As we all know, photography is ludicrously expensive. Even entry level DSLRs are a few hundred dollars these days; some point and shoots hit close to $1,000. This can be daunting to anyone looking to get into photography, as the sticker shock may drive them away. For working professionals, the price tags get higher and higher as apertures are larger, build quality is higher, and resolution jumps to ridiculous levels. There is, however, an alternative. It’s something that people fear, swear off, and curse because they got bit by a sketchy dude on eBay: buying used gear.
Before CP+ kicks off next week, Canon just announced the successor to the 70D, the Canon 80D. Featuring multiple improvements, especially in areas surrounding autofocus, the 80D provides a more professional standing for Canon's representation in the advanced APS-C DSLR segment. Additionally, Canon introduced a new PZ-E1 power zoom adapter for a new lens, the EF-S 18-135mm f/3.5-5.6 IS USM. Finally, the PowerShot G7 X was updated with a Mark II version along with a new compact superzoom, the PowerShot SX720 HS.
Today, Pentax has announced their entry into the full-frame market, the K-1. Slotting in-between the company's APS-C and medium format offerings, the K-1 aims to be the do-it-all solution for working photographers. In addition, the company has also announced two lenses to complement the new system.
Our second tutorial with Elia Locardi: Photographing the World: Cityscape, Astrophotography, and Advanced Post-Processing was all about different types of cities. We started in Cinque Terre, a region of Italy where cities are basically built into the side of a natural landscape. We then moved on to Rome to shoot ancient architecture. Next we moved on to Singapore and Hong Kong for something a little bit more modern.
I took a two-week trip to Hawaii last month with the intentions of not bringing along a bunch of camera gear. That was a fine thought in and of itself, but now I’m wondering if I could have mustered the courage to take an extended trip to a picturesque location without bringing a real camera at all?
RGG EDU recently released a five-part video series on their YouTube Channel dedicated to RAID. RAID, for those of you new to the term, refers to a system of file storage that can write a copy of everything you save to a separate hard drive so that you have two copies of everything you save. The benefit here is that if your hard drive fails, you don't lose all of your data and you have an identical copy ready to roll. In this video series, Gary Martin of RGG explains everything you need to know about RAID systems to get started on your first RAID setup.
When Pixellu came out with its too easy to believe drag and drop album creator that synced with every popular album company's layouts, those who were not Mac users were certainly bummed to hear they would be missing out. But today, after Pixellu released SmartAlbums 2 for Mac, the SmartAlbums version for Windows is here and it comes at a generous $50 discount for those who have waited so patiently.
To follow my previous article which stirred a healthy discussion about sharpness and whether that it's vital or not, it inspired to me to ask my fellow peers another question. Are the amount of megapixels on your camera crucial, or do other factors and features hold more value when purchasing a camera? Here are my thoughts.
Warning: treacherous waters are ahead. A dark, cold place where only the brave dare to explore. Recent video projects by photographer and cinematographer Sven Dreesbach create a feeling of icy-cold tension, contrasted by a sense of meditative pleasure. It's a vibe that is best soaked in rather than pontificated upon by some internet writer. Oh, and he did it all on iPhones.
Your headache from over-drinking (either in celebration or in deep depression) may be wearing off, but for those that had to photograph Super Bowl 50, that headache began days before the big day. The preparation for covering the game took its toll on those that enable us look back on it this week. Fstoppers caught up with ESPN photographer Andrew Hancock to get a look into the gear, setup, and planning to cover the most important event of America’s favorite sport.
Neutral density filters seem to be all the rage these days. If you are a landscape photographer, ND filters are a crucial tool for smoothing out rough water and giving your skies a nice blurred effect. For portrait photographers, neutral density filters are great for maintaining wide open apertures in super bright situations while using strobes. Recently, we tested five different brands' filters to see which one produced the sharpest and most accurate color renditions. The results were pretty shocking.
HoldFast is known throughout the photography community for their amazing and well-made dual camera straps. What most people don't realize is that they also have a camera bag. The Roamographer bag has the same attention to detail as their straps and is also constructed out of the same great-looking leather. It's designed to look like a vintage doctor's bag and provides both style and function.
Let us venture back in time for a minute. 35mm film was always considered small. In fact, it was developed in the early 1900s as a means to make high-volume shooting and consumer photography possible. If you were a working professional, you were shooting at least medium format (6x4.5-6x19 cm) or even more likely, large format, like 4”x5” or 8x10”. The idea is that the larger the format, the more detail you can see. As we fast forward to digital, full-frame is the ideal format for many working pros in a variety of genres. While full-frame can be expensive and yields incredible image quality, there is something more.
Almost everyone goes through times when the belt need to be tightened because money just isn’t abundant. During these times when income dips, we need to take care to avoid spending as much as possible. Photography, however, is an expensive vocation that seems to be an endless drain on the bank account. It becomes increasingly helpful to avoid having to replace gear you already own due to wear or damage.