Hasselblad is touring the country (and the world) with prototypes of the new 50-megapixel X1D camera and the two lenses launching alongside it. Priced way below any other Hasselblad on the market (and in line with Pentax’s 645Z), the X1D ushers in unparalleled portability while creating a entirely new segment: the medium format mirrorless camera. Earlier this week, I got a few minutes with this interesting hybrid.
Pelican cases have long been an industry standard for top-of-the-line protection of cameras, lenses, lights, hard drives, and all other forms of fragile video or photo gear. Their new “Air” line of cases bring that same protection, but at a lower weight. I got to try the Pelican 1535 Air out and see how it performed on a travel video job.
There’s no question that if Sony wants their mirrorless system cameras to succeed, they must be supported with a vast and varied collection of lenses. Today they unveiled the FE 50mm f/1.4 ZA lens, a large aperture prime lens utilizing a Planar design that will soon be found in portrait, wedding, and street photographers’ bags. I was lucky enough to be one of the first people to see and use this lens for a day’s worth of shooting, so take a look at some sample images and my first impressions.
Today Sony finally announced pricing and shipping times for their upcoming release of the FE 70-200mm f/2.8 G Master OSS lens and teleconverters. First introduced in early February alongside the FE 85mm f/1.4 GM and FE 24-70mm f/2.8 GM lenses, the 70-200mm GM will be shipping in July and cost $2,600. The 1.4x and 2.0x teleconverters designed to exclusively fit the new 70-200mm GM will each cost $500 and ship in July as well. Sony allowed me to use one of the first retail production models off the assembly line and share my images with you, so let’s dive into sample images and my thoughts on how it stacks up.
With the recent flooding of the market with battery-powered monolights, it might seem as if the humble speedlight will only ever be found on top of the photojournalist's camera from now on. The Profoto B1 and B2, the Broncolor Siros, and offerings from various small brands have given us options for high-powered flashes in much smaller packages than before. But sometimes, it is still more convenient to use speedlights than to lug around heavier and bulkier offerings.
Just announced and already available for pre-order, the X-T2 is Fujifilm's latest and truly greatest mirrorless camera — and it's not even the most expensive. Supporting the latest 24-megapixel X-Trans III sensor are features that include 8 frames-per-second shooting (11 fps with a newly announced power grip), an ISO range of 200-12,800 (up to 100-51,200), and over-sampled video during both 1080p and a Fujifilm mirrorless camera first: 4K recording. If you want the best Fujifilm mirrorless body, this is it. And we're just getting started.
You may have the best camera and lenses, but the images you create as a photographer or videographer, may not look good, unless you don’t have a good monitor. Therefore, when it comes to preview and editing images; the resolution, color space and panel technology matters. So, it is vital to get a decent monitor that meets your requirements within an affordable price range.
KitSplit offers more than its already unique combination of a peer-to-peer gear rental platform with a traditional store-to-shooter online storefront that allows renters to compare all possible options. Can’t find the gear you need? KitSplit’s customer service will source it and find a way to get it on the site for you to rent. Too daunting or taxing on your schedule to list your gear yourself? Send KitSplit a gear list, and they’ll list it for you. You can set the prices or let them recommend that part based on availability and prices in your area. KitSplit brings full-service treatment to the business of connecting people with the gear they need.
After finally taking my first flight with all my gear, Vin and I made it to where we needed to go. Having the gear and keeping your eye on it is probably the biggest concern when it comes to traveling. I want to give some fellow travelers some advice on gear and transporting it when needed.
Today, video is everywhere. Whether it be an iPhone shooting super-slow-motion footage, or a RED Weapon eating away at hard drive space in 8K resolution, capable cameras are available to almost everyone who wants them. And while we can’t all shoot on RED, it’s possible to get amazing production quality out of consumer-level cameras. Here are a few things to look out for and keep in mind when purchasing gear.
Whether you're a travel photographer or you specialize in portraits, there are different filters for different clickers. I find that using filters helps your overall mood for your photos. From protective filters all the way to UV filters, I myself have problems identifying which is which. Going to the store is simple, but when you're waiting for help and not knowing how to ask the questions about filters, that's a whole different story. Here's a quick guide on different filters and how they work.
As an entertainment and tour photographer, Susannah Brittany primarily shoot stills and video shots for some of the world’s top pop and country music artists. This basically involves shooting all day long: while they are doing media interviews or meet and greets, of/during travel on the bus, behind the scenes content of the artists getting ready or in-between shows, and then of course, while they are performing. Her work ends up being used used for new media distribution, including YouTube, social media, and sizzle reels.
Tripods are an essential piece of equipment for most photographers. They steady your camera in order to capture the sharpest details, allow you to take exposures with long shutter speeds, make it easier to take multiple images of the same scene for composites, and help create those perfect panoramas. Like most photography equipment though, there are low end tripods and high end tripods. The offerings from Novoflex is on the high end of this spectrum with some really cool features.