"Glow" is a creative new music video from Toronto-based cinematographer Jonah Haber. Using a glow-in-the-dark background similar to what is often called a shadow wall, Haber captures the dancer's movements as a series of shadows frozen in time.

Chase Jarvis has been getting real with a lot of topics on his show The Daily Creative. He's been answering questions from callers all over the world and doing it in an honest, straightforward way. If you haven't been following this, I recommend you start below and then head over to watch a whole lot more direct advice from one of the photography industry greats. In this week's episode, entitled "Dabbling Gets You Nowhere," Jarvis takes a question from my good friend Jason Teale that I think is something a lot of us struggle with.

One of the latest vlogs from Casey Neistat was a little different to the others. If you are like me, you have subscribed to his channel, and have noticed that his approach and energy towards it has changed quite significantly since he took his break. But now it’s become a marketing platform, and his vlogs are just marketing brands and products. This vlog especially, with a teenage fantasy that he’s always wanted to experience during summertime as concept, and him pursuing it. At the end of the video the sponsorship messaging, which is obviously great from the brand’s perspective, but not so much for the viewer. We watch vlogs because of its candid, honest nature. With this vlog, it’s not true anymore.

Photography is one of the most powerful tools used in influencing and changing perspectives. All across social media are images that move the emotion range from tugging at heartstrings to enraging the senses. So when one photographer needed to convey the message of the threats to ocean life she turned to photography.

In an era when working on 30 megapixel and higher images has become the norm, a Photoshop document with dozens of layers can quickly become a burden to work with often slowing to a painful delay after each stroke of a brush. The simplest solution is to constantly be crushing those layers down into a single flat layer but this method is the antithesis of non-destructive editing which can make future client feedback rather difficult to implement. Instead, lets focus on few easy tricks you can do to keep your computer running smoothly during the most complex of composites.

You can have the most visually stunning videos, but if you sound like you're talking to your audience from two rooms over, they won't be engaged by your work. Here's how to get better-sounding speech in Premiere Pro.

The photo came out of the camera like that, I swear! Not really, and now there’s a website that can prove it.

If you work in Lightroom quite a bit, I'm sure you've encountered a situation in which you wanted to compare two images or keep one open while working on another. Lightroom offers a few ways to do this, but using the Second Window function might be one of the more helpful ways to do it, particularly if you're working with multiple displays.

If you're a fan of Lightroom presets, the PIC Presets Collection might be the most complete set you've ever seen. Check out our review of the full system and find out how if they offer the versatility you're looking for.

So many photographers have recently been dipping their toes in the world of video. You can edit photos like a pro, but maybe you just can't seem to figure out video editing; it's very complex – like an onion, so many layers – and now you have to deal with sound design! If you've used presets for your photo editing, then you should definitely consider plugins for your video editing. Red Giant sent us a copy of their recently updated Universe 2.1. Jump on in and see what it's all about.

After working in Adobe Premiere Pro for several years now, I've learned a number of useful keyboard shortcuts. These shortcuts help me with a variety of things, from navigation, trimming, and organization, just to name a few. It was only recently that I found my favorite shortcuts, the powerful Q and W keys. You can perform a variety of useful trims with these two keys. They work by themselves or in conjunction with modifier keys. I’ve come to realize that I use these two shortcuts every time I'm in Premiere Pro, and they've truly saved me hours upon hours of time.

The traditional workflow to edit a portrait from start to finish usually requires a few different apps. But why complicate things and not just try and rely on one single software to get to the final result? Last month I reviewed ACDSee Ultimate 10 and thought it’d be a good idea to follow up with a tutorial showing how far you can go by using exclusively this photo editing solution to retouch a portrait. Discover all my steps and see how this alternative could perhaps suits your workflow better than your current one.

This method is widely used in editorial magazines. It's a fun way to look at different perspectives of your work combined. Sometimes it’s just not possible to capture everything you want in a single shot. The solution is simple – shoot two photos and display them side-by-side. I find that displaying two images side-by-side is a great way to tell a story photographically, and to create ideas that are not necessarily evident when one or the other image is displayed by itself. If you're interested in trying this technique with your own images, here are some of the tricks I’ve picked up along the way. Make small prints and lay them out on a large table to play the mix and match approach.

You may not realize it, but your brain is waging a battle against itself every time you watch a film. Every film is its own universe with its own laws, and how those laws compare to those outside that universe determine how your brain interacts with the film and evaluates it against reality. But if you're making your own work, it might be worth stepping outside the norms.