At CES 2017 Panasonic has started to show off some new MFT lenses, which by no coincidence pairs nicely with their recent reveal of the Lumix GH5 specs. In this video, a rep from Panasonic goes over the details of the new lenses, some of which are updates to existing models. I'll list the all of the lenses and include what's new about them in the full post.
Have you ever been interested in creating professional looking videos but haven’t been able to justify the cost of dedicated professional video gear? You’re in luck considering the remarkable video quality that is achievable using the most current smartphones. Combine the latest smartphone video recording capabilities with stabilization technology developed by the originators of the Steadicam and you’re now able to capture professional looking video easier than ever.
Back in June, I reviewed the Hawkesmill Jermyn Street Camera Bag, which I continue to love to this day. I have used it every day for the past nine months, easily swapping in panels for when I need to carry camera gear and removing them when I just need an awesome daily bag. I mentioned in that review that Hawkesmill would soon be releasing smaller versions of their luxury bags geared specifically towards mirrorless camera users. I’ve been using the smaller version from my first review for the past several months and am ready to kick off the new year with some of my thoughts regarding this bag.
ExoLens the iPhone case company that is known for its protective cases that are compatible with their range of Zeiss lenses, have just announced a new case for the iPhone 7 at C.E.S. Bringing professional-grade lenses to the iPhone, and now even more protection. The new protective case for the iPhone 7 will be available for purchase during the first quarter of 2017, though a price is not yet released.
Despite the company's unfortunate demise with the advent of a number of technologies that were simply cheaper and better, there's something to a Polaroid photograph that you can't get anywhere else: that tactile, one-copy, 3x4-inch film image seconds after taking the picture. Of course, companies such as Fujifilm with Instax or even Polaroid with some recent releases have seen a comeback with instant-print cameras or mini mobile printers, but now Zink's zero-ink prints come out of a compact digital camera in the iconic 3x4-inch format for the first time with the Polaroid Pop.
If I had a nickel for every time I encounter a photographer who is preparing to sell all their gear and jump ship to another camera brand I would actually be able to do so myself. Except I wouldn't. Swapping out camera brands based on some ill-conceived belief that it is the brand of gear you use that is holding you back will do nothing more than lighten your wallet and force you to spend a chunk of time relearning a new interface.
Now available for pre-order, Fujifilm announced an X-Pro2 Graphite Edition kit that comes with a matching 23mm f/2 lens as well as a standalone X-T2 Graphite Silver Edition body to complement the standard black bodies of the brand's flagship cameras. The X-Pro2 features a darker, gunmetal-like grey color, while the X-T2's graphite silver color is more reminiscent of the standard metallic of classic film cameras. The new editions promise to add increased protection to the body and unsurprisingly come at a couple-hundred-dollar premium over their standard-edition counterparts.
I'm not the type of person that likes switching brands. I've been with Nikon from day one, but my needs are changing, and Panasonic seems to have made my dream camera. I know this may sound crazy, but I may soon be selling the majority of my Nikon gear and buying six Panasonic GH5 cameras.
Caleb Pike released a string of interesting and fresh camera hacks over the past year. This time, he's tackling wireless monitoring; a problem that we all know can be expensive and time consuming. Does this leave you open to criticism before you've even finished the shot? Is it the equivalent to handing over raw images? Let's talk about how to do it, and why you should do it.
The more you photograph people, places, and things, the more you understand how much control the available light has over the outcome of your image. Taking advantage of tools like filters to limit or modify the light coming into your camera is a great way to craft a unique image and even add a dramatic flare that you may not be able to create otherwise.
Cinema glass has always been way more expensive than still camera lenses. Combined with the cinema camera sensors these high end lenses provide an image that's far superior to DSLRs capable of recording video. But yet, there are decent films created with DSLRs with still camera lenses. I'm not going to compare the glass quality here. I'm about to talk only about this peculiar T-stop measure on the cinema lenses while still camera lenses have an f-stop. Why should they differ?
It's happened to me and it has most likely happened to you: you order a shirt and can't wait for it to arrive. Then it does and it's a completely different hue than what was pictured in the online store or catalog. Odds are the photographer may not have used a color chart during his or her shoot. There are many photographers that never learn to use a color chart at all, and others who won't do a shoot without one. Here are a few major points on how a color chart can help make your product photography color spot on.