Shooting on the train was definitely a challenge but I like...
Hi, I'll be travelling to Thailand and Vietnam and plan on...
I have a Canon Digital Rebel 300D (DS6041) and my Sony Vaio...
I'm a part time photographer and love to shoot portraits...
W. Eugene Smith was an American photojournalist who was active from the 1930s to the 1970s when he passed away. He was, as Ted Forbes states in the video, one of the most prolific photographers of his time. Smith is well known as being a master of the photographic essay, and much of his career was spent on the types of longer assignments that are few and far between in the modern world of photography. His works for LIFE Magazine (including Country Doctor) and later the Jazz Loft Project are some of his most well known and enduring projects. Not to mention he was a Magnum photographer as well.
I'm back today with another utility Action for you all to download, for free, and see how it works for you. It deals with luminosity mask level control of what I often call the Big Three of image control: highlights, mids, and shadows. It's the most common use of luminosity masks, so, why not streamline it into an Action?
Ah, the crown of the (Ant)arctic. Known in the northern hemisphere as the Aurora Borealis (northern lights), and as the Aurora Australis in the southern hemisphere, these brightly colored bands of moving and waving light are a majestic display in the night sky. Who doesn't want to take a picture of this otherworldly phenomenon? Here's exactly how to do it.
Lately I've cottoned to the film beat quite a bit here. I've written about Super 8 and about film stock options for analog photography, about the revival of Ektachrome, and about instant photography. I love it all, but I'm also aware of the fact that we very much live in the twenty-first century. We live on computers and we live online, and if photos don't exist in these spaces, they may as well not exist at all. So what can be done about getting photos taken on film, old or new, into a form fit for such a universe? Let's talk about film scanning.
Filmmaker Walter Stoehr just released his newest project, "Horrible Prospects." It's a timely short with all that is going on in our world; with a new president in the U.S., there is much that is unknown for the future. But what goes bump in the night is actually more scary than you might think.
It's always such a sensitive subject for the creative industry. Money is what the creative industry hates to ask for. but loves to have for their gear and career. So let's get it out there. Professional photography is a business, and in photography, you'll only flourish at it because you love what you do. You'll never become a photographer if you didn't love it. David Bergman gives some good tips when starting out because photographers don't usually know what their images are worth.
After a devastating drop in sales of nearly 40 percent, GoPro is back in the spotlight with a release of the previously recalled Karma Drone. Less than four months after the recall, the Karma is back on the market with limited shipments. This comes at a time where GoPro is attempted to challenge DJI, maker of the Phantom and Inspire.
If you follow world class retoucher and owner of Solstice Retouching, Pratik Naik, you already know he is something of a jokester. Routinely posting quirky comments, mostly photography or retouching related, Pratik could very well be the Ellen DeGeneres of our industry, although I can't say for sure until I see him dance. Pratik's blog often carries over many of his antics.
This past summer I dove deep into an article on the long time debate: does a photographer's gender alter the way in which he or she photographs a subject. Is there really a difference in how one gender sees the final image, or is it just artistic preference? Two artists decided to test this theory during a creative shootout to see if all the variables stayed the same, would the image turn out differently. Does the gender of the photographer really influence the final image, or simply the approach in which is taken during the shoot?