Since Apple's keynote I have made two videos about the iPhone 18 Pro's new variable aperture lens, and in both of them I made predictions about how it would actually perform. Both phones are now sitting on my desk. I shot the same scenes on the 17 Pro and the 18 Pro, indoors and outdoors, at every aperture the new lens offers, then pulled all of it into Lightroom and zoomed to 400 percent.
Laptops have finally gotten fast enough to be true desktop replacements. The one problem is that no laptop can connect to everything on your desk. A MacBook might only give you two or three USB-C ports, so you are going to need a dock.
Today, Canon announced a new full frame body added to the EOS lineup, the Canon EOS R8 Mark II camera. And I got my hands on one for an early look.
Does the REEL Paper 8 from Vintage Visual really let you make prints up to 12x16 inches from virtually anywhere? I took this unassuming photographic tool into the heart of the Nantahala National Forest to find out.
I suppose life is full of “what ifs” and “could’ve beens.”
Shooting wildlife from the passenger seat of a car usually means wrestling with a massive lens that takes up half of the cab. I recently took a slow cruise through the Lake Apopka Wildlife Drive to put two new, unreleased Sony GM lenses to that very test.
Reliable and well-engineered gear is something all landscape photographers rely on. This is especially true when we consider investing in the accessory that keeps our cameras secure and stable.
Today, I wanted to take a break from discussing the cameras that capture our images and look at one of the tools used to make those images better. Let’s have a look at the Peak Design Travel Tripod.
What if you could replace your heaviest ultra-wide rig with a single, highly specialized piece of glass that fits in the palm of your hand?
Leica is in a tricky position when it comes to creating a new M camera. The fanbase welcomes new models, but Leica knows that if they stray too far from the essence of the M, users may reject the new model. The M5, introduced in 1972, made dramatic changes from the design of the previous M4 model and met relatively weak demand.
For photographers working on location, reliable power is no longer a luxury; it's an essential part of the process. Between strobe or LED lighting, tethered laptops, battery chargers, drones, mobile devices, and client comfort equipment, power requirements can quickly become substantial, especially during long days on location.
In the age of AI editing and retouching, high-resolution pen display tablets still offer an irreplaceable user experience. This one from a brand called GAOMON checks a lot of the boxes of what we look for.
If you had a camera that only shoots in black and white, would you be satisfied with it? Let’s talk about what such a camera can actually bring to the table.
DxO is making PhotoLab 10 available today, with some solid new features and improvements to the existing ones. PhotoLab has become increasingly popular among raw editors because of its power and the inclusion of the DxO technology that adjusts for specific lens and camera combinations.
It’s been over a year since we reviewed the AGO Film Processor from Vintage Visual. Is this mobile film processor still a good buy in 2026? I’ll show you the good, the bad, and even the ugly about the AGO.
This budget-friendly zoom lens is currently doing something that Sony didn't even do with its own version. I'm talking about the Thypoch Voyager 24-50mm f/2.8.
When Sony released its 24-50mm G lens, a lot of creators were excited about the compact size and versatile focal range. But it features an extending barrel when you zoom, and that became a point of complaint for me.
More and more shooters are moving toward lighter, more mobile setups rather than hauling heavy gear to every location. SmallRig have just released their new EDC PRO kit, designed around their Outra 25 camera backpack, I was curious to see whether a curated "everyday carry" system could cover the changing needs of digital creatives.
Many photographers have felt the need to produce content in order to become more visible online and, consequently, to more potential clients. If you haven’t tried using a 360 camera, it can be the easiest solution for capturing behind-the-scenes footage.
I'm some kind of glutton for punishment. I've reviewed all manner of cheap cameras, and then even cheaper cameras, all so you, the reader, can get a good laugh. I went into this review of the Chuzhao Mini TLR thinking that I was going to provide more entertainment by lampooning the camera, but alas, I can't.
Brightin Star launched a solid brass manual focus 28mm f/2.8 pancake lens last year, painted in gloss black lacquer. My first impression when I saw the publicity photos wasn’t its incredibly small size. It should have been, but I was distracted somewhat by that high-gloss black lacquer with gold and red engraving. It looked a little garish.
The FX2 has been one of Sony’s most discussed cameras since its launch. So today, I got my hands on one and decided to take it for a spin.
For those who like long exposures, a variable ND filter is often not the best choice. If you're filming, the variable ND is a must-have. It allows full control of the exposure. Unless your camera has a built-in ND filter, the Haida X in 1 filter set can be a great choice. I took a closer look.
There's an advantage to a small camera that doesn't call attention to itself: you can become the gray man. Not invisible or undercover; not some photographic ninja.
You've pitched camp at the perfect spot, gear unloaded, base set for the next few days. And now you're waiting — for the fog to lift, the light to change, or an elusive animal to step into frame.
After years of creating landscape photography videos, tutorials, and behind-the-scenes content, I have learned one undeniable truth: reliable audio is just as important as the camera itself. In this review, I am putting both versions of the new DJI Mic Mini 2S through their paces to see how they perform in real-world outdoor conditions.
Traditionally, shooting with an anamorphic lens has always come with its set of hurdles. While having the cinematic squeeze is nice, battling with the size and weight can be rather unpleasant. Not to mention the need for diopters just to reach a decent close-focus distance.