The Swiss flash manufacturer, Elinchrom, and the innovative video light maker, Light & Motion, announced today that they are joining forces to bring new game-changing products to the market. The news comes in right after Elinchrom made the Skyport Protocol open to other brands. Thus, it’s no surprise that the new partnership is unveiled along with two new wirelessly controllable video lights.
Alongside the highly-anticipated a9 announcement, Sony also introduced the FE 100-400mm f/4.5-5.6 G Master telephoto lens. After the initial buzz and excitement over something shiny and new being announced subsided, I began to question why Sony released this lens at this particular time of intense market expansion.
A while back I reviewed the Godox AD600 which I thought was going to be the all-in-one solution I was after. Even after comparing it to the Profoto B1, I was more impressed with the AD600, especially at its price point. It had a few construction issues, but overall was a flash to compete with the big boys. As I said, I thought it was going to be the solution I was looking for. Then Godox dropped the bomb: the Wistro AD200. This little flash promised to be less than half the weight and powerful enough for most of the work its big brother was made for. So, is it all it's said to be and how does it stack up against other options?
Manfrotto has renewed its product lineup recently, and the new tripod models come with new features and improved designs. I have been using Manfrotto products for years due to their affordable prices, but unfortunately, every time I ended up with severe problems. Now, the long-known tripod series 055 also has a new version. For the last time, I decided to give this brand one more chance, and I've been testing this tripod with the new XPRO (BHQ2) ball head for the last couple of weeks.
Last week we were filming the second video ever using our new GH5s, and one of the cameras ran out of batteries in the middle of a take. At the time, we didn't think anything of it and we simply replaced the battery and continued filming. When we transferred all of the footage after the shoot, one of the video clips was corrupt and we had to re-film the entire project.
One of the disadvantages of GoPro and DSLR video setups is your inability to use them in a broadcast setting. GoPro attempted to address this with their HEROCast system to the tune of $7,500, which is out of the reach of most average consumers. So when the guys behind FREECAST reached out about having us check out their new affordable wireless transmission system, it was a no-brainer to give it a go.
Although you may not be ready to admit it, the iPhone is a professional video camera for many shooters. We use ours with a handheld gimbal at almost every shoot to get super steady moving shots. Feiyu Tech recently sent us their SPG Plus two-handed gimbal, and I tested it out.
Shooting fashion can be a whirlwind of activity as you try to corral a team of creatives into constructing an amazing array of images. More than with any other type of shoot, I find that things have tendency to go wrong during the course of the fashion shoot. As the photographer, it is your job to not only be prepared for these things to happen, but also to be fully equipped to solve the problems as they come up. Below you will find a series of things I like to keep in my camera bag that are often saviors during a shoot that seems to be going belly-up.