You Must Have This Skill as a Landscape Photographer

You Must Have This Skill as a Landscape Photographer

In this article, I will show you one of the most critical skills a landscape photographer must have. It helped me take the title photo and many of the best images in my portfolio.

I'm talking about the ability to previsualize. It's essential for planning your photo trips and during scouting. During planning, it helps to find areas with photographic potential. In another article, I already showed how virtual scouting can help. Here, previsualization is required to imagine how the landscape and the subject will look under different light, how the seasons affect the look of the final photo by introducing various colors, or how the weather might influence the photo shoot.

It also helps when looking at photos of a location shot in less-than-ideal light. Imagine midday photos someone might take to document their travels. Those are still the most typical photos you find when researching an area. You must learn to previsualize how those scenes would look in ideal conditions. Can you take a great photo there? What's required to make it work?

You need the same imagination during scouting. If you follow my advice from this article, you'll do the scouting well before the actual photo shoot. The light at that time will paint a completely different landscape than when you usually take photos. Golden Hour or Blue Hour light has little in common with the harsh light around noon. Some scenes might look unphotogenic during the day but turn into a landscape photographer's dream around sunrise, sunset, or night.

Like this night photo I captured during the landscape photography tour I recently led in Morocco, where the barren landscape didn't offer much in the harsh light of day. While the jagged peaks hinted at the photographic potential, it wasn't easy to find a pleasing composition. With no clouds in the sky, it was clear that there wouldn't be a dramatic sunset. I had to imagine how the scene would look at night with the stars above. Based on this previsualization, I then set out to find a foreground that would look great in the cool blue colors I imagined the night photo would have.

Using my cell phone and its wide angle lens gave me a good idea of how to compose the photo later.

I then used my cell phone to try out different compositions. It's essential if you plan to use a wide angle lens. Those test photos can help you understand the perspective this lens choice will create in the final image. Here, it showed how the tiny, dried-out plant in the foreground, which looked unspectacular viewed from above, could be turned into an interesting foreground element pointing to the mountains in the background.

In my mind, I started to draw the picture of this plant, the mountains, and thousands of stars above: the peaks slightly obscured by darkness, the foreground softly lit by cool, blue light. With PhotoPills, I checked the best time to photograph the stars using the augmented reality preview. The best time was at 3 am, just after the moon had set. I knew it would be too dark to photograph the foreground then, so I returned during Blue Hour to set up the camera and capture the photos for the foreground. I left my tripod in place and went back to camp for dinner and some sleep before I returned six hours later to photograph the same scene with the stars above.

Just after the sun had set, I returned to the photo location to compose the final image and take the photos for the foreground and middle ground. The tripod stayed in place for later so I could take the same picture with the stars in the sky.

I use this process for nearly all the night photos to achieve the highest-quality results. Without previsualization, it would be impossible to see how the pieces fit together.

Now, the question is, how do you best learn to previsualize? As with so many other things, the answer is practice. Spend time out in nature during different times of day and observe how it transforms in different light. Get comfortable using your cell phone during scouting and take many photos. Compare those to the final images you take during sunrise or sunset. Try to understand how the different quality and directionality of the light transformed the scene and how different cloud patterns in the sky improved or impaired the final result. The more time you spend scouting and taking photos, the more you'll be able to imagine the landscapes around you with dramatic light, in harsh weather, at night, with clouds, with autumn foliage, and so on. Your photography will benefit from it.

Michael Breitung's picture

Michael Breitung is a freelance landscape and travel photographer from Germany. In the past 10 years he visited close to 30 countries to build his high quality portfolio and hone his skills as a photographer. He also has a growing Youtube channel, in which he shares the behind the scenes of his travels as well as his knowledge about photo editing.

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1 Comment

Previsualizing is like my Daydreaming I do most all day and even evenings and not being hooked on TV! I have been doing since like forever from my film days but better with the many apps one can have on a phone or pad and of course the many web sites having astro and day views of the sky over a place.
Like stated here "PhotoPills" but also "Planit Pro" and 'Planit Live" but before those was "TPE". Example TPE allows the to see exactly where the Sun, Moon rise/set with lines as well as Golden and Blue hours. Adding with with PhotoPills a sinewave at the bottom showing where each are in time and extra in photo pills for Astro Milky Ways is a Night AR that lets you use your devise's camera to see where the MW will be at any location as well as other night sky objects. One of the hardest things to understand is knowing the tides when near or capturing near oceans having to look in a local paper and read a table BUT Planit Pro has a tide section getting info from tide reporting sites again in a sinewave at the bottom along with MW rising times, then Planit Live as settings for lens mm and the view when selecting and for Panoramas all things as far as rows needed with a mm lens and showing what you will capture. Also you can download an area graphic to know about say mountains or hills that will delay the sun rise/set when higher than a normal horizon, Remember rise time is when the sun is completely above horizon and set is when completely below horizon. Next the weather all photographer have the many TV station or weather apps but the ones for Android "Astroweather" and for Ipad is "Clear Outside" both let you know clouds both low, medium and high and well as fog rain chance and wind speed and direction.
The one thing that photographers should not worry about very much is the Bortle Scale for finding a dark sky area, reason i have been way out west and even to great sky location and you will always have ground light. I have captured the MW over a next door house while under a street light and have done lunar eclipses form my front steeps of my house with the porch light on. I used to use filters for night captures but with the new LED lights.
With all the tools above as well as things like Google Maps where you can pick a road or now even a trail in the woods or desert or shore line way out of the way Previsualizing takes over most things even driving some where you look in any direction and your mind sees the colors above and you are framing also.
Like when you know about the sunrise/sets go from north to south from December to June and back north in December with a March and October when both the sun and moon rise and set 180 degrees apart where you can capture both in a panorama.
Also you have the entire east coast, gulf coast and west coast of the USA with dark sky over oceans as well as the many Islands no need to head to the west and play with snakes in the night.
Just turn your dream switch on and make a calendar of things happening every month of the year.