I stumbled across this video that was posted by B&H back in 2012 and was quickly amazed by the amount of information I was able to gather in terms of composition techniques. When starting out in photography, most people learn the rule of thirds, take off running, and never look back. Give this video a watch, and you will open an entire new world of tools for your image creation.
Whether your subject is wildlife, landscapes, sports or some other type of distance-related photography, using a tripod is a must for stable, clear images. Yes, there are workarounds, and some photographers insist they don't need a tripod. Award-winning nature photographer Steve Perry has put together an easy to watch video on techniques that work for him when he's using long lenses to capture his subjects.
I attended the Canon Roadshow, held once a year, where Canon gets to show off their latest gear. We got to have lunch with the Canon people, and we also had great keynote speakers who told their story and presented their work and how they do what they do. One of the speakers, Laura McCullagh, shoots live music events. She's shot acts like Die Antwoord and Mumford and Sons, to name a few. We were fortunate to get some pointers from her on how to get great shots.
The Cooperative of Photography (COOPH) teamed up with Switzerland-based Street Photographer Thomas Leuthard as he hits the streets of Salzburg to demonstrate some of the techniques he uses to be a true ninja street photographer. Leuthard arms himself with a discreet Olympus OM-D E-M10 Mark II mirrorless camera to capture the essence of everyday life as it happens on public streets.
One of the most commercially viable careers as a photographer can be fashion or beauty photography. In fashion photography, you are mostly shooting people, and you have details like clothes, makeup, and mood that you can capture in creative ways. You can create fantasies, capture a personality, and really build a name if your images are unique, and you will get people asking for you if you’re able to portray a certain feeling or mood. How to get started is often most aspirational photographers’ stumbling block. I can tell you that it is the ones who "show up and shoot" who build the careers and names for themselves from it. So, how do you do it?
Chase Jarvis is always putting out content that aims to push the boundaries of your thought process. Whether he is showing you how to creatively tackle projects with inspirational behind-the-scenes footage, or he is interviewing top creative minds to gain their insight on a variety of matters, Jarvis wants to make sure we have access to the information you don't even know you need. In this new video entry he explores a topic that struck a chord with me: the idea of drawing inspiration from outside sources.
As a British person, I have an innate talent for moaning, queuing, and observing humour about our ever-changing weather. One spring morning last month, while wiping the snow off my sunglasses and mopping the sweat off my brow with my thermal gloves, I began to ponder the first of this talent trifecta. One rich vein of moan material is mistakes, and being conscious of my miserable inner monologue, I attempted to shift the focus to something more useful.
I’m sure most people have been in this situation: You are going through some old images of you when you were a child and come along an image that you absolutely adore. Maybe you want to share it across social media, or display it on your desk at work. The problem though is that after years of sitting in a box in the attic has taken its toll on the image. You are now left with a scratched up mess of a print. Watch as Aaron Nace from Phlearn walks through the key steps to repairing your tattered image to something you are proud to show off.
It is not a coincidence that so many creative types suffer from depression. It seems elemental to the process of creativity that one must suffer internally to give life to art completely unique and beautiful. According to a 2008 CDC study, it's estimated that one in ten people suffer from some form of depression; however, the connection is thought to be stronger in those of us that create for a living. Evidence suggests that creative types are more susceptible to the life-flattening effects of depression. One photographer wants you to know you are not alone in your struggles.
Working with a team may be a blessing or a curse. Having a task delegated to a professional may sound relieving — assigning team members control of specific portions of a production, thus reducing headaches for you. It sounds like a great plan, and usually it is, until things go wrong.
Sometimes technically perfect does not translate to visually appealing. We've been taught since our photographic infancy to follow the "Rule of Thirds" to save yourself from making beginner mistakes. But the photographer from Denmark, James Allen Stewart, has gone against the grain and questioned the "Rule of Thirds."
Slowing down while taking pictures is not always an easy thing. For those of us that learned with digital, the idea of shooting only a limited number of frames per session seems unthinkable. However, doing with what we have, and pressing the shutter only when we are sure to have a picture we are going to appreciate, is a very refreshing approach. Having just recently started shooting film, here are five tips I could give a digital portrait photographer to get better results, spend less time working, and slow down a bit.
Hey there, Ben Sasso here! Learning new things is one of my favorite parts of what I do, and I want to be able to pass that on. If you're looking for some quick and basic natural lighting tips to play with on your next shoot, you're in the right place. Check out five easy tips! Hope you enjoy!
The choice of colors in a scene can be one of the most influential factors in giving a film its signature identity. Whether you're looking to recreate an iconic look or simply seeking new inspiration, Cinema Palettes is making it incredibly easy to replicate your favorite films.
This is by no means a new topic, but a recent poster in the Fstoppers Wedding Photography group lamented that they felt they were stuck in a creative rut, and it got me thinking about the problem of trying to be experimental within an industry. Chances are if you’re shooting for a client, they have a preconceived idea of what you're going to provide, even if that’s just a ballpark “these kinds of colors, this kind of emotion.” If you rocked up to a wedding with the awesome idea of only shooting macros of toes, you’re going to have a hard sell when it comes time to deliver the finished product; they’d need to be really good foot shots.