Gear

What Is the Difference Between Cinema and Still Lenses?

What Is the Difference Between Cinema and Still Lenses?

The majority of the readers of this article who shoot video probably use still lenses. You might ask yourself why you may need different lenses for video while your existing photography ones work just fine. In this article I'd like to show you certain features of the cinema glass that you probably always wanted subconsciously. Maybe after reading this you'll start saving up the money for one.

Fstoppers Review of Red Giant’s Magic Bullet Denoiser III

Fstoppers Review of Red Giant’s Magic Bullet Denoiser III

We've all been there. You were hired for a run-and-gun shoot only to find the location has terrible lighting. Or your shoot is running later into the evening and the sun is going down fast, without any lighting to plug in. The ISO gets cranked up, and your exposure is saved at the expense of adding unwanted noise to your image. This is where noise reduction software becomes useful, and a new product from Red Giant has changed the way it approaches this task with Denoiser III.

Elinchrom Introduces the Long-Awaited ELB 1200

Elinchrom Introduces the Long-Awaited ELB 1200

Most of the new portable flash units released in the past few years have been 200-600Ws strobes. Not many manufacturers decided to bet on powerful packs. They seem to focus heavily on HS, HSS, TTL, or simply lighter units instead. However, there are photographers who require power and Elinchrom listened to them. The ELB 1200 is not without reminding us of the aging Ranger RX, but they only share the power output, the brand name, and very few features. The Elinchrom ELB 1200 is a new product in itself and one that action photographers will love without a doubt.

Godox Announces AD200 Pocket-Sized Flash Unit

Godox Announces AD200 Pocket-Sized Flash Unit

Mainland China-based Godox Photo Equipment (also sold under FlashPoint in the United States) announced the latest in their series of challengers to the dominant flash makers, the Wistro Pocket Flash AD200. As with the other units in the series, the AD360 and AD600, the AD200 offers stable color temperature across all power levels and fast recycle times. It packs 200 Ws of power, which makes it significantly more powerful than any unit in its size or price range. Perhaps the most interesting feature, however, is the dual flash heads (more on that after the jump).

Is the Rotolight Neo the Ultimate Portable Video Light? Fstoppers Gets an Exclusive Hands-On Preview

Is the Rotolight Neo the Ultimate Portable Video Light? Fstoppers Gets an Exclusive Hands-On Preview

This week I was invited to the head office of Rotolight in Pinewood Studios, London to check out one of their flagship products, the Rotolight Neo. This is an LED light that can mount to your camera or can be used off camera using boompoles or light stands. This constant light source that can run off six AA batteries claims to be industry leading in areas such as brightness and color accuracy. But at $399.99, is it a worthy investment?

Sony Announces World's Fastest SD Cards, Boasting 299 MB/s Write Speed

Sony Announces World's Fastest SD Cards, Boasting 299 MB/s Write Speed

Earlier this week Sony announced that they will be debuting the world's fastest SD cards with amazing read and write speeds of 300 MB/s and 299 MB/s, respectively. Not only do the new SF-G series cards claim to be the fastest currently on the market, they are also backed by Sony’s File Rescue software which is a simple data recovery software that you can use free of charge.

Three of the Best Digital Frames for Your Images

Three of the Best Digital Frames for Your Images

Photography has come a long way since my 35mm high school days. We've seen it go from film, to prohibitively expensive, low-resolution digital, to stunning high-res cameras in every phone. But the method of viewing digital images has been limited to print and computer screens. Since my very first Canon 5D I've been on the hunt for a digital picture frame that could display images with the same brilliance as print.

Fractal Filters Make Prism Photography More Convenient Than Ever

Fractal Filters Make Prism Photography More Convenient Than Ever

Prism photography isn’t exactly a new thing. In fact, many photographers have been taking advantage of the unique, light bending properties of glass and clear resins to add an artistic flare to their images for some time now. The issue previously had been finding a prism that would work for you and fit neatly into your kit. Fractal Filters has recently released their latest set of prisms designed specifically for photographers that meet the need for convenient photo-prisms.

Develop Your Film with Ease at Home or On the Road with Lab-Box [Updated]

Develop Your Film with Ease at Home or On the Road with Lab-Box [Updated]

Developing your own film might be the cheaper (and more amusing) way to go, but with all the preparation and lab space required, that simply hasn't always the best option. Ars-Imago's Lab-Box hopes to solve these problems in a small, light-proof container that enables you to develop your own film at home or even while traveling – yes, it's that easy and compact. The best part: it's not all that expensive, either.

Sigma Releases All the Full-Frame Lenses We've Been Waiting For: 135mm f/1.8, 14mm f/1.8, 24-70mm OS, and 100-400mm OS

Sigma Releases All the Full-Frame Lenses We've Been Waiting For: 135mm f/1.8, 14mm f/1.8, 24-70mm OS, and 100-400mm OS

Today is the day that Sigma fills out its Art-series lens lineup to offer what could easily be considered everything you'd really need since its most recent release of the 85mm f/1.4 Art. Four new full-frame lenses cover the gamut from an ultra-wide, ultra-fast 14mm f/1.8 Art, a similarly fast 135mm f/1.8 Art portrait lens, to the wedding photographer's favorite 24-70mm f/2.8 Art and sports shooter's 100-400mm f/5-6.3 Contemporary "compact" super-zoom. If you've been waiting for that next Sigma lens, odds are it's one of these.

'Planet Earth II' Is BBC's Most Cinematic Series Yet, Here's How

'Planet Earth II' Is BBC's Most Cinematic Series Yet, Here's How

How did technology make "Planet Earth" so much more cinematic? If we go back to how it was done back in the day and compare it to the technology we have today, it's quite a leap. Back in the day 35mm was the broadcast standard. The 35mm cameras were bulky and heavy, they were perfect for studio and not for the shots that they needed. In the filming circles and the BBC insiders saw 16mm film as being for amateurs. But, thanks to David Attenborough first taking his 16mm camera out to shoot abroad and coming back with footage of animals never filmed before, it changed opinions. This made the program that later became one of the best wildlife documentaries of all time.

True to Its Namesake, Omnicharge’s Omni 20 Charges Even Your Power-Hungry Laptop On the Go

True to Its Namesake, Omnicharge’s Omni 20 Charges Even Your Power-Hungry Laptop On the Go

Keeping your gadgets charged on the go is essential if you travel a lot and expect to get any work done on the road. Thanks to the millions of battery packs that are out there, charging your phone is easy enough. But what if you need to keep your laptop charged while off the grid for a day’s shoot or while on a long flight without an outlet? Omni 20 is one of the only, and most recent, solutions that will charge anything you throw at it, including that ultra-powerful new MacBook Pro.