Last week we were filming the second video ever using our new GH5s, and one of the cameras ran out of batteries in the middle of a take. At the time, we didn't think anything of it and we simply replaced the battery and continued filming. When we transferred all of the footage after the shoot, one of the video clips was corrupt and we had to re-film the entire project.
One of the disadvantages of GoPro and DSLR video setups is your inability to use them in a broadcast setting. GoPro attempted to address this with their HEROCast system to the tune of $7,500, which is out of the reach of most average consumers. So when the guys behind FREECAST reached out about having us check out their new affordable wireless transmission system, it was a no-brainer to give it a go.
Although you may not be ready to admit it, the iPhone is a professional video camera for many shooters. We use ours with a handheld gimbal at almost every shoot to get super steady moving shots. Feiyu Tech recently sent us their SPG Plus two-handed gimbal, and I tested it out.
Shooting fashion can be a whirlwind of activity as you try to corral a team of creatives into constructing an amazing array of images. More than with any other type of shoot, I find that things have tendency to go wrong during the course of the fashion shoot. As the photographer, it is your job to not only be prepared for these things to happen, but also to be fully equipped to solve the problems as they come up. Below you will find a series of things I like to keep in my camera bag that are often saviors during a shoot that seems to be going belly-up.
Earlier today, Sony announced the a9, a revolutionary mirrorless camera with a spec sheet that at first looks like it's full of typos. Did they really mean 20 frames per second? Is it actually 693 phase-detect autofocus points? Continuous burst raw capture up to 241 frames? But sure enough, the a9 delivers on it all. After spending a brief time getting familiar with the new camera, here's what made me most excited about using it.
Ever since I was young, I was interested in photography and being able to create awesome things that I could appreciate. At first, gear wasn't something that really mattered to me, as long as I could take photos and video and somehow edit them to create what I envisioned. As time went on and I began to get more serious, I realized my gear was sort of important and I do think that having the best gear you need for the field you are in is one of the most beneficial things you can do for yourself. I know not everyone is a huge gear head and may not want to invest in new gear, but I will share some of my reasons for upgrading my gear to benefit my work.
Being a master of keyboard shortcuts isn’t just a party trick to impress friends and clients, it’s a path to a faster and more efficient editing process which makes you more of an asset as a video editor. Whether you’re hoping to earn a Pro Certificate or just become faster in post, one way to get you there sooner is to invest in a dedicated keyboard.
Super-telephoto lenses are essential to the craft of sports and wildlife photographers who are shooting great distances away from their subjects, as well as to other creative photographers looking to flatten or fill the frame to create unique images. Enter the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary which is a full-frame super-telephoto lens priced just under $1,000 and comes in Nikon F, Canon EF, and Sigma SA mounts.