When I was younger, my dad took a class on photography at a local community college. To this day, he says that the biggest thing he learned from the class was that to take interesting pictures, you have to go to interesting places. I suppose that if you are a travel, landscape, or nature photographer, that is true. What a lot of people don’t realize is that interesting places are all around us. Having grown up in Ohio, I always thought that I was stuck in a dreary, featureless landscape of corn and soybeans.
As recently as yesterday, we've seen all kinds of articles comparing various cameras' qualities to one another, pixel-peeping to see which one edges out the competition by a razor-thin margin. You can put your magnifying glass away, however, and trade it in for a beer as you sit back and watch a real comparison. Photographer Jim Goldstein took the pleasure of comparing two of Canon's top-of-the-line DSLRs from different time periods: the 5DS R and the Canon D2000.
Last year, Sweetgrass Productions made an incredible skiing short film, "Afterglow," which they followed up last month with "Darklight," its mountain-biking equivalent. Right away, one of the film's main intents is to blast you with color. Entire mountainsides have bright, neon-colored hues cast over them as bikers bomb down them through lime-green forests and over deep orange-magenta ravines, all in the middle of the night.
The ME20F-SH is Canon's latest, crazy-high ISO camera, able to record clean video at over ISO 4 million (not a typo). Early footage was lackluster in content, and early media stated the natural security-field uses for such a camera. But the latest video suggests the ME20F-SH could be used to shoot incredibly beautiful footage of our world that wouldn't have been able to be captured the same way in the past.
Cinema5D founder Sebastian Wöber's latest three-part tutorial on drone shooting starts off with quite the introduction in Part I. Wöber could honestly be saying anything to accompany his to-die-for footage, but what makes it so fantastic is how great the information in this video is. From safety to beginner tips on getting started and how to get that cinematic shot you have in your head (don't worry, Wöber has plenty examples if you don't), Part I has you covered. And there's more to come...very soon.
Over the summer, photographer Mike Olbinski spent an astounding 48 days on the road chasing storms during the monsoon season in his home state of Arizona. His epic new video, “Monsoon II,” is a captivating collection of the best of the best time-lapse footage he captured during his extended time on the road witnessing these giant storm systems. This is one time-lapse video you need to check out.
Nine-time Emmy award-winning TV producer and writer John Marshall found himself on Maine's Frye Island with too much time, talent and imagination. The result photo series, which he calls Sunset Selfies, is creative, whimsical and inspiring. I'd be ridiculously surprised if this doesn't spawn a whole slew of creative projects within our community, as enthusiastic shooters start cutting out their own cardboard silhouette to use during magic hour.
Nope, we're not joking. Photographer Kotama Bouabane is creating photographs using coconuts. While he used the fruit in several different ways to create images, his most interesting method simply involves tape, a coconut, and some photo paper! Read on and check out the video for more!
Oftentimes, while tending to mundane household or business-related tasks, I glance out the window and say to myself, "It is way too beautiful a day out today for you to not go out and photograph something!" It's a wonderful sentiment that many shooters have, I'm certain. I wish I could say that it is with regularity that I throw my camera bag into the backseat and make some dust. I usually don't.
For many years now since the digital revolution hit the mainstream, the continuing and growing complaint in the photography industry generally centers around two key points: Too many photographers out there and too many clients offering exposure in lieu of actual pay. The problem continues to worsen, but there is a way to possibly solve it, and it involves, plain and simple, revolution.
Aerial photography has always been something that I have found interesting. Seeing so many of our writers like David Geffin, Mike Kelley, and Noam Galai capture exciting photos and video from the sky has inspired me to finally attempt my first doors-off helicopter excursion. In just one short one-hour ride, I've learned a lot of do's and don'ts as well as a bunch of things to experiment with again. I even attempted shooting with a $7,000 lens that everyone told me would be a disaster — and it nearly was!
It's always impressive to see a subject that's shot so often used in a new and creative way. This conceptual shoot of the Milky Way by George Malamidis was beautifully conceived and executed. George picked two possible names for the image, both of which perfectly describe the outcome, "The Iris of God" or "The Peacock Milkyway." Want to know how he got the shot?
Over the last two months we have been releasing one episode a week of our Behind the Scenes series of our world tour with Elia Locardi. In this first season (Season 2 is currently being edited), we visit both Iceland and New Zealand to film our latest tutorial on all things landscape photography.
When Ronald Soethje sent me the details of his timelapse project that spans the North American continent, I was simultaneously jealous of his experience and completely impressed by the outcome. Ronald spent three years giving up his vacation time to shoot over 108,000 raw images. He slept in tents for weeks at a time and drove over 18,000 miles to capture dozens of locations. The outcome is nothing less than admirable.