Light, like life, is fleeting. Whoa, that was unintentionally deep for a Tuesday afternoon. Nonetheless, this great video shows how the fickle mood of the weather means a landscape photographer has to be flexible both to work and be happy and why that makes the moments of success worth it.
Simon Baxter makes an unplanned visit to a verdant misty forest in North Yorkshire, UK. As Baxter talks us through the thought process behind one of his images, it becomes clear that the gushing waterfall in the background isn’t his area of interest. A couple of trees above the waterfall that are steeped in the rolling mist look very intriguing.
Landscape photography is a weird genre: there are no people, and unlike something like product photography, it's pretty much up to you to choose what to shoot and how to shoot it. So, it can often feel a bit nebulous as to how one navigates a world veritably inundated with imagery, particularly when standards are sky-high. This helpful video will give you some great pointers to get you on your way.
You have been up all night, taking images of the Milky Way. Tomorrow, hours of editing probably lie ahead. Light pollution, noise, and a lack of contrast can make most nightscape photos feel lackluster. If you’re familiar with doing landscape astrophotography, then you’ve no doubt experienced the amount of effort needed in post-processing to make your images shine. Even with today’s digital cameras, no picture comes out of the camera the way you’ve imagined them to. Enter OrionH; a panel for Adobe Photoshop dedicated to natural night photography and meant to decrease the amount of time you sit at the computer.
One week of photography in the wild backcountry of the Scottish highlands. In this "episode," I’d like to share with you the story about a recent trek into Glen Feshie in the Scottish Cairngorms National Park. It’s the behind-the-scenes tale of my successful image titled “Catch the Spirit.”
Landscape photography, like most things that produce a glamorous-appearing final product, is rather unglamorous behind the scenes. All the skill, patience, and devotion can still lead to coming home empty-handed or in this case, with a single image. Whether it's worth it is up to you.
We have all been there: you see an image online that gives you the best perspective of a location but you have no idea exactly where it is located. Sometimes the photographer lists the location on social media, but more often they leave you wondering where exactly they were standing. Last week I set out to film a time-lapse of one of the most photographed skylines in the world. However, finding the exact location I wanted required me to use multiple resources. Welcome to project "New York Harbor."
With the goal in mind to write up a reference for planning a week of photography in the wild, it's almost unthinkable to not include an article about gear an rules about sleeping in the great outdoors. Not on a campsite, not in a hotel or any form of modern comfort, but out in the backcountry, sleeping under the stars. This quickly grew out to be an article to bookmark, because I don't expect you to remember everything about this after a first read.
At some point in time, almost every photographer will get the itch to try their hand at astrophotography. It could be that image of the Milky Way or an aurora that inspires us to bring our cameras out in the middle of a clear night to photograph the stars. Josh Katz created this tutorial for newbie astrophotographers who may not live in an ideal region for capturing the night skies.
You are at a crossroads again. Every now and then, you arrive at a point in your photography where you are left uninspired. It’s that moment when you feel like you’re drawing blanks even as the conditions are just right. Stages like these occur every once in a while, no matter your experience in photography. Feeling uninspired can be daunting and seemingly endless. But once you realize that these are the best moments for self-reflection, there’s another opportunity for personal growth. It’s times like these when you ask yourself: “What is your reason for pursuing photography in the first place?”