Nikon has been running the Nikon School program in the USA for the past 30 years and just a few days ago they announced the expansion of this program by offering paid online classes through the introduction of Nikon School Online. The original Nikon School program has taught over 100,000 students in the USA but was always a regional option. By moving to an online platform Nikon hopes to reach a wider audience and expand their popular program.
I recently funded the printing of my first book via Kickstarter. It was the wonderful culmination of a year of hard work on the project itself and almost six months of preparation and promotion for the funding campaign. In the end, it was funded well beyond my goal. The whole process of creating, funding, and then realizing the project was quite surreal. I am still pinching myself from time to time as I pack the books ready for shipping to my backers and the recipients of the project. I wrote a while back about changing your mindset, knuckling down, and just doing things. Today, I'd like to talk a little about another thing that makes work happen: the word "yes."
It isn’t every day that a massive commercial client gives the freedom to artistically design a product launch. But freedom and a great amount of trust is exactly what Infiniti Motors Middle East gave Patrick Rochon for their new Q30 reveal. Rochon’s previous success with Infiniti’s Inspired Light campaign led to a second contract that allowed him to produce one of the most artistic automotive reveals to date.
Has your lack of followers affected you when trying to get a model for some project work? I have not experienced this situation. Maybe I was told another reason as to way they weren’t interested, but this hasn’t been one of the reasons I received. Recently, I was in a chat group with fellow photographers, and this topic was brought up. One of the photographers asked a model about doing a TF project, and the response was he didn’t have enough followers to work with. This isn’t the first instance where I have heard of. This had me thinking for a bit: why would this be the determining factor?
I'm back with yet another editing contest, but this one has a twist you'll either love or hate. As I was recently in San Francisco teaching alongside Dave Gallagher, CEO of Capture Integration, for our course on CreativeLive, it occurred to me that almost no one (at least) that I knew personally edited solely in Capture One. That is, taking an image to completion using nothing but Capture One, which would mean not using the sacred Adobe Photoshop in any way. Challenge accepted?
First launched in December 2013, the Tamron SP 150-600mm f/5-6.3 Di VC USD ultra-telephoto lens is now seeing its first update. The second generation (G2) lens will feature improvements to several areas including faster speed and better accuracy. Canon, Nikon, and Sony A mount versions of the lens start shipping September 28 at a cost of $1,399.
Way back when, before traveling and scheduling became a bit crazy for me, I issued a second Retouch Challenge to Fstoppers readers, offering up a raw file from a shot I did of model Anna Truett in St. Louis. After receiving a couple hundred submissions, I have finally (no, really) selected my favorite ten edits. Let's take a look!
Chances are, if you're serious about this industry or have been doing your homework, you've heard about the importance of having color-accurate monitors in order to produce the best quality images possible. This point cannot be driven home hard enough: you can have all the correct techniques and execution, but if you're working on a monitor without a correct color calibration, your final image will not deliver the same impact as what you see on your monitor. The answer? A color calibration system.
There was this thread going on on Reddit, and I just had to ask the Fstoppers community. The question had me thinking back to about ten years ago, when a group of friends and I went to "investigate" signs of paranormal activity in a derelict castle in Belgium. What is the craziest place you've been and got kicked out of for trespassing while taking (or trying to) take a photo?
Now admittedly, this particular device probably won't see much use in a commercial sense due to a few limiting factors. However, that being said, for those in need of fast moving aerial footage in the 1080p range, this may be worth checking out. The Parrot Disco is a fixed wing, single operator, first-person perspective flight drone that can record up to 32 GB of 1080p video on an internal storage system. It's able to reach speeds up to 80 km/h, a 2 kilometer range, and 45 minutes of flight time. This could be an interesting step forward in the direction of other high-speed aerial recording that won't require the use of full-size planes or helicopters.
It’s hard to pick a component of gear that’s most important for editing your color-dependent photo and video work. But it’s easy to say that a great, accurate, wide-gamut monitor is near the top of that list. NEC recently gave us a chance to review a monitor of theirs that's popular for its balance of features, size, and mid-range price for its tier: the EA275WMI-BK.
Back in July of 2016, Adobe released a major update to Lightroom Mobile for iOS that allows it to work directly with any and all raw files supported by the desktop version and to also sync them seamlessly with the desktop. But what does this actually mean for real-world use? What problem are we actually solving? Let's go on a trip with epic travel photographer Elia Locardi and find out.
The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2016, we'll be featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.
DSLR makers have developed a rather interesting propensity to focus their R&D budgets on creating the fanciest, most marketable sensors possible. A camera, however, isn't just limited to the scope of its sensor. There are so many other upgrades that could be made that have nothing to do with megapixel numbers. Below are a few straight out of my dream list that likely would be pretty difficult to make work.