The long-running battle between camera companies is something that will always exist. Forums and article comment sections will always have some type of argument about who has the better high ISO or dynamic range, how Canon has better color than Nikon or why full frame is better than a crop sensor. But when it comes to how a camera company treats the end user, I think everyone could learn a lesson from Fujifilm.
Articles written by Jason Vinson
If you spend any time surfing photography forums and Facebook groups, you will undoubtedly see a constant flow of questions asking for the best way to nail focus. Maybe you are one of those people that find themselves struggling. The trick is that most cameras have a setting that will help you focus like a pro. That trick is called back-button focus, and once you use it, you’ll never want to go back.
Being that I’m primarily a wedding and documentary photographer, it’s not every day that I get the chance to take a portrait of a celebrity. Add to this that I live in Northwest Arkansas, which isn't really a hub for celebrities, makes it even less likely for me — especially one as well known as William H. Macy. So I thought it would be interesting to line out how I pulled it off and got the final image.
Love them or hate them, Lightroom presets have become a staple in the world of editing. A lot of users use them to emulate their favorite photographers or in an effort to recreate certain film looks. The problem with these presets is that everyone that uses them ends up releasing work that looks the same as everyone else who has the same preset. This was apparent with the very popular VSCO presets. What DVLOP aims to do is give you the ability to not only emulate your favorite photographers, but also the tools to create your own style.
When it comes to light painting, the tool you use to paint with is just as important as the camera you use to shoot with. Different tools give different textures of light, color, and intensities. The main issue here is that most tools are handmade and there isn't always a lot of information online about how to build everything. So when someone comes out with a well-made tool that you can use right out of the box, it’s time to take notice. That’s what we have here with The Ball of Light Tool from the master light painter himself, Denis Smith.
The Nikon D850 is quite the beast of a camera. It holds a massive 45.7-megapixel full-frame sensor that can record 4k video and create 8k time-lapses. It can shoot at a blazing fast seven frames per second and has an enormous 51 image buffer when shooting 14-bit raw images. The focus speed is insanely fast, deadly accurate, and offers 153 focus points with 130% more frame coverage than the older Nikon D810. The only problem with such an amazing monster of a camera is that Nikon thinks it’s too much for women to handle.
Without a doubt, Lightroom is an extremely powerful editor. So much in fact, that I can edit an entire wedding without ever leaving the program. The main things I find myself doing that cause me to leave Lightroom and enter Photoshop are multiple exposures, liquefying, more advanced cloning and healing, and adding certain overlays. What Advanced Lightroom Effects from Lens Distortions does is make it so I no longer need Photoshop to add these overlays. It saves me time from switching back and forth between programs and having to create multiple copies of the same image.
Fujifilm has made quite the name for themselves in the camera industry. They completely changed the game with the release of the original X100 and have since been turning out great camera after great camera. In a similar fashion, Fujifilm is looking to change the way you view medium format cameras with the recent release of the Fujifilm GFX 50s. This camera is not only smaller and lighter than most comparable cameras, but it also comes in at a cheaper price tag. But does the final product live up to the hype?
Outsourcing is quickly becoming a standard practice. More and more photographers are using outsourcing services full time, while others are using them during the busy part of their season. While outsourcing has become more common in the industry, there are still some questions as to it’s worth. Photographers not familiar with the service see ups and downs to incorporating this type of service, and sometimes it can be hard to see which side wins. After my last article reviewing ProImageEditors, people wanted to know if it was worth it.
As a wedding photographer, we are always looking for new and interesting ways to add to our income. This usually comes in the form of photoshoots, prints, albums, and various types of upgrades, but most wedding photographers seem to be missing out on one of the easiest ways to make more money.
Working with a second shooter has a ton of advantages: you can cover more moments, you get different angles and perspective on the same moments, and they even allow you to try new things during the day that you normally couldn't afford to do. One of the more frustrating things about working with a second shooter though, is when you get back home to later find out that your cameras were not synced to the correct time. What you're left with is images from the reception all intermixed with images from getting ready.
As someone that always seems to be on the hunt for that perfect camera bag for every occasion, I know there is no shortage of options. But in my everlasting search, one bag I have always been lacking is a good camping backpack that could also carry some camera gear. The backpack style bag I have had in the past have either been great camera bags, or great camping bags. When I saw the Tahquitz backpack though, I got excited.
Shooting events with a ton of people can always be a bit overwhelming at times. There are thing constantly happening all around you, pulling your attention in every direction. Add to this being in another country and at an event such as the Holi festival, and you have a recipe for mass mental chaos. In order to combat this, I went to India with a pretty deliberate plan on how I wanted to shoot.
The topic of Instagram shadow banning users has been a hot topic for the last couple weeks. Some people think it’s a real thing while others don't. The problem is that there was no way to actually prove its existence or to even see if you were affected — until now.
Outsourcing for me has always been one of those things I just never thought to be possible. How could someone who doesn't know what I’m thinking know how I want an image to look? Sometimes I don't even know what I want an image to look like and some of my favorite images have come from playing around while editing. So when I was contacted by Pro Image Editors, one of the largest postproduction companies around with 400-plus employees, and offered the chance to try their services, I was a bit skeptical.
As a professional wedding photographer, I spend a lot of time with people in front of my camera. But because I grew up racing motocross and driving fast cars, I have always been intrigued by automotive photography. So when I was asked by a friend of mine if I wanted to help shoot a 80s-styled cafe racer motorcycle, I jumped at the opportunity. Add to this that the shoot was going to be inside of an arcade filled with old-school machines, and this shoot sounded like one amazing time.
It’s easy to think of underwater housings as a one trick pony. I mean, the name “underwater housing” suggests a very specific use. But in reality, these housings are good for protecting camera gear in all sorts of extreme conditions. So when I had the chance to shoot the Holi Festival in India, I thought it would be the perfect place to test the new underwater housing from Aquatech that was designed specifically for the Fujifilm X-T2.
Action sport photography has always been something that I have been drawn to, but I just don't have the access and opportunity to shoot it very often. So when I got the chance to shoot some wakesurfing, I Instantly jumped at the opportunity. The one thing I wanted to do going into the shoot though, was come out with something different.
Every year, without fail, I’ll get a handful of emails and Facebook messages from friends and family asking me how to use the new camera they got for Christmas. While I’m always happy to help, I have to assume there are other people out there that may not have a photographer friend to reach out to. So with that, here is a quick list of things you should do with that new camera.
After shooting flash for a handful of years, I have acquired a small arsenal of lights that are suited for different needs. I have the large studio lights that are great for overpowering the sun, small hot shoe flashes that have the ability to use features like TTL and high-speed sync, and then video lights that allow me to see exactly what my light is doing before I take an image. So when I saw that the Phottix Indra500 TTL could do all three, I was instantly intrigued.