Photography changes year after year, but it's a gradual evolution. However, one area of photography that has been accelerating faster than the others has to be time-lapses. The videos have been getting longer, the shots more dynamic where a dolly is more common, and the quality is getting to the point of staggering. It seems that every frame could be pulled and used in a landscape portfolio. Adding to this trend is photographer Joe Capra with his 12K-resolution time-lapse of Los Angeles.
There’s a handful of people on the Pacific Island group of Pingelap who can skip this episode. But if you don’t have achromatic vision like them, I suggest giving this bountiful reference a read, because California-based USA Landscape Photographer of the Year 2015 Ted Gore wrote all about color landscape photography.
Several months ago, Fstoppers and ViewBug teamed up to host a landscape photo contest with Elia Locardi as the judge. Thousands of images were submitted with some heavy competition but the best have surfaced to the top. Check out the winning images below and get a little inspiration from the Grand Jury Winner below.
Mental images, dynamic range, luminosity masking... This week's article in this series is chock-full of terms that will send your head spinning. But when we want to communicate through landscape photography, it is best to speak the language first. I'll show you a big part of my processing workflow, introduce you to a great alternative to HDR photography, and tell you why Ansel Adams' invention is still applicable in digital photography.
Time-lapse videos are everywhere nowadays. You can see them in everything from Hollywood blockbusters, to educational documentaries, to that one weird guy's YouTube channel showing the most random things in a time-lapse format. Well done time-lapses should definitely be appreciated as, make no mistake, they are works of art in their own right.
Without composition there is just visual chaos with no beginning or end, no direction or cycle, no shape or difference between dark and light. This series is the go-to resource for compelling visual storytelling in landscape photography as it provides a condensed overview of all the elements that make up a stunning image. This week: Advanced tools that will nick the attention of the viewer and guide them carefully through your photograph.
Earlier this year, commercial photographer Lars Schneider was followed by a camera on a trip to the Faroe Islands to document his “other life” as a landscape photographer. The resulting video gives us insight into what his professional lifestyle entails and the change of pace enjoyed when shooting landscapes for personal fulfillment rather than clientele.
Landscape photography is the often stigmatized genre of it not communicating anything other than display of beautiful imagery at best. In this epic arc series, I strive to provide an integral resource for working on your own landscape images. We’ll cover planning, shooting, and post-processing, and talk about anything from composition to colour theory. And for the more advanced photographers, we’ll include the use of shapes, tropes, and negative space to aid in compelling visual storytelling. This week: A composition primer.
The port city of Cape Town, South Africa is as famous for its imposing Table Mountain as it is for its Robben Island prison, where Nelson Mandela was jailed for nearly 20 years. Budding native Photographer Janik Alheit has captured Table Mountain in a unique shot that is part futuristic, part science fiction in appearance. Alheit says it was weeks in the planning and features the Milky Way over a cloud-drenched city just before dawn.
Slowly but surely, I find myself shooting more film. It’s getting to the point where my digital cameras are almost strictly for video. They may offer better resolution and more versatility, but there’s a look to film and a fascination with the cameras that pull me to it. The one man that took me into the bottomless hole in my wallet that is film photography is Mat Marrash, a coworker and an avid large format photographer. It's some of the most gorgeous landscape photos of the Ohio Valley I've seen. A few weeks ago, Mat, myself, and the good folks at Rooted Content traveled to Hocking Hills, where Steve and Kyle from Rooted created this short of Mat’s work.
One of my favorite things to do is fly my drone around Indonesia and share photos and videos of my country's natural beauty. When I flew my first DJI Phantom back in 2013, I realized the incredible opportunity drones gave to capture that beauty from a unique perspective. Since then, I've upgraded to the DJI Phantom 3 and DJI Inspire 1 for all my aerial work; specifically, I focus on creating aerial panoramas and 360-degree panoramas. Today, I want to share some tips on how you can create your own 360-degree aerial photo and upload it to SkyPixel for their Aerial Panorama Contest for your chance to win a DJI Phantom 4.
Two weeks ago, SkyPixel teamed up with DJI and launched an aerial photography contest that could win you a brand new DJI Phantom 4 and a Huawei P9 Plus smartphone, along with several other big prizes. Contestants have been invited to submit their best 360-degree aerial photos to the world's largest aerial photography community before noon on June 20, 2016. The submissions have been pouring in, but the best image has yet to be chosen. If you would like to join the fray and take home a brand new drone, check out the details below.
When National Geographic calls and asks you to take on a project that involves capturing one of the most photographed places on the planet, how do you come away with something new or unique? Six photographers took on this challenge and shared their stories and images in this short video.