All you photographers out there! Does your camera strap look dull, worn out with the leather sweating the time and comfort out of your skin? Yes, they may be durable, but can they be more? Well, KIKI camera straps answer these questions fashionably. Made for every professional photographer, these cool, fashionable, and functional cloth camera straps might make you think of bidding bye to the conventional ones.
There are a ton of speedlight modifiers on the market today. Some utilize the miracle material we call Velcro, others use rare-earth magnets to affix their product to your flash. Photoflex takes a more traditional approach with their latest speedlight modifier by developing a collapsible octobox style modifier specifically designed for speedlights.
I’ve been a Profoto user for quite a while now, loving my B1s and B2s for wedding photography, and my D1s for studio photography. I’m a huge fan of off-camera flash, especially when it can be easily manipulated into looking like natural light when I need it to. After all, that’s what 99 percent of my wedding clients want: natural light and a golden-hour glow regardless if it’s raining or we’re shooting in noon-day sun. What I’ve been missing, however, is the portability of a small flash, and being able to use it on camera.
After weeks of rumors, Profoto officially announced their latest A1 flash; a speedlight sized powerful flash, which can be used both on or off camera. The company calls their latest product “the smallest studio light” and considering its features, they seem to be right.
Sigma has been killing it lately with their Art series of lenses, and this entry doesn't stray far from the pack. With a great build, low distortion, and a very competitive price, it’s a contender for the best ultrawide lens available in its class. I had one for a few weeks and got to see if it lived up to the hype and high bar set by its fellow Sigma Art lenses.
Supertelephoto lenses are a love/hate relationship for a lot of photographers: they showcase some of the best optical engineering companies have to offer, but carrying them around is quite a workout. Canon is seeking to cut that weight with its supertelephoto lenses in development.
Over the past few years, we’ve seen digital medium-format photography go from something of a hulking utilitarian beast into something a little more elegant in terms of usability. The Phase One and Hasselblad flagships, although coveted by many, were only attainable by a select few and really only intended for methodical work. The latest additions to the medium format realm have flipped this market on its head and put digital medium format into the hands of the masses. The Hasselblad X1D-50c and the Fujifilm GFX 50S are more in line with the everyday consumer's needs in terms of both price and features. I have had the chance to spend the last six weeks shooting with the Fujifilm while traveling through northeast India and today I’ll share my thoughts on it as a travel camera.
In the last decade, cell phones have made huge leaps forward in technology and capability. It's simply incredible what they are capable of these days, and the amount of processing power and features they have would have been unimaginable not so long ago. The latest iPhones are capable of shooting beautiful images and video up to 4K at 60p. Further, still, the iPhone 8 and X are capable of filming at 240 fps when shot at 1080p, which is very impressive indeed. Both of these features are currently not available in any other similarly priced phone, DSLR, or even most mirrorless cameras. Even popular DSLRs like the Canon 5D Mark IV and Nikon D850 aren't able to shoot at the same frame rates as the iPhone. The question that many people ask is, why?
It looks like there’s a “new” kid on the block, and it happens to be our old friend Polaroid (Or is it "old guy on the new block," or "new old kid on the old new block," or something else entirely? I don't know...). There are a number of instant-print cameras on the market, but to me, they’re all missing at least one of two things: the brand recognition of the Polaroid name and the classic form factor of the camera that made it famous decades ago. The Fujifilm Instax camera is missing both. Even the current Polaroid offerings, such as the Polaroid Snap or the PIC-300, probably don’t have what it takes to rule the market. So, here it is. The Polaroid OneStep 2.
The Nikon D850 is quite the beast of a camera. It holds a massive 45.7-megapixel full-frame sensor that can record 4k video and create 8k time-lapses. It can shoot at a blazing fast seven frames per second and has an enormous 51 image buffer when shooting 14-bit raw images. The focus speed is insanely fast, deadly accurate, and offers 153 focus points with 130% more frame coverage than the older Nikon D810. The only problem with such an amazing monster of a camera is that Nikon thinks it’s too much for women to handle.
Albert Watson. Legend. Period, end. With a career spanning five decades and multiple iconic images, his career in fashion and portraiture would be the aspiration of any budding photographer. Alongside Irving Penn and Richard Avedon, PDN recognized him as one of the twenty most influential photographers of all time. And in a new video by Profoto, the man whose subjects have ranged from Alfred Hitchcock to Kate Moss, discusses his approach to lighting, photography, and life.
In a pair of announcements today, Phase One has introduced a new medium format digital back and a feature update to the XF camera system. The IQ3 100MP Trichromatic incorporates new color technology for authentic reproduction combined with 101 megapixels of fine, high-resolution detail. Feature Update 4 for the XF camera system focuses on focus control and accuracy, as well as new tools for new possibilities.