Education

Those Glowing Mushrooms (Part 1): 6 Steps to Photographing Your Own Fantasy World

Those Glowing Mushrooms (Part 1): 6 Steps to Photographing Your Own Fantasy World

As the northern autumn draws closer, bizarre little creatures pop up all over the temperate forest. On the forest floor, underneath hedgerows and on trees, alive or the ones who have fallen. Fungi are the cleaning crew of the forest as they take care of layers of fallen deadwood and provide nutrients back to the forest. Surely they are great subjects for macro photography. Like everyone else, I’m looking to find their reproductive organs: Mushrooms. They let our imagination run wild as these little toadstools hint of fantasy worlds when photographed in a certain way. This is how I recreate my own little fantasy world.

Dodge and Burn for Dramatic Wedding Photography

Dodge and Burn for Dramatic Wedding Photography

Dodge and burn is a well-known technique amongst the retouching community. Most retouchers will use it to smooth out transitions and micro-contrast on portrait, fashion, or beauty images. However, it can be utilized for any genre of photography and broader uses than just skin cleaning. It can be used to direct the viewer’s eye and create more compelling, dramatic images with a few clicks. If you shoot and edit weddings and are looking to step up your post-processing game, this article is definitely for you!

Landscape Photography Design Part 5: Advanced Communication

Landscape Photography Design Part 5: Advanced Communication

We’re living in a visual society. Every day, we see new ways of visual advertising. Some of the messages presented without the use of words can be very powerful, as if there's some subliminal code that makes us think. As photographers, we are used to delivering messages by solely providing the image. Or are we? This series is the go-to resource for compelling visual storytelling in landscape photography and closes this week with advanced communication techniques that help create spectacular images. Join me now as we dive into the deep end, far beyond compositional elements like lines and color and learn that secret code by heart.

So You Want to Become a Better Photographer?

So You Want to Become a Better Photographer?

There are many tips online. Five step listicles of composition, post-processing, editing, getting the model to smile more, and to capture a story in the best way possible. You can be friendlier to clients, communicate your vision to the team, client or model, use on or off camera flash, and setup your camera in a better way to enable easier ways to capture the shot. You can learn about better workflows and how to increase your productivity in post too. All these tools are available on Fstoppers.com for you to learn and use in your everyday photography career and life.

Thinking About Shooting Your First Short Film? This Is How I Did It

Thinking About Shooting Your First Short Film? This Is How I Did It

I shot and edited a narrative film in the last month. It was a first for me. I had this scene in my mind of a person burying a suitcase or bag in the woods, like it’s something he or she wanted to hide or get away from. I had a second idea about a guy walking down a long passage way and knocking on a door with no one opening for him. I decided these two contrasting visual ideas will be my story.

Working With Speedlights in Daylight

Working With Speedlights in Daylight

With the recent flooding of the market with battery-powered monolights, it might seem as if the humble speedlight will only ever be found on top of the photojournalist's camera from now on. The Profoto B1 and B2, the Broncolor Siros, and offerings from various small brands have given us options for high-powered flashes in much smaller packages than before. But sometimes, it is still more convenient to use speedlights than to lug around heavier and bulkier offerings.

Working with Candlelight in Cinema - True Practical Lighting

Working with Candlelight in Cinema - True Practical Lighting

Even though technology has come a long way, you have to have some kind of lighting in order to film. Generally, cinematographers bring in giant ARRI lights to help make a scene look realistic, but for the BBC TV series "Wolf Hall," they opted for a more natural approach. Cooke Optics TV sat down with cinematographer Gavin Finney to talk about how he used candlelight as the only source of light during nighttime scenes.

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