Gear

G-RACK 12: G-Technology Brings Its First Network-Attached Storage Device to NAB 2016

G-RACK 12: G-Technology Brings Its First Network-Attached Storage Device to NAB 2016

Announced this morning at NAB 2016, the G-RACK 12 is G-Technology's first network-attached storage (NAS) device to the market. Featuring bays for up to 12 hard drives, the G-RACK 12 combines the company's proven direct-attached storage (DAS) reliability and speed with network access over quad 10-gigabit-Ethernet (10 GbE) ports for a super fast networked connection for virtually any small business or studio.

Holdfast + Fundy Streetwise Review: A Camera Bag for the Street-Smart Photographer

Holdfast + Fundy Streetwise Review: A Camera Bag for the Street-Smart Photographer

Street photographers are a funny breed and have special requirements for their equipment. Ardent street photographer and owner of Fundy Software, Andrew "Fundy" Funderburg, worked closely with Matthew Swaggart of leathergoods masters Holdfast to create an uncompromising luxury camera bag specifically for those that shoot rangefinder and other mirrorless cameras and need to work light and fast. We spent the past six weeks using one ourselves to see if they succeeded in their quest.

Meet Lytro Cinema: 755-Megapixels, 300 FPS, Refocus and Change Depth of Field in Post

Meet Lytro Cinema: 755-Megapixels, 300 FPS, Refocus and Change Depth of Field in Post

Following the introduction of its Immerge virtual reality system, Lytro, the "light field" camera company whose consumer models we now see discounted nearly everywhere, recently left the consumer space to concentrate on and introduce its new product, Lytro Cinema. Offering a complete solution with an included server to handle the 755 megapixels of data at up to 300 frames per second (not typos), the Lytro Cinema is a new kind of too-good-to-be-true beast. But the most incredible thing about the camera? It's no lie.

Fstoppers Reviews the Western Digital My Cloud Mirror 2-Bay NAS Server

Fstoppers Reviews the Western Digital My Cloud Mirror 2-Bay NAS Server

I'm normally a huge numbers geek. I want to know every specification of every device because I believe in the power of statistics. But when it comes to hard drives, well, I just want them to work. I want ample space for my data, I want to know it's backed up without a second thought, and I want to be able to access it quickly and easily, no matter what device I'm on. Enter the Western Digital My Cloud Mirror.

Bigger Than 'Full-Frame': Picking a Medium-Format Camera

Bigger Than 'Full-Frame': Picking a Medium-Format Camera

Medium-format cameras have long been in the hands of working pros because of their combination of ease of use and incredible image quality. While large format was always the king of resolution and dynamic range, it is difficult to work with on location and cumbersome. Today, medium format is a little different. Phase One and Hasselblad have both released 100 MP options, allowing for unparalleled image quality.

Shooting Video With the a7S II in an Abandoned Power Plant

Shooting Video With the a7S II in an Abandoned Power Plant

For years, videographers shooting in dark situations frequently ran into the issue of a ton of noise in darks and shadows that would oftentimes make some footage difficult or impossible to use. Many have heralded the release of the a7S II with applause due to its power for video in low-light situations and even to record bursts of high frame rates in HD, so we took one into the deep recesses of an abandoned power plant in New Orleans to see how it did.

Hasselblad Launches H6D Camera Platform in 50-Megapixel and 100-Megapixel Versions With 4K Video

Hasselblad Launches H6D Camera Platform in 50-Megapixel and 100-Megapixel Versions With 4K Video

Hasselblad has launched a brand new medium format digital body, the H6D, in both the familiar 50-megapixel CMOS flavor and also in a new, 100-megapixel CMOS configuration with the same Sony sensor found in Phase One's XF IQ3 100 MP released earlier this year. The new body features an updated UI, a relatively new look and design for the first time in several generations, and a brand new lineup of updated lenses capable of shooting at up to 1/2000 of a second, with full support of the new 100 MP sensor.

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