On the back of producing the world’s best-selling lens, Tamron has released a piece of glass that got me incredibly excited: the 17-28mm f/2.8 for Sony full-frame cameras. I’ve tested this lens extensively on both jobs and personal projects over the course of a month, and hopefully, I can now tell you whether you should buy this lens or not.
Discussions about entry-level, mid-level, and pro-level cameras often revolve around the differences in their sensor size or resolution. However, that's just one aspect of many that separate these types of cameras. Let's take a look at the other benefits that a pro-level camera brings to the table.
A photographer visited the factory of analog concept store Supersense in Austria to document the team who is creating a new way to use vintage Land Polaroid cameras and shoot Peel-Apart instant film. In his two-part video blogs, Mathieu Stern revealed how the collective of photographers is creating the FP-100C film that is no longer produced by Fuji.
Laowa is one of the first to create a wide lens for Nikon’s Z and Canon's RF mount, with their 15mm f/2 Zero-D. The lens is also available in Sony's FE, representing a unique option for full frame mirrorless users. With an impressive aperture and focal length combination, is it a lens you should consider?
The Sony RX 100 VII is the latest entry into the company's line of premium point and shoot cameras, and with it comes a plethora of features for photographers and videographers alike. This great video review takes a look at the video features of the camera to help you decide if you should consider adding it to your kit.
As high quality RGB Led light panels become cheaper and more compact, more and more photographers and videographers are finding just how useful these little lights can be. In this video, I compare the new Falcon Eyes Pocketlite F7 light to my favorite RGB light panel as we explore a few unique lighting setups any photographer can create on the fly.
Rumors are circulating that Tamron is about to announce the launch of a lens that would complete its trio of fast zooms for Sony full-frame cameras with the 70-180mm f/2.8 lens. Will it be tiny, how much will it cost, and how will it stack up against Tamron’s two other amazing Sony f/2.8 zooms?
Once I bought a Manfrotto pistol-grip-upside-down ball head, with the typical Manfrotto camera plate. After a while I wanted something more robust, and I choose for an Arca-Swiss compatible ball head from Kirk Enterprises, and a matching L-bracket. The latter was one of the best choices I made.