In a world where less than a handful of brands are considered well-established in the professional full-frame camera market and where more than a handful of other brands have done a very healthy share of innovating to wedge their way into the market, where do we stand? If you're going to buy a new system to start fresh or are just starting out and getting serious, this is for you. Here's a thorough comparison of the major bodies and lens kits you'll likely be considering. As long as you're considering full frame, regardless of budget, here's a comparison for it.
Fujifilm has made quite the name for themselves in the camera industry. They completely changed the game with the release of the original X100 and have since been turning out great camera after great camera. In a similar fashion, Fujifilm is looking to change the way you view medium format cameras with the recent release of the Fujifilm GFX 50s. This camera is not only smaller and lighter than most comparable cameras, but it also comes in at a cheaper price tag. But does the final product live up to the hype?
A couple of months ago, I finally pulled the trigger; I broke out my wallet and dropped a (rather large) chunk of change on my first mirrorless camera kit, the Fujifilm X-T2. I had been researching mirrorless options for almost a year, and finally landed there for a multitude of reasons. I was mainly interested in a mirrorless kit for use while traveling and backpacking, and loved the idea of a smaller, lighter kit. All signs started pointing at the X-T2 over the other long-term contender, the Olympus OM-D EM-1 MK II. It was only a couple of weeks before I headed off to spend a month in India and Nepal, so I needed to learn this camera relatively quickly.
It is possible. I'm not here writing this to beat you in the head with an “it's not the gear” rant; we can all agree that take is a bit redundant after awhile. But with that said, it still holds very true. What I'm here writing to share is why I decided to use one lens, which one I used, how I use it, and most importantly, how you can too. I built my entire portfolio using one lens and one lens only. Before you read on, can you guess which lens by looking at the photos below?
Canon released the 1D X Mark II last year, representing the next generation of its flagship model, a camera meant to be without compromise — top of the line capabilities, durability, and performance. As even consumer-level cameras reach sometimes stratospheric heights, the truly professional models have had to reach for even greater heights to continue to distinguish themselves. Read on to see where the 1D X Mark II fits in.
Announced earlier this year, the brand new Elinchrom ELB 1200 is finally about to be available on the market. The Swiss flash manufacturer has just published all the details regarding their premier adventure light for photographers, including its release date and the trade-in offer for Ranger RX owners.
Cranes are quickly becoming a staple in the bags of many videographers and for good reason. It has a smaller footprint, lower cost of entry, and has a relatively low learning curve than most gimbals on the market. Even though most users can pick up and go without ever opening the manual. There are still fundamental crane movements that you need to learn to take a good scene and make it a great scene.
If you follow any rumor mills, the night before a product is announced, we almost always know what it's going to be and the main features behind it. Even a few photos might leak. Apple is the only company that can keep such a tight lid on its releases, and even they have trouble. So we should have known something wasn't quite right when we didn't have any good information on the new D850 that was supposedly going to be announced today. Instead, Nikon simply announced the camera's development.
Chinese lighting manufacturer Godox has just released a few details about their most recent project: an off-camera flash for your smartphone. The Godox A1 is more than just a constant light, offering several options in what they are calling their first “phone flash system.”
I don’t always write about power solutions for video and photography equipment, but when I do, it’s because I see something that is versatile, space-saving, and designed with traveling in mind. I appreciate all three of those things in a product, so the Crank Juice Box might be a product I get behind.
We all have or will want to buy gear that is out of our price range or that we think doesn't have enough value compared to another competitor's products, and we'll choose what we can afford today over what might be a better piece of equipment bought later. I'm certainly one of those photographers that learned what I value after committing to several manufacturer's products over others that I tried and had to abandon due to their workmanship, cost, or my actual need. Maybe you are going through this internal debate now with a lauded piece of equipment that will be a benefit to you and your work, but the price exceeds its perceived value to you. Do you really need that equipment or is there a cheaper alternative?
I've been waiting for the day that a tablet could capably replace a dedicated laptop for photography work since I bought the original iPad in 2010. That day seems to be closer than ever with the latest round of iPad Pros. Check out this review of their ability to provide a dedicated workflow for photographers.