You have been dreaming of shooting underwater for a while, but waterproof housing is too expensive, none seem to fit your huge rig, or you can’t find one with which you can trigger your strobes. Then check out this trick.
Getting into medium format is quite costly. It’s difficult to know if the investment is going to be worth it and if it’s going to match your current workflow. Medium format has a tendency to slow you down, kind of like film. When I tried my first Phase One, I couldn’t afford one. So I went with the cheapest alternative I could find, the Mamiya RB67 Pro-S. Here’s why I’m glad I made that move but also why it doesn’t replace a digital medium-format system.
As raw processing software for wedding editing or batch editing in general, Capture One has nothing to envy from Lightroom. Quite the opposite, it’s perfectly tailored to help wedding photographers get a fast and efficient workflow.
The Retouching Toolkit is, without a doubt, the best Photoshop extension I have tried yet. It helps streamline one's editing workflow, improves Photoshop's interface, and with the latest update, it's getting one step closer to becoming the only Photoshop plugin you could ever need.
For months, I’ve been looking for presets that would work in most apps I use to edit my videos and photos but couldn’t find one. That was until I discovered Lutify.me and its LUTs made compatible with Capture One and Lightroom.
Elinchrom has been renowned for its light shapers for a long time. Many photographers have been using the Rotalux line of softboxes even on other, more expensive strobe brands such as Profoto or Broncolor. The Rotalux system was also known for its quick and simple way of assembling the boxes. A couple of months ago, the Swiss brand announced a new line of light shaping tools: the Litemotiv. They might look very similar to the Rotalux system, but they are very different in many ways. Elinchrom was kind enough to lend me both sizes — a 120 centimeter softbox and a 190 centimeter softbox — and give them a try. Here are my impressions after a month of use.
When switching from Lightroom to Capture One, I hear many users complain about not being able to bring their presets into their new photo editing software of choice. Well, thanks to Picture Instruments, it's now possible!
Ever wondered how to create your very own LUTs using only Photoshop? Look no further, Unmesh Dinda at PiXimperfect just released the perfect short and easy to follow tutorial for you.
It still boggles my mind that Adobe hasn't added color wheels to Photoshop in 2019. It's a tool loved by colorists and video editors, yet photographers are forced to rely solely on curves and sliders instead. Fortunately, the guys at Retouching Toolkit fixed Photoshop once again.
Publishing high definition pictures on the web always seemed to be an issue. Both in terms of speed and quality. Full-resolution files could never really be enjoyed through the Internet without having to compromise either on the quality or the experience for the viewer. But that is about to be a thing of the past! A solution finally exists, and it solves pretty much all the problems we used to have on the web and our 20-plus-megapixel pictures.
Transforming one image look into a LUT can be a daunting process for people who don’t know much about LUTs (Lookup Tables). According to this video, Picture Instruments came up with something easy to help you give any of your pictures or footage the look of another image.
Getting perfect skin tones can be quite time consuming and difficult. Because everyone's skin complexion is different, the corrections needed will be different every time. Even so, there are some recurring problems such as over-saturated reds in darker tones. A great makeup goes a long way in helping with redness, but sometimes it is not enough. The best example is the red seen in the ears when the model is backlit. Because of the nature of skin and the human body, the ears are going to turn red and no makeup will totally solve that. So let’s see how we can correct that very effectively and quickly using Photoshop.
Drones have grown into a standard item to own not only for videographers, but also for many photographers. Most have used them to capture images from the sky or places hardly accessible otherwise. A few have played around with these small machines to light their subject in a unique way, just like our very own Patrick Hall did when lighting a lighthouse with a DJI Phantom and a Nikon strobe. Photographer David Robinson took this to the next level and strapped an Elinchrom ELB 400 to an octocopter.
Current cameras' sensors are getting better year after year. Unfortunately, they cannot create noise-free images at high ISO just yet. I am sure the day will come soon, but in the meantime, there is a very simple technique using Adobe Photoshop or Affinity Photo to create the illusion of a clean file.
The Elinchrom Indirect softboxes are quite well known amongst fashion and commercial photographers. Especially the 190 octabank. Recently Elinchrom revised its indirect lineup and renamed it Indirect Litemotiv. The Swiss brand offered me the chance to play around with the whole line of Indirect Litemotiv for a little over a month. I must admit, these are great light shapers, and I did not really want to give them back. Are they the ultimate softboxes? I would not go this far, but they are very close. Here is why.
