We all come from different backgrounds in the art &...
Been wanting to try it for a while. Let me know what y'all...
Hey guys! It seems many of you use the Fstoppers Groups as...
I've been shooting for about 7 years now and I feel like I'...
When shooting images outdoors, particularly in bright sunlight and towards the sun, the appearance of lens flare is often an unintended consequence. It can reduce contrast in your image and create nasty artifacts that can ruin your shot. Conversely, creating a flare in post can produce vibrant results that I find many clients asking for in their images. Here are three easy to use methods for adding a flare in your images tastefully and non-destructively, each providing a unique look and feel.
Despite a 1946 United States Supreme Court Decision related to ownership of airspace above private property, the question of whether or not it’s considered trespassing if you fly over your neighbor’s property remains one that doesn’t yet have a clear answer. A federal judge recently sided with the man, who later deemed himself as the “Drone Slayer,” in a case involving a drone that was shot down while hovering over the man's sunbathing daughter.
Going through retouching related Facebook groups, it seems like the frequency separation trend is fading away. Some people even call the images edited with split frequency "filtered" as if it was as bad as using some kind of filter. Instead, many are learning to grow some appreciation for the art of dodging and burning. It’s said that with the latter, you won’t lose skin texture and it’s not destructive. But if it really is this great, how can some people still manage to have a plastic-like effect on their model’s skin? Let’s have a look at the most common mistake that may keep your images from that sought after natural look.
Anyone who has flown a drone for aerial video capture has likely done one of the few shots that are pretty much the standard of any aerial video. In these two videos from Mark Richardson, he is going to explain techniques for three different kinds of shots you may not have thought of before.
Fujifilm will soon release a firmware update for their flagship cameras, the X-T2 and the X-Pro2. The first update is due end of March, and the second one will be released end of May. The update, as stated by them, is reflective of user requests that they have received. What I found interesting, and a first brands that I know of to do so, is the possibility of adding voice notes while paging through your images.
Look Up Tables (LUTs) are generally used to changes certain colors and their ranges in video using Adobe Premiere Pro, Final Cut Pro or any professional video editing software. We often edit our photos with actions and presets in Lightroom or Photoshop, but it is possible to edit these photos using LUTs too. This video by Peter McKinnon shows how to do just that. The next time you like a certain look of your videos because of a LUT you applied to it, know that you can use it on a still image too.
Have you been booked or plan on shooting a large group for their company team photo? Not sure what you need to do or even how to start? Jay P. Morgan from The Slanted Lens is back with another video with some of his tips on how he shoots his corporate group portrait photos.
When creating portraits in your studio, there are instances when you may opt for a shallow depth of field, which produces portraits with a more artistic flair. In this video, Gavin Hoey describes some techniques for maximizing that look of a shallow depth of field portrait.
Fujifilm's XF 50mm f/2 WR is the third addition in the series that have affectionately become known as the "Fujichrons." These are compact, lightweight, weather resistant, and have extremely fast autofocus. Made up of nine elements in seven groups, and formed in Fujifilm's classicly-styled telescoping design, it is another diminutive lens that should appeal to X-Pro shooters and anyone looking for a tiny addition to their bag. Comparisons may be drawn to the other lenses in this series, and of course the daddy of X System portrait lenses, the 56mm f/1.2. Let's take a look at this lens and then see how it fits into the Fuji line.