When it comes to shooting implied nudes, it is not as easy as simply stripping down as one might think. Soft posing, flattering light, and the trust from client to photographer is essential to capture that perfect look. Having a solid portfolio of this genre is essential to bring in new potential clients who can form a bond with your work. So how does one start out shooting implied looks if you do not already have a portfolio to show potential clients?
Getting clients is one of the most difficult parts of being in business. Unfortunately, marketing knowledge doesn't just appear once you have your license in your hands. As a result, many of us look at what our competitors are doing and try something similar, never realizing that there is a good chance that our competitors are also operating from a place of marketing ignorance. One of the most common marketing mistakes I've seen is photographers spending too much time talking about themselves, and not enough time talking to their clients. This means many photographers are shooting themselves in the foot by making their landing pages self-centered, rather than client centered, and they may be losing out on business because of it.
Your website is your calling card: it's the place where people go to decide whether they're going to book you or some other photographer. As such, it's important to make yours as memorable as possible. This helpful tutorial will give you some great tips to build a stronger brand on your website.
Social media consumption is at an all-time high and is on pace to increase at an exponential pace for the foreseeable future. We all seem to have capable technology on us always, whether it be a cell phone or dedicated interchangeable lens camera. With this rapid rate of consumption and the accessibility of technology we are living in a world saturated with quality content everywhere we look. Standing out among other photographers is getting more challenging daily and that’s why I put together these three ways to help separate yourself from other photographers.
As a young, rebellious teenager in love with music and films, I discovered my love of photography when I was handed an old Olympus film camera and I have since fallen deeply in love with the art of photography. Years went by as I experimented with different ways of shooting and discovering new ideas I wanted to pursue in this medium until I finished school and needed to think seriously about what I wanted to do in life. The choice was easy: either become a musician or a photographer.
If you're constantly seeking inspiration from the same places, it can be hard to move forward creatively. Worse yet, if many others are also using the same sources as you, there is a risk of making work which is just like everyone else's. With this in mind, the guys over at Canon Australia have produced another episode in their series from The Lab, a collection of short experiments designed to shift creative thinking behind the lens.
For a western film you may need authentic props. Maybe you need a cool location. Maybe you need an Arri Alexa with anamorphic lenses. Maybe you need a ton of lighting. Maybe you need an expensive software to edit the project. Well, some of these are not that essential.
Backing up files is always easiest at home or at the office, but it's when we're on the go that data is the most vulnerable. Whether it's image or video files, documents or other projects you are working on, or even photographing tethered to a computer, backing up data can often be an afterthought. Here's a quick and easy strategy to help you maintain backups of your files on a notebook computer while you're at work or on the go.