Seeing Landscapes Differently With a 100-400mm Lens

When it comes to landscape photography, choosing the right lens isn't just a detail—it shapes your entire creative process. Many photographers default to wide angle lenses, but exploring telephoto options can completely redefine your images.

Coming to you from William Patino, this insightful video focuses on the 100-400mm telephoto lens—arguably one of the most underappreciated lenses for landscape photography. While standard lenses like the 24-70mm zoom handle a range of scenarios and wide angle lenses (like the popular 16-35mm) capture sweeping scenes, Patino emphasizes the distinctive capabilities of the telephoto lens, especially at longer focal lengths. He explains how the 100-400mm lens allows you to find captivating details within vast scenes, encouraging a more intentional approach to your compositions. The advantage of using such a lens isn't just about zooming in; it’s about stripping away visual clutter and isolating compelling elements.

Patino addresses why he prefers the 100-400mm over the frequently recommended 70-200mm. Once accustomed to the extended reach of the longer lens, reverting to a shorter telephoto feels limiting. He suggests this focal length helps you notice intricate details you might otherwise overlook in expansive landscapes. Rather than just capturing grand vistas, you learn to recognize smaller compositions embedded within broader scenes. The result is a richer portfolio of unique images that stand apart from the typical wide angle perspectives flooding social media feeds.

One of the practical tips Patino shares is to leverage layers to build depth within your compositions. Using a telephoto lens, you’re better equipped to deliberately select foreground, midground, and background elements, crafting images with greater visual complexity. He also provides advice on lighting—particularly the effectiveness of sidelight. Unlike wide-angle shots, which can easily incorporate direct sunlight or dramatic skies, tighter telephoto compositions benefit more from angled or indirect light. This type of illumination highlights textures, enhances shadows, and creates a sense of depth that flat, direct sunlight often fails to achieve.

Telephoto lenses require specific conditions to truly shine—appropriate landscapes, thoughtful compositions, and favorable lighting. Patino notes this lens isn’t always the easiest to use, especially if you often photograph the same local environment. However, if you frequently explore diverse landscapes or seek new photographic challenges, adding the 100-400mm to your gear can significantly broaden your creative horizons. He cautions that while the lens is versatile enough for various terrains—forests, mountains, coastlines—it requires patience and precise alignment of environmental elements. Check out the video above for the full rundown from Patino.

And if you really want to dive into landscape photography, check out our latest tutorial, "Photographing the World: Japan II - Discovering Hidden Gems with Elia Locardi!

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Alex Cooke is a Cleveland-based photographer and meteorologist. He teaches music and enjoys time with horses and his rescue dogs.

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