Wildlife photography can be a tricky genre to critique. It's tempting to be impressed by images of exotic animals but are the animals themselves a reason to rate a picture highly? Take a look through our selections of for the latest episode of Critique the Community and see if your ratings match up with Lee, Patrick, and the rest of the Fstoppers Community.
Some of you may already know how big a fan I am of Capture One. Making the change to Capture One as the primary tool for my workflow has sent my productivity into hyperdrive, the photographic equivalent of adding NOS to my tank (or whatever it is they use to make cars fly in "The Fast and The Furious").
What makes it different this time is that it looks like he will be collaborating with other creators in a massive three-story building he took a lease out on in New York. He's not sure what the business model is going to be, but he's excited to launch the first episode on April 6.
Have you ever considered the potential of the objects that sit in front of you every day? With the high demand for photos in social media and online marketing, your images of even the most simple items have value. Here’s how to capitalize on this and produce an easy portfolio of stock images to sell.
Achieving soft, directional light outdoors can be difficult. Sure, you can use an overcast day for soft, natural light, but often, this will not give you the most flattering light on your subject's face. In this video, we use my largest light modifier to see how you can turn an overcast day into a professional looking catalog image.
Photo mosaic overlays are a very cool effect that can be a great way to tie a set of images together around a main photo. Traditionally, they're quite a bit of work to make, but this awesome tutorial will show you a shortcut to creating them using Lightroom and Photoshop.
As laptops become more and more powerful, many photographers and videographers are turning to them as their primary work machines. Intel's first ever Core i9 laptop processor was just unveiled, and with the company positioning it toward content creators, it too should help push the envelope all the more.
If I were shooting portraits on a desert island and could only take one lens with me, it would be hard to leave my 70-200mm behind. After picking up a Canon 16-35mm for a trip to Scotland, though, I've found myself using it more and more often when I have people in front of my lens.
Depending on the capabilities of your camera, where you're shooting, and how you want the final image to look, you sometimes should consider underexposing a portrait slightly. This great video examines the benefits of underexposing a portrait and when you should think about trying it.
The word "Sigma" is derived from Summation, the process of adding things together, and this video does that beautifully. It documents the journey to the factory in Japan, and what makes this video different, is the time spent with Kazuto Yamaki-san, the son of the founder of SIGMA corporation.
You’ve spent tens of thousands of dollars on a fantastic camera body that outputs 5K or 8K imagery, but the film you’re working on requires some time-lapse b-roll for transitions. Instead of breaking out that DSLR, you can set up your RED camera to shoot that time-lapse and use the near same post-processing as you would for the filmed imagery you are currently capturing.
What does it take to win an internationally respected photography competition? A few weeks ago, the Sony World Photo Awards announced their winners, one of whom was Fstoppers community member Mikkel Beiter, who won two awards: Open Travel and Denmark National Award. We caught up with him to find out about his work and his prize-winning photograph.
Drones are being gently integrated in to all areas, with photography being just one successful use. Amazon were one of the first to publicly discuss using them for delivering, but Russia launched its first postal drone today to a small public gathering; it did not go well.
If you are working with multiple layers in Photoshop, then you are probably aware of the significance of controlling layer groups when dealing with different blending modes and adjustment layers. Luckily, there is an often-ignored option called “pass through,” and changing that might widen your capabilities.