Gear

Sony Announces ‘G Master’ Lineup of Lenses: Fast Aperture Zooms Have Officially Arrived to Mirrorless

Sony Announces ‘G Master’ Lineup of Lenses: Fast Aperture Zooms Have Officially Arrived to Mirrorless

One of the primary reasons many have given for stalling in making the switch to mirrorless is the lack of solid fast aperture zooms. With the newly announced Sony G Master series and initial debut of a FE 24-70mm f/2.8, FE 70-200mm f/2.8 OSS, and FE 85mm f/1.4 lenses, not only are we getting the highly requested fast zooms, but we are getting some of the best precision optics overall for the Sony Alpha system.

How to Achieve Fast Autofocus In Low Light Situations

How to Achieve Fast Autofocus In Low Light Situations

Getting accurate Autofocus must be one of the most frustrating things an event or wedding photographer deals with on a daily basis. How many times have you been in the right place at the right time, taken a photo at the absolute peak of the action, and then found yourself cursing under your breath when you review the image only to find it wasn't in focus? This used to happen to me a lot at weddings, and I still see many of my assistants struggling with autofocus in extremely low light situations. Luckily there is a very simple solution that works everytime.

We Asked, They Answered: CineStill Launches 120 Cinema Film on IndieGoGo

We Asked, They Answered: CineStill Launches 120 Cinema Film on IndieGoGo

We fell head-over-heels when we saw CineStill’s 35mm 800T film, repackaged from Kodak cinema film. Beautiful golden skin tones, cool shadows, and that ever-difficult-to-explain magic glow, brought the beauty of true filmmaking to the still format. It’s been a long wait since the 35mm format was introduced in 2012, but today, CineStill launches their high-speed, tungsten-balanced cinema film in the 120 format.

Canon Announces the EOS-1D X Mark II: 20MP, 4K60p Video, ISO 409,600, and CFast 2.0

Canon Announces the EOS-1D X Mark II: 20MP, 4K60p Video, ISO 409,600, and CFast 2.0

Just behind Nikon's announcement of the D5, Canon comes with their own anxiously-awaited update to their flagship DSLR: the new EOS-1D X Mark II. Building on the experience of both the 1D X and the 1D C, the 1D X Mark II features a modest increase in resolution to 20 megapixels, instead counting its improvements mostly in the areas of image quality, autofocus, and speed.

Comparing the Nikon 70-200mm f/2.8 and the Nikon 200mm f/2 Prime

Comparing the Nikon 70-200mm f/2.8 and the Nikon 200mm f/2 Prime

A few years back, I rented the Nikon 70-200mm f/2.8G ED VR II and absolutely fell in love. The focus speed, stabilization, and sharpness of this lens are top-notch and make it a truly versatile, high-quality telephoto lens. For a while now, I have been drooling over Nikon's 200mm f/2G ED VR II prime, the type of lens dreams are made of. In this video, Matt Granger does a side-by-side comparison of the Nikon 70-200mm f/2.8 and the 200mm f/2. So, if you're a Nikon user thinking about getting your hands on either one of these, or just want to learn about a couple of great lenses, check out this video.

Fujifilm Announces the Long-Awaited X-Pro2

Fujifilm Announces the Long-Awaited X-Pro2

The X-Pro1 started it all as it cemented its place while paving the way for its segment — the mirrorless rangefinder-style APS-C camera — as the way of the future. But until today, Fuji’s focus has been on further diversifying the segment with other high-end, mid-range, and budget mirrorless systems. Today’s announcement brings a new, true compact flagship to XF platform in the form of the 24-megapixel, professional-level X-Pro2.

Fuji Announces the X-E2S, X70, and XF 100-400mm f/4.5-5.6 LM OIS WR Lens

Fuji Announces the X-E2S, X70, and XF 100-400mm f/4.5-5.6 LM OIS WR Lens

In addition to the X-Pro2 announcement, Fujifilm also announced the release of the X-E2S, X70, and XF 100-400mm f/4.5-5.6 lens, each helping to further refine and round out Fuji's mirrorless lineup. The X-E2S is largely similar to it's predecessor (the X-E2), but improves ISO performance and offers several software enhancements. The X70 offers the same 16-megapixel X-Trans II CMOS sensor as the X-E2S in an appropriate update to Fuji's more affordable, fixed-lens XF line-up with an 18.5mm f/2.8 (28mm in 35mm equivalent) lens. And the 100-400mm lens fills out a part of Fuji's XF platform that has historically been in sore need of bolstering: it's lens selection.

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