There is an innumerable amount of articles and tutorials teaching parts and pieces of retouching portraits. However, finding the ones with quality techniques and information can take days. Furthermore, there is no singular tutorial that teaches a complete set of methods to retouch portraits free of charge. Finding the right tutorials for each aspect of editing can become very time consuming. This article contains 5 years of research for achieving the greatest methods to retouch a portrait.
In Part 1 of my Instagram Tips series, three sure-fire tips were shared to grow the right following, the right way on Instagram. One of the methods was to use the correct hashtags for your audience. This week we're diving a little deeper into what specific hashtags will work best for you based on specific genre. Get your notes out and lets go!
When a client hands a portrait photographer their hard-earned money, they want to see a photograph of themselves they feel great about. Light is a key aspect in producing such a photo, but how is a photographer supposed to choose which lighting style works for their client?
It's a huge risk to not ask the right questions before giving a prospective client a price. Not only does it make you look like an amateur, but you could end up agreeing to a job which really isn't worth the time or money. Here's what you should be asking when someone wants to know how much it will cost to hire you.
Chances are you have already learned what Frequency Separation (FS) technique is, as it became mainstream in the past few years. However, many FS technique users actually know very little theory behind it, thus have little control over its implementation. I've set out to research and collect all the important and useful information about it, so we can together learn how to become better at it.
The world of fine art photography exists in the lofty shadows of the photography industry, it’s secrets hidden behind an air of elite mystery. While endless tutorials on how to make a living as a portrait photographer can be found with a quick google search, how to make a living as a fine art photographer remains a more nebulous subject. Last year, award-winning Fine Art Photographer Jason Matias made $60,000 selling fine art prints, and he’s taking away some of the mystery by sharing part of his journey — and solid advice — for budding fine art photographers who want to do the same thing.
I'm no painter. In fact, if we ever play Pictionary together, do your best to get on the other team. So, when I wanted to make my own custom backdrops, I knew I was way out of my depth. Like many photographers, I've drooled over Sarah Oliphant's hand painted backdrops for years. When I saw Jeremy Cowart draw his own backdrop on an iPad Pro, I thought I may have something within reach. While I continued trying to decide exactly what Oliphant backdrop I want to start with, I thought maybe I could experiment with some digital painting of my own.
The wrong elements of color can disrupt the harmony of photographs and distract the viewer from the story you’re trying to tell. When we’re deliberate though, we can use color theory while planning the components of our photos and use color grading to allow us to create compelling images that add emotion to help us create a story. Dynamic images are created through complementary colors that develop harmony in wardrobe and location, lighting, and mood. Fortunately, there are numerous resources to understanding and implementing color.
I’m a big believer that you don’t need expensive equipment and a complicated lighting set up to create beautiful images. Some of my favorite images were captured with a really simple lighting setup and with little or no lighting equipment at all. Sometimes too much emphasis is often put on equipment and we can easily get caught up in complicated lighting and expensive gear.
Throughout the course of my creative career, I’ve overdrawn my bank account a lot, shed tears over stress, and stared in the mirror for hours in dejection. I’ve made my share of professional and personal mistakes and certainly learned the hard way from all of those choices. I’ve lost, I’ve won, I’ve sacrificed, and I’m blessed to have earned.
Some model poses seem to pop up everywhere repeating across different mediums and across decades. Many photographers deride these posing cliches, but these cliches can be useful on fashion and other model shoots, especially when working with new models still learning how to move. They can help create serviceable images when you are stuck for ideas or when you need shoot a series of good looks in a short period of time.
Instagram has become the primary avenue for photographers to share their work, but if not appropriately handled, Instagram can ruin the look of your images. Here is the best way to export your photos from Lightroom if you want your pictures to stay as sharp as possible.
Today begins a three part series on building a successful business plan as a photographer. The topic deserves its own full book, but hopefully these essays will give those of you just starting out a primer on things you need to consider when turning your hobby into a profession.
Your “About Me” page is one of the single most powerful ways to define your brand, stand out from your competition, and make potential clients feel they can’t NOT hire you. So why, then, are you neglecting it? Here’s how to write a killer “About Me” page to capture more clients.
There’s much more to being a professional photographer than meets the eye. Making photos for your clients is about 5 percent of the job. Making a living from photography is difficult to say the least. If you want to be a professional photographer, there are many aspects you should consider before diving in.
In the digital age you as a photographer are expected to be familiar and knowledgeable with Photoshop. It can be argued back and forth if this is right or wrong and whether Photoshop is ruining photography. But I see Photoshop as a tool, just as the darkroom was a tool to manipulate images. I have put together this list of 10 techniques that helps me get the most out of my images.
There are times when I find myself shooting the same stuff or using the same lighting setup over and over again. Repetition helps to improve and fine-tune my skills, but sometimes it just feels boring and degrading, let alone useless for my portfolio.
But as much as I dislike feeling stuck and repeating myself, I now realize how such times in fact help me to become a better artist and shooter. It's usually the desire to entertain myself and experiment that leads me to new personal artistic discoveries. It's when I'm bored and want to "spice it up", I start searching for new lighting ideas, tricks and techniques.
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