I don't rate my photos nearly as much as I should. And part of it has been because I've been too lazy to look this exact tip up! Thankfully, Adobe has provided us with one of their now famous under-a-minute Lightroom Coffee Break videos to quickly explain how to auto-advance as you rate your photos. This trick also works for auto-advancing while flagging photos. The key to the trick? Caps lock.
Every portrait session with a new subject could bring new challenges. Some people are more comfortable in front of a camera than others, while some just take a little time to open up. I've put together a list of tips that may help you along the way during your portrait sessions.
Keeping a fair amount of texture seems to be an issue for a lot of photographers and retouchers. No matter what technique they use to clean the skin of a model, I often hear people trying to find a solution to get a more natural and visible texture. Here is one for you!
I admit it freely: I didn't used to pay attention or care about portrait lighting patterns. In fact, when a photographer would mention them around me, I would cover my ears and say "La la la la la" as loudly as possible while hurriedly trying to leave the room. There was a time where dismissing the standards was my usual, as was my tendency, but eventually I realized I was missing out on fundamentals that I could easily have built on and expanded rather than ignored. Just starting out? Don't make my mistakes.
If you look back to the beginning of photography, color didn’t exist. In fact, it didn’t exist for a long, long time. Even as 35mm film pioneered the way that photography was used and purchased, black and white was king. Slowly, as time progressed, color film began to take a foothold in the industry. Once legendary color films like Kodachrome and Kodacolor became widely available, black and white became far less popular for commercial use. Now, in the digital era, almost every digital camera records information in color. Why then, would I bother viewing my images in monochrome during my shoots, even if I know I’ll deliver them in color?
Adobe launched a new YouTube series through their Lightroom channel to give Lightroom users some extra tips on features they may not have come across yet. While some highlighted features such as viewing masking for the sharpening tool are a little better known, others are more tucked away and might come as a surprise, like this feature that allows you to update the overall effect of a local adjustment with multiple sliders in effect.
When learning about retouching, selections and masks should be on top of the list along with curves and brushes. But each of these tools have so many options, and it is hard to know the in and out of each of them. In this article, I will guide you through different ways to create precise and refined luminosity masks to help you improve your retouching skills.
Jay P. Morgan with The Slanted Lens has released a new video that demonstrates how he and his team were able to precisely capture the exact moment they wanted, using the laser mode on the MIOPS trigger system. Morgan breaks down the tricks for getting just the right shot, without having to rapid-fire a bunch of extra, useless images.
Watch as Josh Connolly tests out the slow motion explosion he bought off Amazon Prime (ya, you heard me) and then learn how to create your very own. OK, they won't actually teach you how to blow things up, but they will entertain you while walking you through the process they used to create a slow-motion explosion effect. So, even though you may go to Film Riot to learn filmmaking techniques and how to create kick-ass visual effects, you'll go back for the sketches.
When talking about the differences between full-frame cameras and crop sensors, one of the biggest arguments in favor of full-frame sensors is the ability to produce images with a shallower depth of field. This was always my understanding of the subject as well. But after watching this video, I have seen the error of my ways. As it turns out, if all the variables are the same and the only thing changing is sensor size, the smaller the sensor, the shallower your depth of field.
I’ve always been a fan of big lights. There are certainly situations where they aren’t appropriate, but a lot of my work is centered around big, soft light. What has always drawn me to large sources of light is their versatility. Almost every subject looks good with soft light. Because large light sources cause such soft gradation in the shadows, they can be useful for both younger subjects with smoother skin, or even older subjects that may have wrinkled and scarred skin. However, there is one thing that should be cleared up: the definition of a large light source.
Ever tried to photograph a subject, only to find out that you don’t have enough depth-of-field to get the whole thing in focus? Typically our first reaction is to stop down to increase our DOF. Unfortunately that doesn’t always give us the results we expect. The first issue is that even with our lens stopped down to its smallest aperture, we still may not have our subject completely in focus.
The behind-the-scenes series of our cityscape tutorial with Elia Locardi continues with episode 11. In this episode we fly on one of the longest flights in the world, from N.Y.C. to Singapore. We enjoy seeing the sights of this amazing city and we also try eating some chicken feet. Spoiler: they were awful.
Regardless of what genre of photography you shoot, understanding light and its characteristics is key to creating better photos. For those of us working with off-camera flash, there is another layer to the complexity: balancing ambient and artificial light. On top of that there are various modifiers that can be used for artificial lighting to replicate or create certain effects. A great way to become proficient in understanding and seeing light is to examine photographs by other photographers in your genre.
Color correction and grading are probably amongst the most difficult parts of a retouching workflow. What seems to make it difficult in Photoshop is usually the understanding of the different tools available, such as curves and levels. However, there are a couple of tricks that can make it much easier, color palettes and fill layers being some of them.