The Leica Q3: A Beautiful Yet Questionable Camera

I’ve always been curious about what the "Q" in the Leica Q stands for. After some use, I’ve come to a conclusion: it stands for "Questionable."

Don’t get me wrong—this is a beautiful and intriguing camera. However, there are several puzzling choices in its design and functionality that make it difficult to recommend. And in use, some aspects of this device even render the camera unusable. Brace yourselves, Leica fans; I’m about to ruffle some feathers.

First Impressions and Physical Design

The first thing I noticed when unboxing the Leica Q3 was how terrible the ergonomics are. The body has no contouring or shape to aid in comfortably holding the camera, and the slick material makes things even worse. There’s nothing substantial to grip onto, and this issue is so glaring that you’ll rarely see a Leica Q without some form of added grip—be it a handgrip, a thumb grip, or both. Here’s the kicker: these accessories don’t come included. At this price point, you’d think Leica would build better ergonomics into the camera or, at the very least, provide these grips in the box. Instead, they charge $200 for a handgrip and another $200 for a thumb grip.

Another odd design choice is the battery system. There’s no battery door. Instead, the battery pops into the bottom of the camera, blending seamlessly with the base. While it looks sleek, I’ve had the battery pop out twice under unknown circumstances—possibly from brushing against a belt loop or bag. Thankfully, I noticed it both times before leaving the area, but losing this $200 battery could easily happen if you’re on the go.

Then there’s the flip-out screen. Leica didn’t provide enough clearance around the screen to easily pull it out. The edges are just as slick as the rest of the camera, so you struggle to get any type of grip. To address this, Leica added a groove at the top of the screen, but the EVF partially blocks this groove, making the entire process feel awkward. Moreover, if you want to tilt the screen up, you first have to pull it down, adjust it, and then tilt it back up. The questionable part about this design choice is that the screen has the same clearance around all of its sides. So why not add grooves along the sides and/or bottom for easier access?

To their credit, Leica did get some things right. The lens is a standout feature, with a fast f/1.7 aperture and a fantastic focus lever that locks in place to prevent accidental adjustments. This makes switching between manual and autofocus seamless while also making it difficult to accidentally make an adjustment, unlike the little switches that have become almost standard on most modern lenses. Add in the fact that the lens has a nice little lens collar for quick and easy adjustment into macro mode.

Functionality and Performance

When it comes to some of the physical design elements, while I'm not a huge fan, I can at least understand them. Also, some of these choices, I could imagine, are in order to maintain the aesthetic that the Q series has become known for. But for me, where this camera truly falls apart is with the camera’s core functionality.

Autofocus: A Major Letdown

Let’s address the elephant in the room: autofocus. Many might argue that you don’t buy a Leica for its autofocus, but here’s the thing—if a camera offers features like face and eye detection, they should work properly. On the Leica Q3, face and eye detection are inconsistent at best and disastrous at worst. The camera arbitrarily places boxes around anything it thinks is a face, including mailboxes, windows, and chairs. Worse, it randomly selects one of these “faces” as the primary subject. If someone enters or exits the frame, the camera resets its selection, unselecting your subject in the process. For anyone trying to photograph moving subjects—like kids, in my case—this is a nightmare. The only workaround is to use old-school methods like moving the focus point manually or focus-and-recompose, which feels like a step back to the DSLR era.

Buffer Issues and Odd Behavior

The Q3’s buffer also has its quirks. There’s no indication of how much of the buffer is cleared—just a generic “buffering” notification. On top of that, I encountered a frustrating issue where the camera wouldn’t let me take photos until the buffer was entirely cleared, even when there was plenty of room left. This problem mysteriously disappeared when I turned off the 120 Hz EVF refresh rate, only to remain gone when I tried to replicate it later to document it. But weird anomaly aside, the fact that you have no idea how many images are left to buffer makes documenting a fast-paced subject difficult because you can't plan around the needed buffer time.

Shutter Limitations

The camera’s leaf shutter is limited to 1/2,000th of a second, which severely restricts the usability of the f/1.7 lens in daylight. While you can switch to the electronic shutter, its slow readout speed results in noticeable rolling shutter effects with any movement. This slow readout speed also causes severe banding in lighting that has any type of refresh rate.

Even worse, the exposure preview misleads you. For example, if you’re shooting in aperture priority at f/1.7 with ISO 100, the preview might show a properly exposed image, but the actual photo ends up overexposed due to the shutter speed limitation. This forces you to constantly review your shots or add an ND filter—an annoying extra step for what’s supposed to be an everyday carry camera.

Image Quality and Highlight Handling

The Leica Q3 features the same sensor as the Sony a7CR and Sony a7R V, which are among the best sensors on the market. As expected, the image quality is excellent. As expected, the image quality is excellent. However, the way Leica implements this sensor causes highlights to blow out much faster than on comparable cameras. Combined with the shutter speed limitation, this makes it difficult to shoot wide open in bright conditions without compromising your images or needing to resort to higher apertures or ND filters, which seems like a weird thing to have to consider to take images in regular daylight.

What I Liked

  • Solid build
  • Fast yet small f/1.7 lens with nice features
  • Leaf shutter is quiet
  • Nice build quality
  • Image quality is great aside from faster highlight clipping

What I Didnt Like

  • Autofocus is underwhelming
  • Face and eye tracking is almost useless
  • 1/2,000 shutter speed is limiting
  • Ergonomics are terrible and require expensive add-ons to fix

Final Thoughts: Who Is This Camera For?

The Leica Q3’s design and functionality left me scratching my head. As a compact, everyday carry camera, it faces stiff competition from other brands that offer similar aesthetics with far better performance. If Leica’s goal was to create a luxury camera, they succeeded—but luxury doesn’t justify basic functionality issues. And at this price point, I expect the camera and its features to actually work. Unfortunately, the Q3’s quirks make it difficult to trust in real-world scenarios.

Jason Vinson's picture

Jason Vinson is a wedding and portrait photographer for Vinson Images based out of Bentonville, Arkansas. Ranked one of the Top 100 Wedding photographers in the World, he has a passion for educating and sharing his craft.

Log in or register to post comments
24 Comments