Gear

Comparing the Nikon 70-200mm f/2.8 and the Nikon 200mm f/2 Prime

Comparing the Nikon 70-200mm f/2.8 and the Nikon 200mm f/2 Prime

A few years back, I rented the Nikon 70-200mm f/2.8G ED VR II and absolutely fell in love. The focus speed, stabilization, and sharpness of this lens are top-notch and make it a truly versatile, high-quality telephoto lens. For a while now, I have been drooling over Nikon's 200mm f/2G ED VR II prime, the type of lens dreams are made of. In this video, Matt Granger does a side-by-side comparison of the Nikon 70-200mm f/2.8 and the 200mm f/2. So, if you're a Nikon user thinking about getting your hands on either one of these, or just want to learn about a couple of great lenses, check out this video.

Fujifilm Announces the Long-Awaited X-Pro2

Fujifilm Announces the Long-Awaited X-Pro2

The X-Pro1 started it all as it cemented its place while paving the way for its segment — the mirrorless rangefinder-style APS-C camera — as the way of the future. But until today, Fuji’s focus has been on further diversifying the segment with other high-end, mid-range, and budget mirrorless systems. Today’s announcement brings a new, true compact flagship to XF platform in the form of the 24-megapixel, professional-level X-Pro2.

Fuji Announces the X-E2S, X70, and XF 100-400mm f/4.5-5.6 LM OIS WR Lens

Fuji Announces the X-E2S, X70, and XF 100-400mm f/4.5-5.6 LM OIS WR Lens

In addition to the X-Pro2 announcement, Fujifilm also announced the release of the X-E2S, X70, and XF 100-400mm f/4.5-5.6 lens, each helping to further refine and round out Fuji's mirrorless lineup. The X-E2S is largely similar to it's predecessor (the X-E2), but improves ISO performance and offers several software enhancements. The X70 offers the same 16-megapixel X-Trans II CMOS sensor as the X-E2S in an appropriate update to Fuji's more affordable, fixed-lens XF line-up with an 18.5mm f/2.8 (28mm in 35mm equivalent) lens. And the 100-400mm lens fills out a part of Fuji's XF platform that has historically been in sore need of bolstering: it's lens selection.

The Making of an Industry Standard: An Interview with WANDRD

The Making of an Industry Standard: An Interview with WANDRD

There's a sort of running joke between the Fstoppers writers about the number of bag reviews we've published in the last couple months, and we've certainly caught our share of flack for it in the comments as a result. Despite all that, having had a chance to sit down for a brief interview with the people at WANDRD, I think we may have a new industry standard on our hands. If there's ever been a bag worth getting excited about, this is it.

I Get Paid to Shoot With My iPhone So Why the Hell Did I Just Buy a Full-Frame Camera?

I Get Paid to Shoot With My iPhone So Why the Hell Did I Just Buy a Full-Frame Camera?

Just five years ago I started down the path of photography and it's been some of the best professional and personal years of my life thus far. It has opened up my creativity to a whole new way of thinking which has added great value in the day job of design and advertising. Sparking my interest in this field was Instagram. Like many others in 2011, it was the iPhone that challenged me and helped me hone my skills over the years but I always wanted to get my hands on a full frame after talking with so many professionals. This year I finally did it. Here is how I feel professionals and even those starting out can maximize using both a DSLR and iPhone in a professional setting.

Go Behind the Scenes to Learn What Drives Successful Pro Photographers

Go Behind the Scenes to Learn What Drives Successful Pro Photographers

Have you ever wondered what motivates all those successful, high-end professional photographers you look up to? Chances are, if you're a fan of this site, you already have a lot in common with them but Nikon Ambassador Corey Rich helps put that drive into words as he goes behind the scenes with five of Nikon's heavy hitters. "Inspired" is the second installment in a series that “explores what drives today's most diverse and interesting professional photographers and filmmakers, and captures the commitment it takes to tell truly meaningful stories.”

FilmmakerIQ's Introduction to the Properties of Camera Lenses

FilmmakerIQ's Introduction to the Properties of Camera Lenses

John P. Hess, over at FilmmakerIQ.com has launched a second video about lens technology this week. This time dealing with the properties of camera lenses. The information contained relates to both still photography and cinematography, and also details the subtle differences between the two as they relate to lenses. He covers topics such as focal length, aperture (or iris), the differences between primes and zooms, and even a look at anamorphic and parfocal lenses.

See the Nikon D5's Blazing Fast Shutter at Full Speed

See the Nikon D5's Blazing Fast Shutter at Full Speed

When Nikon's new flagship DSLR, the D5, was announced this week, the fact that it achieves a maximum ISO of 3,280,000 seems to have grabbed all the attention. That is until now, with a released video showing the 12 fps shooting power in all its glory. While that may only be a measly 1 fps faster than the previous generation D4s, there's something else about this speed that is dropping jaws.

Fstoppers Reviews the Case Remote Plus, a Wireless DSLR Controller

Fstoppers Reviews the Case Remote Plus, a Wireless DSLR Controller

More and more companies are incorporating Wi-Fi into their cameras in an effort to make it easy to download and share images without the need to upload to a computer. The apps from camera manufacturers also allow you to remotely trigger the camera from your phone and see what you are taking a picture of before you trip the shutter. The problem here is that if you want to change any camera settings, you need to physically make these changes on the camera. Enter the Case Remote Plus. This device promises to give full access to camera settings, live view, shutter release and a host of other added functionalities that may not even be available on your camera.

How It's Made: The $10,000 Leica Noctilux 50mm f/0.95

How It's Made: The $10,000 Leica Noctilux 50mm f/0.95

Leica certainly has their share of both rabid fans and harsh critics, but no matter what side of the fence you may fall on, there are two undeniable facts tied to the red dot. The first is that they are priced into the stratosphere. The second is that their lenses are almost universally the best in the world. To help illustrate why, Leica has put together a short video highlighting step-by-step what sets their glass apart from the rest of the pack.

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