New and shiny gear from Apple is always good looking and always sounding good on paper. We've seen lots of paid reviews on various products of theirs and lots of boring laboratory benchmarks showing soulless numbers we had to believe in. How about ditching all that and making a real-world test in workflows that demand a good amount of hardware resources? You guessed it: video processing. The guys from cinema5D got an iMac Pro and decided to see if it could get the work done better than what they already had.
It’s always been said that there are two types of people in this world: those who have had a hard drive crash, and those who will have a hard drive crash. To that, I’ll add another two: those who’ve dropped a phone into a toilet, and those who will drop their phone into a toilet. Or oven. Or puddle. Or snow. That’s why it’s important to have a backup plan. A new article in the New York Times breaks it into the simplest of terms for even the greenest of photographers.
Comparison videos are nothing new, but you can’t help be intrigued by this one. YouTuber Potato Jet brought together equipment from total opposite ends of the spectrum to conduct this experiment. See how this cheap 50mm Yongnuo lens fared when attached to a 6K RED cinema camera.
Is there anything more simultaneously annoying and fun than speculating about a new product based on the obscure references in a hype video? Well, DJI just released a teaser video for their upcoming event on January 23, and it looks like they're planning something big. Here's what we think it is.
Tether Tools is well known for its variety of wired and wireless products that make tethering easier and safer for your equipment. They have consistently been able to create products that solve problems that most photographers experience. Today with the release of their newest cables, the TetherPro USB-C products, they solve what has been a huge frustration for many early USB-C adopters.
Tripods are sort of the humble buddy of most photographers: we rarely think about how much we need them in comparison to all the gee-whiz features on cameras and lenses, but they're essential in a lot of situations. This comprehensive video will show you everything you need to know about choosing the right tripod and using it to its full potential.
I can still remember the first time I saw the effects of bounce flash. The soft natural light looked unlike anything I had seen from my little point and shoot's direct flash, and the resulting image looked so natural. Soon afterward I was introduced to off camera flash and a variety of light modifiers. The results between all of these lighting techniques were not subtle and I became obsessed with finding my favorite tools to light people. In today's video, I explain how one single flash both on and off camera, and a few light modifiers can give you the perfect light quickly and easily.
As I set up to shoot an assignment last week, I found myself in a casual conversation with the owner of the location. He was also a photographer, and as I opened my Pelican case and began to set up my strobes, he commented on the fact that he owned the same one. He then lamented the fact that this particular kit was no longer made by the manufacturer. It had been discontinued and replaced by a new line of photographic debutants. I had no idea.
Western Digital recently announced a new storage device: the My Passport Wireless SSD. With capacities and prices ranging from 250 GB ($229.99) to 2 TB ($799.99), the Wireless storage device is a provocative buy you might want to add to your kit, especially if your shooting requires you to be out in the field.
If you're a photographer, retoucher, or videographer, you likely spend a lot of time at a computer. And since you're spending all that time there, it makes sense to make sure you're as comfortable and efficient as possible. Here are six non-photography items I use to make my workspace better.
Film lovers and analog purists are not-so-patiently awaiting the release of Kodak's new Super 8 camera, which should finally come out sometime this year at a cost of $2,500-$3,000. In the meantime, Kodak took CES as an opportunity to release some new test footage that looks rather incredible. At times, the reel displays a properly vintage look reminiscent of 1960s French films. Yet, in other sequences, the footage looks much more updated. It's sharper and boasts much higher contrast, which gives hope to directors that this will be a very flexible, very capable setup.
Hasselblad announced an updated multi-shot camera based on its flagship 100c 100-megapixel, full-frame 645 CMOS sensor. The result: the Hasselbald H6D-400c MS. The 400c MS allows for a 400-megapixel image by shifting the sensor in one-pixel and half-pixel increments as it takes six shots that are then combined later for a true 400-megapixel file.
This can be a particularly dangerous time of year for chronic camera gear switchers. For one, the new year causes most of us to self-evaluate everything from the prior year, and photography gear is certainly not exempt. Second, for some it is the off season which means a bit of down time, and any time you stop moving can be especially dangerous for your decision making and bank account.