The more you photograph people, places, and things, the more you understand how much control the available light has over the outcome of your image. Taking advantage of tools like filters to limit or modify the light coming into your camera is a great way to craft a unique image and even add a dramatic flare that you may not be able to create otherwise.
How long do you think it would take to photograph over five million miles of road? Since 2007, Google's Street View teams have been doing just that; capturing panoramic images of millions of miles of roads all over the world. Armed with a fleet of vehicles with 360 degree cameras mounted atop of them, the Street View team has managed to capture a few lucky shots while motoring across the globe. It's a pretty incredible project if you ask me.
So how do you make that mountain appear as large to the viewer as it does to you? How do you get rid of noise in your nightscape images? And how can you get everything in perfect focus, front to back? This might as well be titled “5 Things you can’t do in one shot,” since each technique in this essay relies heavily on layering multiple exposures of a given landscape scene. I’ll show you the techniques I often use to translate my vision to the image. Let’s go.
Tis the season. Around the time of December, photography websites worldwide recap last year with their selection of the cream of the crop. To many photographers, National Geographic is a well-respected media platform to get your work selected and exposed. And now they have made their selection curated from 91 photographers, 107 stories, and 2,290,225 photographs.
Our friends at ViewBug teamed up with Discovery Photo Tours to offer an unforgettable Italy photo adventure to one lucky photographer. Submit your image to the completely free “Around the World” photo contest and you could win a seat on Discovery Photo Tours' Spring 2017 Italy Photo Tour! This all-inclusive, eight-day tour will be an incredible journey through the heart of Italy. Start in Rome and wind through the Tuscan countryside, into Florence, and end in Cinque Terre.
Something I get asked often is how to add color tones to your images. Often the easiest option is to use filters either in Lightroom or with a plugin software such as Google Nik. However, as you delve deeper into the world of color grading you will eventually become curious how to create your own effects.
Ansel Adams once said “you don’t take a photograph, you make it.” I have always thought that what he meant by this quote was the process involved in reaching the final image. It has never been about clicking a picture simply, but it involves the creativity the photographer pours into his image. And creativity and sensibility also are what transpire in the beautiful conceptual project of Finnish photograper Christoffer Relander, titled “Jarred & Displaced.”
Whether it's the glamor of Paris, the captivating shores of Ireland, or the natural beauty of the Grand Canyon, it is very easy for a photographer to assume that one must go above and beyond to capture the landscape images that he or she desires. Dennis Ramos, a world-renowned fine-art and landscape photographer, took a completely different approach. He captured the beauty that surrounded him where he resides in Tampa, FL.
This article is a twist on the more common behind the scenes post. Instead of writing about the thought process of the shot in retrospect, I am starting this article several days before the full moon, to showcase my process and mindset when planning for a once in a lifetime shot of the Supermoon.
Modernity has brought increased convenience and comfort to countless lives, but there have been unintended consequences as well. Increasing urbanization has caused more and more people worldwide to lose their primal connection with nature, something that is almost impossible to replace by technology alone. The brilliant river of stars known as the Milky Way that has dominated the night sky and human imaginations since time immemorial is no longer visible to one third of the Earth’s population, and 80 percent of Americans. This is especially tragic for photographers.