remove the battery and SD card, too. I can’t remember the last time I’ve stored cameras this way.