The Line is a collective of directors that specialize in short films. In their most recent video they combine candid video footage with some carefree hipster animated characters. Watch "Amaro and Walden’s Joyride" as they tear up the streets of London.
When I first looked at placing my camera into the water I noticed that there was a lot of different options. The most practical and safe method was the big and very expensive dive housings that are used for scuba diving. The cheapest, most dangerous option was the little plastic zip lock bag-type housings that can be found on eBay for $100. I wanted something that would not break the bank, but would also be safe enough that I could put in an expensive DSLR plus a lens, and trust it would be safe. These stipulations are what brought me to the Outex underwater housing.
Sometimes you need to get rid of that frizzy wind-blown hair but you don’t have the time to mess with cloning and blending. This can be even more difficult and time consuming with more complicated backgrounds that have gradients in them. I’m here to show you my quick and dirty way to get rid of those flyaways.
It’s officially hot outside in my neck of the woods, but that doesn't mean I can to take a break from shooting outside! I still have to sweat it out, hauling my gear around from location to location and that means my clients have to feel the sting of the summer heat as well. Although it’s steaming out, I don’t want my images to look like they were taken inside the nearest oven set to broil. Thankfully, there is a super quick and easy way to fix those heat flushed skin tones.
Shooting with two cameras seems to be a growing trend in the wedding industry. When I first started shooting, I saw people doing this and I just didn’t see the point. I figured I could always change lenses, and then I would be good to go. Once I gave it try I completely fell in love. Here is my “how and why” I shoot with two cameras.
My favorite part of the wedding day is the reception. After the traditional first dances, and speeches are done, and the wedding party starts to let loose. The party is in full swing and the best man is giving “The Dougie” his best attempt in an effort to win a dance battle against the bride. While capturing these images I want the viewer to feel like they were in there, in the moment. My goal is to not light up the entire room like a Christmas tree. I want to see the light from the DJ and the motion on the dance floor. This is how I do just that.
The Nikon D750 is one of the most talked about cameras in a long time. It’s a small lightweight body that packs a major feature set and has even lured Nikon D4 shooters to "upgrade." The camera is packed full of customizations, some of which can be pretty hard to understand and even difficult to find. I’m here to explain what I feel to be the best overall setup and why. This article is geared towards the Nikon D750, however the majority of the settings, if not all, are applicable to most cameras.
Rings can be considered one of the most important details of a wedding day. The groom may have spent months trying to find the right ring, and even longer saving up to purchase it. When the bride first announces their engagement, all of her friends can't wait to see the ring. It’s the only item from the wedding day that most couples will have their entire lives (besides the images of course). When I take pictures of the rings, I want to capture more than just the ring sitting on a table. I want something visually interesting and unique. Here is how I do it.
The latest round of GoPro HERO4 cameras have been a big hit. Though one of the surprising outcomes with the recent release was the addition of a touch screen to the Silver edition and lack of screen on the higher-end Black edition. In many reviews and ratings, the ability to see your framing and review images and video from the device gave the Silver edition a leg-up over the Black. GoPro has now taken the overwhelming approval of the touch screen into account and has just announced the new Hero+ LCD.
In my recent article "Why I Love My 20mm Lens to Shoot Weddings," I explained why I love the 20mm focal length and also explained some of the distortion effects to be wary of. What I didn’t explain is that some of these distortion effects could be fixed by using a tilt-shift lens. In the following video, Vincent Laforet explains the basics of how to use these lenses to fix distortion, as well as how to add interesting focus effects to your images.
When starting out in wedding photography, one of the most common questions that gets asked is, “What lens is a must have for my first wedding?” The most popular answers to this question are all over the map. They range from 50mm to 85mm to 70-200mm and so on. What you likely never see on the list is something like a 20mm lens, but for me, I will always have one of these lenses in my bag.
Ryan Brenizer is famous for his shallow depth of field panoramas known as the Brenizer method. In addition to this, he has photographed presidents, singers, athletes, and has more than 350 weddings under his belt. He was named one of the "10 most sought-after wedding photographers in the world” by Rangefinder Magazine, so when he talks, you should listen. In this video, Brenizer goes through five lighting tips that can help you throughout the day of shooting a wedding.
Being a working photographer, and even as a weekend warrior, I'm sure we all suffer from low back pain after finishing a long day of shooting. This pain can last for days and sometimes weeks, and as photographers, if we can’t move, then we can’t work. So lucky for us, there is a simple solution.
Now that more and more people are using their smartphones as their main camera, and some have even done entire photoshoots with one, it was only a matter of time until manufacturers started allowing raw capture. For the newly released HTC One M9, that day is today.
[UPDATED May 1, 2015] Added sample images and link to full-res download.
