What Separates a Natural Wildlife Edit From an Overcooked One

Wildlife files need more editing than most genres because they come from long lenses at high ISOs, subjects that won't pose, and backgrounds you couldn't choose. The edits that rescue those frames, such as cropping, noise reduction, and masked brightening, are the same ones that most often push a photo past the point where it looks natural.

 

He Shot an Iconic Photo—and Lost the Copyright

Lester LaRue shot 44 frames on the morning of April 19, 1995, with his employer's camera, his employer's film, and his employer's car to get him there. One of those frames ran on the cover of Newsweek's May 1 issue. A federal court later ruled the copyrights had never been his.

 

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We want to see the images that still give you chills

Welcome to the October installment of the Critique the Community! This month's critique theme is going to be "Scary," and we want to see your best photographs that scared you in some way.

Why a Tiny Subject Can Still Carry a Whole Photo

A perfectly symmetrical frame can still feel wrong, while a frame with a speck of a subject tucked off to one side can feel completely settled. Balance in a photograph covers much more than equal weight on both sides, and how you handle it decides whether a viewer believes what they're seeing and knows where to look.

 

How to Get Good Photos When the Light Is Bad

Most advice about natural light boils down to two instructions: shoot at golden hour and avoid midday. Both hold some truth, yet most of your shooting happens in the hours between, and knowing what the sun is doing at each stage decides whether a frame has depth or falls flat.

 

Is Nikon's $14,000 120-300mm f/2.8 Zoom Worth Its Size?

Nikon's NIKKOR Z 120-300mm f/2.8 TC VR S costs almost $14,000 and weighs more than 6 pounds, which puts it much closer to a big telephoto prime than a handy second zoom. With an f/2.8 aperture and a built-in 1.4x teleconverter, it's built to cover low-light wildlife, sports, and safaris with one lens.

 

Is the $829 Viltrox 35mm f/1.4 Pro Worth It?

Viltrox's new AF 35mm f/1.4 Pro costs $829 for Sony E and Nikon Z, which puts it below Sony's own 35mm f/1.4 GM and above Nikon's NIKKOR Z 35mm f/1.4. It's big and heavy for a 35mm f/1.4, with a metal body, weather-sealing, and an aperture ring that switches between clicked and smooth.

 

Viltrox Completes Its f/1.4 Pro Trio With a 35mm for Sony E and Nikon Z

Viltrox has announced the AF 35mm f/1.4 Pro, a weather-sealed full frame prime for Sony E and Nikon Z with a 16-element optical design and voice coil autofocus. It costs $829 and joins the 50mm and 85mm f/1.4 Pro lenses, which gives Viltrox a set of three fast primes that comes in under $2,000 combined.

 

How Two Fluke Photos Revealed a Humpback Had Crossed the World

On July 10, 2013, Natalia Botero-Acosta photographed a humpback whale's tail going down in the Gulf of Tribugá, on Colombia's Pacific coast. On August 22, 2022, Ekaterina Kalashnikova photographed a fluke off Fumba, in the Zanzibar channel, on the far side of the planet. The two frames belong to the same animal, and the two sighting points sit 13,046 kilometers apart.

 

Can the Fujifilm X100VI Handle a Rainy Night in London?

The Fujifilm X100VI is the kind of camera people buy to carry everywhere, and that only works if it keeps delivering once the light fades and the rain starts. A fixed 23mm lens and a body small enough for a coat pocket come with real limits compared with a larger interchangeable lens kit.

 

The Client Who Told a Photographer She Was Charging Too Little

When you teach yourself photography in a city where you don't speak the language, you make every pricing call, portfolio choice, and client pitch without a second opinion. Mistakes made that way can go unnoticed until a client points them out.

 

Making Intimate Landscapes Around Clear-Cuts and Power Lines

You can drive half a day to reach peak autumn color and find the hillside carved up by a clear-cut, a power line, and a thicket of saplings. Pulling a clean, deliberate frame out of a compromised scene is a skill you'll use far more often than you'll stumble onto a perfect location.

 

Settings Are Easy to Teach, but Taste Is Another Story

You can learn the settings that keep a photograph sharp in a single afternoon, yet nobody has a reliable formula for the quality that makes someone stop and look at it. That gap between technique and taste is the hardest part of photography to teach.

 

Nikon Announces New NIKKOR Z 120-300mm f/2.8 TC VR S

Top sports and wildlife photography shooters, this one is for you. Today, Nikon announced a new telephoto lens that focuses on getting you close to the action: the NIKKOR Z 120-300mm f/2.8 TC VR S. 

The Night Sky Is Getting 9.6 Percent Brighter Every Year, and 51,351 Naked-Eye Observations Say So

At 19,262 places around the world where people walked outside and counted stars, the satellite that maps Earth at night recorded the ground below getting slightly darker. Across North America, upward radiance measured at those exact sites by the VIIRS Day/Night Band fell 0.80 percent a year. Over those same locations, artificial sky brightness was rising 10.4 percent a year.

 

How to Use a Tripod Like a Pro: Field-Tested Tips From a Night Photographer

Here are several easy tips so you can use your tripod like a pro. You'll get the most from your tripod this way, with lessons drawn from professional night photographers who use tripods in genuinely challenging conditions.

 

First… Get a Quality Tripod

Pros use quality tripods. They know better.

Can a Four-Ink EcoTank Make Prints Worth Framing?

A four-ink EcoTank with dye-based color and a single matte black is about the last printer most people would pick for fine art prints. Its refillable tanks make ink cheap, though, so if the prints hold up, it becomes an inexpensive way to experiment with papers and profiles at home.

 

Should You Convert an Old Camera to Infrared or Buy a Filter?

If you've wanted to try infrared, you have two choices: screw a filter onto the camera you already own, or send a body off to be permanently converted. The two routes differ a lot in cost, commitment, and how much patience each shot demands.

 

How a Pro Rescued a Barber Shoot After His First Idea Failed

A concept that looks great in your head can fall apart the minute your subject steps onto the set, and the clock doesn't stop while you work out why. Knowing when to drop an idea and how to build a new one under pressure is one of the hardest parts of client work, especially when the client needs one specific thing from the images.

 

How a Moon-Mapping Lens Ended Up in an 18th-Century Drama

Stanley Kubrick shot entire rooms in "Barry Lyndon" by candlelight in 1975, something that had never been done before in color. The way he did it comes down to a chain of decisions, most of them driven by hard numbers about how much light a film camera actually needs.

 

How the 'Blue Marble' Became One of the Most Reproduced Photographs in History

One of the most reproduced photographs of Earth ever made was shot upside down. When an Apollo 17 astronaut framed the fully lit planet through a Hasselblad on December 7, 1972, the South Pole sat at the top and Africa ran sideways, exactly as the crew saw it on the way to the Moon. The version fixed in your memory has been turned a half circle from the original frame.

 

The 14-Inch MacBook Pro and iMac Get Apple's New M6 Chip

Apple's new M6 chip arrived on Tuesday in two Macs at once, the 14-inch MacBook Pro and the 24-inch iMac, with two more CPU cores and two more GPU cores than before. Both pick up Wi-Fi 7 and Bluetooth 6, and both open for preorder on Wednesday, October 28, ahead of a November 6 release.