Hi everybody! My name is Will Sherrill. I have been a hobby...
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Tuscany in Spring and Autumn can be magical. Belvedere is...
The trailer has me excited. Passionate artists opening up and taking the time to share their work with us. Five photographers, Keith Carter, Graciela Iturbide, David Brookover, Lourdes Grobet, and Pedro Meyer are interviewed, and the amazing part about it is that the whole series was funded by the photographic community. Ted Forbes is theman behind The Art Of Photography YouTube channel, and this video is shared by him. I'm not sure what role he played in it, but I believe it will be significant, as it's one of the good channels to watch for us photographers.
One of the things I really love about Photoshop is the fact that there is invariably more than one way to achieve a particular effect in the editing software. For this reason, it's hard to get tired of seeing other people's workflows as you'll always find someone doing something which you haven't thought of before.
Chase Jarvis has been getting real with a lot of topics on his show The Daily Creative. He's been answering questions from callers all over the world and doing it in an honest, straightforward way. If you haven't been following this, I recommend you start below and then head over to watch a whole lot more direct advice from one of the photography industry greats. In this week's episode, entitled "Dabbling Gets You Nowhere," Jarvis takes a question from my good friend Jason Teale that I think is something a lot of us struggle with.
In February, Sigma announced a cadre of new lenses including a 24-70mm f/2.8 DG OS HSM ART and 14mm f/1.8 DG ASM ART. Sigma now has revealed prices along with the opportunity to pre-order. At reasonably competitive prices for both of these new additions to the ART line it suggests they will mimic the quality photographers have come to expect from ART lenses over the past few years.
One of the latest vlogs from Casey Neistat was a little different to the others. If you are like me, you have subscribed to his channel, and have noticed that his approach and energy towards it has changed quite significantly since he took his break. But now it’s become a marketing platform, and his vlogs are just marketing brands and products. This vlog especially, with a teenage fantasy that he’s always wanted to experience during summertime as concept, and him pursuing it. At the end of the video the sponsorship messaging, which is obviously great from the brand’s perspective, but not so much for the viewer. We watch vlogs because of its candid, honest nature. With this vlog, it’s not true anymore.
Photography is one of the most powerful tools used in influencing and changing perspectives. All across social media are images that move the emotion range from tugging at heartstrings to enraging the senses. So when one photographer needed to convey the message of the threats to ocean life she turned to photography.
Outsourcing is quickly becoming a standard practice. More and more photographers are using outsourcing services full time, while others are using them during the busy part of their season. While outsourcing has become more common in the industry, there are still some questions as to it’s worth. Photographers not familiar with the service see ups and downs to incorporating this type of service, and sometimes it can be hard to see which side wins. After my last article reviewing ProImageEditors, people wanted to know if it was worth it.
In an era when working on 30 megapixel and higher images has become the norm, a Photoshop document with dozens of layers can quickly become a burden to work with often slowing to a painful delay after each stroke of a brush. The simplest solution is to constantly be crushing those layers down into a single flat layer but this method is the antithesis of non-destructive editing which can make future client feedback rather difficult to implement. Instead, lets focus on few easy tricks you can do to keep your computer running smoothly during the most complex of composites.
Shooting high-quality video has never been easier and cheaper than it is today. Most digital cameras offer at least high definition 1080p quality and considering the applications of video from a business standpoint, it seems foolish not to offer this service as part of your photography business.
If you're a Hitchcock fan, you're no doubt aware of the dolly zoom, also known as the "Vertigo effect." It's dazzlingly disorienting, but it also requires a zoom lens and the physical ability to move the lens in space, things that aren't always simultaneously possible, such as if you're shooting with a drone. Here's how to fake the effect in Premiere Pro.
If you work in Lightroom quite a bit, I'm sure you've encountered a situation in which you wanted to compare two images or keep one open while working on another. Lightroom offers a few ways to do this, but using the Second Window function might be one of the more helpful ways to do it, particularly if you're working with multiple displays.
Have you ever wondered where those amazing air-to-air shots you see in airline marketing videos and the like come from? Go behind the scenes of Wolfe Air Aviation's marketing work with Air Canada for their new livery on the Boeing 787-9 and one of the coolest photoshoots you'll ever see.
You have been up all night, taking images of the Milky Way. Tomorrow, hours of editing probably lie ahead. Light pollution, noise, and a lack of contrast can make most nightscape photos feel lackluster. If you’re familiar with doing landscape astrophotography, then you’ve no doubt experienced the amount of effort needed in post-processing to make your images shine. Even with today’s digital cameras, no picture comes out of the camera the way you’ve imagined them to. Enter OrionH; a panel for Adobe Photoshop dedicated to natural night photography and meant to decrease the amount of time you sit at the computer.
So many photographers have recently been dipping their toes in the world of video. You can edit photos like a pro, but maybe you just can't seem to figure out video editing; it's very complex – like an onion, so many layers – and now you have to deal with sound design! If you've used presets for your photo editing, then you should definitely consider plugins for your video editing. Red Giant sent us a copy of their recently updated Universe 2.1. Jump on in and see what it's all about.
Ah, the 90s, when if you wanted to jump a bus across a freeway in your movie, you didn't use CGI; you jumped an actual bus. Go behind the scenes of one the most famous stunts in action movie history and learn why we it keeps us on the edge of our seats despite its absurdity.
After working in Adobe Premiere Pro for several years now, I've learned a number of useful keyboard shortcuts. These shortcuts help me with a variety of things, from navigation, trimming, and organization, just to name a few. It was only recently that I found my favorite shortcuts, the powerful Q and W keys. You can perform a variety of useful trims with these two keys. They work by themselves or in conjunction with modifier keys. I’ve come to realize that I use these two shortcuts every time I'm in Premiere Pro, and they've truly saved me hours upon hours of time.
The traditional workflow to edit a portrait from start to finish usually requires a few different apps. But why complicate things and not just try and rely on one single software to get to the final result? Last month I reviewed ACDSee Ultimate 10 and thought it’d be a good idea to follow up with a tutorial showing how far you can go by using exclusively this photo editing solution to retouch a portrait. Discover all my steps and see how this alternative could perhaps suits your workflow better than your current one.
One week of photography in the wild backcountry of the Scottish highlands. In this "episode," I’d like to share with you the story about a recent trek into Glen Feshie in the Scottish Cairngorms National Park. It’s the behind-the-scenes tale of my successful image titled “Catch the Spirit.”
This method is widely used in editorial magazines. It's a fun way to look at different perspectives of your work combined. Sometimes it’s just not possible to capture everything you want in a single shot. The solution is simple – shoot two photos and display them side-by-side. I find that displaying two images side-by-side is a great way to tell a story photographically, and to create ideas that are not necessarily evident when one or the other image is displayed by itself. If you're interested in trying this technique with your own images, here are some of the tricks I’ve picked up along the way. Make small prints and lay them out on a large table to play the mix and match approach.
This morning, Carl Zeiss have announced the tenth lens in the Milvus series for full-frame Canon and ZEISS DSLRs, boasting a new optical design that offers "practically no chromatic aberations". Previous Milvus lenses have been impressive, but often specialized, whereas this new addition is more of an all-rounder.
You may not realize it, but your brain is waging a battle against itself every time you watch a film. Every film is its own universe with its own laws, and how those laws compare to those outside that universe determine how your brain interacts with the film and evaluates it against reality. But if you're making your own work, it might be worth stepping outside the norms.