As you probably know, much of the epic imagery in "Game of Thrones" is computer-generated. It's a monumental task, and this video from Rising Sun Pictures, the visual effects company responsible for that amazing imagery, really puts into perspective the amount of work and imagination required to pull off such a feat.
Beyond any doubt, the effects and compositing techniques used in the first three films of Star Wars trilogy were the game changer in VFX world. Although there has been a rapid improvement in the VFX technology for the last 40 years, we can say that Star Wars was one of the pioneers. So, how was that possible to achieve realistic results in a movie produced in 1980? Mark Vargo explains the mathematics, optics, engineering, and software behind the blue screen photography and compositing in detail.
"The immediate need for results, whether it's real or perceived, is a lot of what's going on today." Inspiration and opportunity hurry for no one. In this great video from B&H, Nicholas Pappagallo outlines what it takes to be a prepared and patient photographer, so when inspiration and opportunity do finally show, you're ready and waiting.
"This is what we have to create if we want to sell." Ruben Salvadori, an anthropologist and photographer, spent months in East Jerusalem, where he initially went as a conflict photographer. Soon, however, his anthropological training kicked in, and he found a subject that was more interesting to him personally: the photographers themselves.
Dodge and burn is a well-known technique amongst the retouching community. Most retouchers will use it to smooth out transitions and micro-contrast on portrait, fashion, or beauty images. However, it can be utilized for any genre of photography and broader uses than just skin cleaning. It can be used to direct the viewer’s eye and create more compelling, dramatic images with a few clicks. If you shoot and edit weddings and are looking to step up your post-processing game, this article is definitely for you!
I stumbled across this video late last night and couldn't help but be intrigued by it. Andy Rooney, the famous "60 Minutes" commentator, goes on quite an impressive rant about modern art, raising a lot of questions about our place as creatives and the validity of what we do.
Score one for the good guys. When they realized their boat was being stolen, two Washington teenagers handled it in the coolest way possible: they called the cops, then they put their drone in the air and chased down the thieves, guiding police to their position and capturing video evidence in the process.
In this video from Ryan Connolly over at Film Riot, he takes viewers quickly through an action sequence he has edited, and shows a few simple ways that he was able to increase the perceived speed and create a more realistic edit. Even if you're not editing fight scenes, there are a few tricks in here that are absolutely applicable to other genres.
There are certain images that have become so ingrained in our psyches, they are almost dismissed outright. If you've ever been in a bookstore, browsing the photography section, you've seen the docile faces of the Weimaraners of William Wegman. The images are always clean, crisp, and have become immensely popular in the last 20 years, gracing coffee tables and calendars alike. The temptation to dismiss them as commercial drivel is strong. But that would be a mistake!
Highlights that glow can be a great way to give your portraits and beauty work some pop but there is a fine line between skin looking dewy and just straight oily. Shiny skin can be overwhelming to an image but when faced with that problem you don't have to scrap the shot. In this quick video photographer Joe Edelman shows us a quick and easy fix for controlling that shiny skin using Photoshop.
We spend so much time talking about how to retouch faces in portraits, but we rarely pay as much attention to the hair. However, hair can take up just as much (if not more) space in a portrait as the face, and it's what frames the features. Phlearn is here with a great tutorial on how to really make hair pop and take your images up a notch.
Being a female boudoir photographer for many years, I may take some things for granted with my clients. There is not a shoot where a client doesn't ask me to assist in attaching a garter belt to her stockings. So, I am literally kneeing on the floor, with a woman's bum close to my face. We laugh the whole time, but in all seriousness, I sat back and wondered one day if I were a man, would this be any different?