There are exactly 43,973 ways to sharpen an image using Photoshop, give or take 43,950 or so. That being said, I do get quite a lot of folks asking me how I sharpen my images, and as it happens I kind of like the results I get, so, why not make a video. Can't argue with that logic, no?
Fine art nude photography is unique in that the nude form is your blank canvas. The possibilities for expression are endless. There is no clothing to detract from the subject, just the model in all their purity. This is why posing, one of your strongest elements for expressions, is of the utmost importance when it comes to creating beautiful fine art nude images. Here I will show you three go-to poses when working with fine art nudes and how to vary them for endless possibilities.
Anyone who is interested in portrait, fashion or/and beauty retouching knows how wonderful the Dodge & Burn technique is for skin retouching. We have talked about various methods and the fundamental knowledge of light and shadow rendering in 2-dimensional art before, and I would like to offer you yet another important piece of the D&B puzzle - the brush settings in Photoshop, which will help you achieve greater results when using this technique.
We all want to get better at what we do in our work, that's a given, right? Studying, reading, taking classes or doing workshops, watching videos on YouTube, and of course tireless practicing, are a few of the many ways we strive to better ourselves in our photography. The time will come however, without fail, when nearly every single one of us will post a photo to a photography group on social media or a forum, and ask for "CC" or "c&c" or simply "Any thoughts?" and await the comment storm that's coming. And usually that's when the problems start.
I am hardly the first person in the industry to prattle on and on about why you should print your photos, but I think it is worth mentioning, here today, some things you may not have considered about your digital files. After all, either by intent or just circumstance, we've all been led to believe that our digital files are "safe forever", especially if we've gone to great lengths to back them up on secure drives or on cloud servers and such. But, are they really all that safe?
How are you getting people to look at and engage with your work? This is something we all have to think about constantly in today’s visually saturated market place. It’s why it’s all the more important to look at – and learn from – those producing stunning and engaging work. Let me introduce you to Leonardo Dalessandri, and his latest project “Watchtower Of Turkey”, a video that he worked on over the course of a year and quite possibly some of the best visual media you’ll see in 2015.
Matt Kloskowski from onOne has released another great Lightroom tip video that can help with recovering shadows from your images. In some situations, you might need to recover more out of the shadows than you originally intended when taking the photo. Basically, by reverting the Lightroom Process Version to 2010 or earlier you can tap into some recovery options that could make all the difference to your image.
Learning to find the perfect light is something that takes time and experience. But what do you do when the perfect light isn't there? Shooting in hard sunlight isn't always the most flattering or ideal situation. Don't settle for less than ideal results, bad light doesn't have to mean bad images. In this tutorial you'll learn how to defeat hard light by scrimming and lighting to completely reset your lighting conditions and take control of your shoot.
Nature photographer Steve Perry has released a new 14-minute video educating his audience all about lens diffraction. Beginning with a somewhat technical explanation of how diffraction occurs with your lenses, the video quickly moves into giving practical answers and examples for questions that you may have wondered when it comes to choosing f-stops and how to get the sharpest possible image.
Aaron Nace and the Phlearn team have designed this Photography & Compositing Essentials Class for the beginner photographer looking to enter the world of compositing and conceptual photography. A successful composite image requires a strong concept, solid lighting and posing fundamentals, and quality Photoshop skills. Based off the workflow of one of the best-known conceptual photographers, this class will teach you the essential skills to create your own composite images.2015...
Shooting on a clean white backdrop can be one of the more complex in-studio lighting setups around. Properly exposing for full lengths while giving your models room to work can require four or more extra lights and considerable amount of setup time. While taking the time to take care of the details is important for getting the perfect image and saving yourself hours of retouching on the back end, sometimes you just want to get a nice clean background without the hours of prep.
Photography, for many of us, is a very personal ambition. As with any art form we pour our blood, sweat, tears, and heart into every project be it a paid or unpaid venture. Many of us put so much emphasis on the success of our creations that we are afraid to share them with the world. Many great pieces of work go unseen because of this irrational fear we hold.
Recently, I sang the blues about being a careless photographer on Facebook, Twitter, etc, and that culminated in the article Don't Be An Annoying, Whiny Photographer on Social Media. While I stand behind the points I covered in it, I've heard tons of feedback already. "Ok, wiseguy, what should a photographer do on social media then?" is the general message I've been seeing. I might have likened these behaviors to that of young children, and that might have not set well some shooters out there.
It's time to mention the huge elephant in the room, and shed some light on some catastrophic social media blunders made by photographers everyday on Facebook, Twitter, and other networks. Time to decide to either take the high road of professionalism and maturity or drown in the sea of misguided, no name whiners who act like children. At least my children have an excuse.