Here's a truth that many photographers would rather ignore: what separates thriving professionals from those who merely own expensive gear isn't mastery of f-stops and shutter speeds.
Exploring a familiar location with fresh eyes is one of the best ways to discover something new about your photography. It pushes your creativity by forcing you to find new perspectives in places you think you already know.
Blue hour photography transforms ordinary landscapes into ethereal masterpieces that capture viewers' attention like few other techniques can. You're missing out on some of the most compelling shots of your career if you're packing up your gear when the sun disappears behind the horizon.
The photography industry witnessed one of business history's most dramatic upheavals during the digital revolution. Companies that dominated film photography for generations found themselves unprepared for fundamental changes in how images were captured, processed, and shared. This transformation claimed several iconic brands, each offering distinct lessons about navigating technological disruption.
I visited my local camera store in Canada recently and chatted with the guy working there about film photography. He confirmed what I was already experiencing from spending too much time on YouTube, telling me how popular it’s become and how the popularity continues to grow. He said it’s mostly younger people getting into film photography, and they can’t keep a used film camera in the display case for more than a few days; they get snapped up. Why is that?
Wherever you are on your landscape photography journey, there are common myths about how to approach the craft that can hold you back—thoughts that are commonly expressed in online communities that raise doubts and block your progress. Let’s look at three common myths that might be holding you back.
Your Lightroom Classic workflow could be moving twice as fast with the right tools, but many people never discover the features that eliminate hours of tedious editing work. These AI-powered shortcuts and advanced masking techniques can transform how you approach photo editing by automating the repetitive tasks that slow you down.
Looking at this camera announcement, I had to ask myself: Has Sony completely lost their minds?
Fujifilm's new X-E5 mirrorless camera has arrived, bringing intriguing upgrades from the X-E4 and catching attention with a sleek form factor and enhanced capabilities. For those considering a compact, interchangeable lens camera, the X-E5's improvements offer compelling reasons to take a closer look.
The most valuable photographs you've ever taken weren't the ones you saw immediately on your camera's LCD screen. They were the ones you had to wait for—sometimes a week, sometimes longer—wondering if that perfect moment you thought you captured actually materialized on film. This isn't nostalgia talking; it's psychology, and understanding it reveals something profound about how we value images in an age where we take more photos in a day than our grandparents took in a year.
Panasonic has added two new cameras to their Lumix S-Series lineup, the S1 II and S1 IIE. For anyone considering Panasonic’s full-frame system, here's how they compare to the popular S5 II and S5 IIX.
The whispers have turned into reality: Sony has officially announced the RX1R Mark III, and for enthusiasts of high-end compact cameras, the excitement is palpable.
The most expensive photograph you'll ever lose is the one you never backed up.
You're probably not using about 100% of your camera's capabilities. Canon has quietly embedded a treasure trove of advanced features that could revolutionize your photography—features so specialized, most photographers never discover them.
A lens that can replace a bag full of primes, while still being lighter and smaller than its predecessor, is not something you see every day. The Sigma 17-40mm f/1.8 DC Art lens pushes APS-C systems into territory that used to be reserved for much more expensive gear.
The Sony FE 50-150mm f/2 GM is one of the most remarkable lenses in recent years, promising to replace several primes in your bag. Here's what you can expect from it.
Let’s talk Beyoncé. Specifically, that now-iconic Cowboy Carter promo photo that’s been everywhere. In my latest video, I break down exactly how I would recreate that look on a budget—and how you can too, with one or multiple lights.
If you're cranking up saturation on every photo, you might be destroying your subject's skin tones. The difference between Photoshop's vibrance and saturation tools can make or break your portrait edits.
Sigma recently released what might be the most significant APS-C lens in years with their new 17-40mm f/1.8 DC Art. This lens updates the legendary 18-35mm f/1.8 that photographers and filmmakers have loved since 2013, promising the same cinematic look in a more refined package.
If you're interested in lenses that capture vintage charm without sacrificing modern practicality, the reissue of the Leica Summilux-M 50mm f/1.4 might catch your eye. It blends elements from decades of Leica history into one lens, giving your images a unique character and feel.
The Perseid meteor shower is often the most spectacular meteor shower in the Northern Hemisphere due to frequency as well as its appearance in summer. Here's how to photograph it!
Going to make a bold prediction (or a hot take) here: Camcorders are going to make a point-and-shoot style comeback in the next year. In the same way that compact cameras have experienced a resurgence among youth looking for the nostalgic vibes, so too will the handy cams that those of us who actually used the things back in the day will never understand.
How much difference can half a stop of maximum aperture make? Let’s see if it is worth carrying a much bigger and heavier lens.
The Voigtlander NOKTON 40mm f/1.2 Aspherical lens represents something truly unique in the lens world, as it's currently the only full frame 40mm f/1.2 optic available anywhere. For anyone seeking that perfect middle ground between the versatility of a 35mm and the slightly tighter framing of a 50mm, this manual focus lens promises an intriguing combination of ultra-wide aperture and compact size.
Wide angle lenses are notoriously tricky when it comes to distortion, and finding the right balance between quality, size, and cost can be tough. The Rokinon AF 14-24mm f/2.8 might be a lens you're considering, but does it check all your boxes?
In an era where 24-240mm superzooms promise to capture "everything you need" in a single lens, suggesting that photographers should intentionally limit themselves to fixed focal lengths sounds almost heretical. Yet the most compelling case for prime lens education lies in understanding how constraint-based learning accelerates skill development and creates better photographic habits.
The DJI Mini 4 Pro is undeniably a marvel of modern drone technology. It is currently the best compact sub-250 g drone that money can buy. Packed with tons of new features such as omnidirectional obstacle sensing, true vertical shooting, and 4K video recording up to 120 fps, it is clearly designed for creators who demand both performance and portability—and for working professionals like me who prefer a smaller drone for easier flight access in most areas. It's easy to see why it's a popular choice among drone enthusiasts.
Needing a smaller pack in which to carry my equipment, I put the new Peak Design 18L Outdoor Backpack and 4L Sling through their paces. I wish I had them available years ago.
Six months ago, I predicted that Sony would release a new RX1R, guessing many of the specs, including the price. What I should also have predicted is the backlash that Sony would receive for releasing a camera that is so ludicrously expensive. Here’s why pricing this insane camera at five grand was exactly the right thing to do and why we should be happy about it.
New camera iterations often offer incremental upgrades that don't always align with specific needs. Yet, some cameras break the mold, igniting a genuine sense of intrigue and the undeniable pull of Gear Acquisition Syndrome (G.A.S.). Enter the Sigma BF. This isn't just another camera; its promise of being uniquely good, undeniably quirky, and refreshingly different made it an instant standout.
Here's a radical thought: the most underutilized piece of equipment in your camera bag isn't that expensive filter you never remember to use or the flash modifier gathering dust on your shelf. It's something else that came with your camera and that you probably tossed aside.
Viltrox lenses are a better choice than Nikon’s Z-mount native lenses. There, I said it. And this is coming from someone who has used Nikon for 40 years and may even be somewhat of a “fanboy.” I’ve been impressed with Viltrox lenses for a few years now—and own three—but the new Viltrox AF 135mm f/1.8 LAB full frame is a whole new level of impressive.
Sigma recently released the new 16-300mm f/3.5-6.7 DC OS Contemporary lens, designed to tackle everything from wide angle landscapes to distant sports action with one lens. It could simplify your kit, but is the convenience worth the potential compromise in image quality?
The new Thypoch Simera 21mm f/1.4 lens isn’t a thing of subtlety. It’s heavy, unapologetically mechanical, and it demands a bit of muzzle discipline when carrying it around. Forget where you’re pointing it, and you may end up either receiving or handing out some bruises. And arguably, it’s not for everyone; it’s a big chunk of metal hanging off the end of your camera. It stands out, and if you’re looking for subtlety, there are other lenses—smaller lenses—that might fit the bill.
The Tamron 16-30mm f/2.8 Di III VXD G2 lens has just landed, and it's worth your attention if you’re serious about your gear. Ultra-wide angle lenses can transform your landscape, architecture, and astrophotography, but not every lens gets it right, though this one might.
The most devastating critique of modern photography isn't about oversaturation, cliché compositions, or even AI manipulation. It's this: we obsess over the sharpness of eyelashes while missing the tears that give them meaning. We pixel-peep at 400% magnification while life's most profound moments slip past our viewfinders unnoticed.
Editing can make or break a portrait, yet most people focus on the wrong details when trying to improve their work. The difference between amateur and professional-looking portraits often comes down to a handful of specific techniques that direct the viewer's attention exactly where you want it.
I’ve always been curious about what the "Q" in the Leica Q stands for. After some use, I’ve come to a conclusion: it stands for "Questionable."
This travel tripod goes over the top and offers angles that most taller tripods can’t. If you’re someone who requires versatility in your lightweight tripod, this is for you.
Viltrox has been on a tear lately, dropping new products, including lenses, video monitors, flashes, and more. It seems like every other week they are releasing another new lens, and the latest from the company is the Viltrox 85mm f/1.4 Pro lens, which is sure to be popular with portrait shooters.
Sony has announced the RX1R III, the third generation of its premium compact camera series featuring a 61-megapixel full frame sensor and fixed ZEISS Sonnar T* 35mm f/2 lens. The camera combines Sony's latest imaging technology in a palm-sized body designed for photographers seeking full frame quality in a compact form factor.
Landscape photography often means balancing image quality and gear convenience. This becomes especially challenging when considering fixed-lens cameras, but one might rise about the rest.
The Viltrox AF 35mm f/1.2 LAB FE lens is attracting attention for its unique specs and a price that challenges traditional expectations. With few direct rivals, this lens might reshape how you think about premium lenses for Sony full frame cameras.
There’s nothing more useless than a nice charger or power bank in your bag without a cable to use with it. This new charger line prevents that annoying mistake from happening.
For several years, I have been more and more conscious about what I eat and drink. Gone are the days when I could survive on many cans of fizzy drink, chocolate, and snacks to fuel my photography adventures. I simply can't put my body through it anymore, plus it was having a detrimental effect on my ability to stay sharp and focus on my tasks. Instead, I switched to having water as often as I can during each day, and despite the temptations of the colorful refrigerators in gas stations, I have managed so far to avoid the temptations. Has there been a change? Yes, I can keep going for longer, I don’t feel as bloated, and I have saved money in the long term. But I’ve often wondered if I could do even better.
Renowned Dutch photojournalist Chas Gerretsen is best known for his raw and emotional war photography captured during the Vietnam War and the hostile and violent political turmoil in Chile. However, his career took an interesting turn when he found himself exhausted from covering global conflicts. This turn took him to Hollywood, where he would use his skills sharpened on the battlefield and bring them to the movie set of Francis Ford Coppola's 1979 film, Apocalypse Now.
As a photographer, power on location is important. When editing on the go in coffee shops, airports, or on train journeys, you can use supplied power outlets, but what if you are on location somewhere that doesn’t have power outlets? This article takes a look at using a power bank designed with laptops in mind to keep the post-shoot workflow going no matter where you decide to work.
Apple's latest M4 MacBook Air is here and I put it head to head against Microsoft’s Surface Laptop 7th Edition. Both laptops are exactly $1,000 and have almost identical specs, but one of them is better in almost every way.
Remember when photography had rules? Not guidelines or suggestions, but actual rules that separated the pros from the amateurs, the trained from the untrained, the serious from the snapshot-happy masses. These weren't arbitrary dictates from some photography ivory tower—they were hard-won principles developed over more than a century of image-making, refined through decades of darkroom experimentation, and codified in countless photography textbooks that gathering dust on our shelves. Then social media happened.
