If you’ve ever wondered how to create rich seascape photos with silky waves that convey the motion of the sea, you’ll want to check out this tutorial. Freelance Landscape Photographer Michael Breitung describes how to capture various types of seascape images, and has one particular post-processing tip that you won’t want to miss.
What’s holding you back? Is it work or responsibilities? Is it just life getting in the way? Is it you making a commitment to taking that next step? This morning I was overlooking the Rio Grande into Mexico and I thought that there's no place I’d rather be than right here in this moment. This is what getting out of your own way feels like. It’s happiness and adventure and exhilaration. It’s when we’ve overcome ourselves and have accepted the fact that we just have to move. We have to pick a direction and go.
If you like to shoot waterfalls, you've likely noticed that they often have a distinct blueness to them, whereas you likely desire them to be white, as they normally look to the naked eye. This quick tutorial will show you exactly how to remove the blue from waterfalls and restore them to their original shade.
Adding drama to images without humans to express it is its own art, and taking advantage of the play between light and dark is one of the best ways to do it. This great video follows a landscape photographer as he uses shifting light to accentuate his subjects and create excitement in his images.
When it comes to architectural photography, tilt-shift lenses are quite possibly the best option available. The flexibility and amazing image quality make them very popular amongst architectural photographers and even some landscape photographers. Having said that, there are occasions when you may want to push these lenses to their respective limits by shifting right to the edge. Sometimes the building you're shooting may be a little too close and the lens just isn't quite wide enough. In these circumstances getting the most out of your tilt-shift lens really helps. Doing this, however, creates a vignette in the image and due to tilt-shift lenses not having correction profiles, they can be tricky to remove in post.
Over the last several weeks, my social media feeds have been flooded with a torrent of lavender images, each seemingly more beautiful than the last. Late June is generally the high season for the lavender bloom in the famous Provence region of southern France. It's a time of year when photographers, tourists, and bees come together in perfect harmony to dance among the purple fields from dawn to dusk. Photographer Jimmy McIntyre was part of the crowds last month and made an informative and entertaining video on his ten-day trip photographing the bloom.
As photographers, we generally tend to overpack our gear bags, because it feels much better to have too much equipment at our disposal rather than too little. At the same time, though, too many choices can be paralyzing. This great video goes the other direction by limiting the bag to one camera and lens, then restricting the shots to one crop. It's a neat exercise to invigorate creativity.
For the last 10 years I have been regularly visiting this remote and pristine island state. Tasmania is about a 1.5 hour flight from Sydney to the city of Launceston. The diverse choice of landscapes and close proximity by car make this a unique and accessible environment still largely untouched. Around 40 percent of Tasmania is protected National Parks and Reserves. If you are looking to get off the grid and discover a magical wilderness, this place is filled with adventure and convict history. Here are some of my favorite spots to photograph in spring or autumn. I have also added a few other locations as side trips that are also worth a look.
The largest single landscape print I have made to date is a ten-foot-wide panorama of the Painted Rock at Fort Irwin. Titled A Thousand Words Fall Short, I donated it to a Veterans' clinic on the 4th of July. Printed on Fuji-crystal archival paper, front-mounted to 1/4" museum acrylic with an anti-glare coating, and backed by a solid sheet of aluminum, it really caught and exalted the light in the humble hallway where I was honored to see it hanging a couple days ago.
The closest art to photography is painting, and thus the two primary visual art forms share basic precepts regarding light and composition. In the same way photographers use different lenses, filters, and lights to achieve their vision, so too might they learn to use various time-honored, classical techniques in composition. While a polarizing filter is not used for every shot, neither is the golden ratio and sacred geometry. But just as every photographer will have a polarizing filter in their toolkit, so too will they have knowledge of sacred geometry, whose rules they can exalt, or break, at will.
The first solar eclipse in almost a century will be visible across the entire United States on August 21 this year. That means if you’re looking to catch a photograph of it, it’s time to gear up. When I was a younger (read: greener) photographer, my first instinct would be to point the camera at the sun and let it rip. That’s a really bad idea. You’ll want to prepare both your own eyes and your camera to shoot this rare event properly.