What follows is one of the strangest and most remarkable coincidences I've ever come across in the world of photography. We've heard of photos that were blatantly stolen, but what happens when the concept of a major digital art project is copied? Is it even possible to copy a "copy" of an idea, or can two different artists be inspired to come up with the exact same concept completely independently? This is the tale of two composite photographs.
If you ever do any sort of composite work, chances are that you'll need to add shadows. They're one of the biggest aspects of making a composite image convincing, and yet, they're also very subtle and tricky to pull off. Phlearn is here with a great tutorial to get you started.
As the northern autumn draws closer, bizarre little creatures pop up all over the temperate forest. On the forest floor, underneath hedgerows and on trees, alive or the ones who have fallen. Fungi are the cleaning crew of the forest as they take care of layers of fallen deadwood and provide nutrients back to the forest. Surely they are great subjects for macro photography. Like everyone else, I’m looking to find their reproductive organs: Mushrooms. They let our imagination run wild as these little toadstools hint of fantasy worlds when photographed in a certain way. This is how I recreate my own little fantasy world.
Planning a wedding is not a joke: be it small or big, from tiny decorations no one is going to remember to weather forecast. That is one of the most responsible and dear days of our lives and there is no place for drama. Whereas we can certainly prevent or solve any human born issues on that day, it might seem a nightmare to fight with the weather. 500px has put together a great list to help you find the silver lining on a rainy day.
As you probably know, much of the epic imagery in "Game of Thrones" is computer-generated. It's a monumental task, and this video from Rising Sun Pictures, the visual effects company responsible for that amazing imagery, really puts into perspective the amount of work and imagination required to pull off such a feat.
Beyond any doubt, the effects and compositing techniques used in the first three films of Star Wars trilogy were the game changer in VFX world. Although there has been a rapid improvement in the VFX technology for the last 40 years, we can say that Star Wars was one of the pioneers. So, how was that possible to achieve realistic results in a movie produced in 1980? Mark Vargo explains the mathematics, optics, engineering, and software behind the blue screen photography and compositing in detail.
"The immediate need for results, whether it's real or perceived, is a lot of what's going on today." Inspiration and opportunity hurry for no one. In this great video from B&H, Nicholas Pappagallo outlines what it takes to be a prepared and patient photographer, so when inspiration and opportunity do finally show, you're ready and waiting.
"This is what we have to create if we want to sell." Ruben Salvadori, an anthropologist and photographer, spent months in East Jerusalem, where he initially went as a conflict photographer. Soon, however, his anthropological training kicked in, and he found a subject that was more interesting to him personally: the photographers themselves.
Dodge and burn is a well-known technique amongst the retouching community. Most retouchers will use it to smooth out transitions and micro-contrast on portrait, fashion, or beauty images. However, it can be utilized for any genre of photography and broader uses than just skin cleaning. It can be used to direct the viewer’s eye and create more compelling, dramatic images with a few clicks. If you shoot and edit weddings and are looking to step up your post-processing game, this article is definitely for you!
I stumbled across this video late last night and couldn't help but be intrigued by it. Andy Rooney, the famous "60 Minutes" commentator, goes on quite an impressive rant about modern art, raising a lot of questions about our place as creatives and the validity of what we do.
Score one for the good guys. When they realized their boat was being stolen, two Washington teenagers handled it in the coolest way possible: they called the cops, then they put their drone in the air and chased down the thieves, guiding police to their position and capturing video evidence in the process.
In this video from Ryan Connolly over at Film Riot, he takes viewers quickly through an action sequence he has edited, and shows a few simple ways that he was able to increase the perceived speed and create a more realistic edit. Even if you're not editing fight scenes, there are a few tricks in here that are absolutely applicable to other genres.