This is one of the most important questions that most photographers out there have been asking themselves. We admire the photographers who have their own styles, and sometimes we try to imitate their styles that we like most. We were all taught to try everything, until we find our own unique visual styles. But, is that really important?
This year has been rich in new exciting product releases. While most wedding photographers were probably awaiting the Canon 5D4 announcement, the action and sport photographers were looking forward to the new pro bodies, such as the Nikon D5 and Canon 1DX II. However, Nikon surprised us with the D500, their new APS-C flagship camera. Being the geeky photographer that I am, I wanted to try it out and see if it was good as a Nikon full frame body.
Stop motion animation is by far one of the most forgotten mediums for filmmaking, yet it holds high respect for what it is and how it's done in large motion pictures today. Those pushing the envelope in 2016 are the geniuses behind Laika Studios where they blended hand crafted puppets, CGI, and 3D printing to build a world filled with imagination and story.
I bet everyone has done a baby shoot in their life even if it is not their genre. I bet majority has faced magenta skin tone on the final pictures of the newborns. Whereas it might be suitable for extra realistic or photojournalistic photos, most often it doesn’t look that adorable on final images, where we visualize those sweeties in a better light and color tones.
Just three days ago, the new Canon 5D Mark IV dropped, and while it's a great stills camera, all of the talk has been about what it can and can't do in the video department. This video takes a much closer look at many of those features in the Mark IV, going through menu functions and showing examples. I've included a list of the topics covered along with their time in the video within the article below.
When photographing on location, be it a campaign for a clothing company, lifestyle images for a client, or just making portraits of someone outdoors, I always go through four steps before I actually take a photo.
One of the most common questions photographers have is about how to effectively price their work. Rates vary so widely based on location and skill level that many are left scratching their heads as to what is fair. This has led to the common mantra stating “ask for the clients budget.” Here is why I think that's a ridiculous way to price yourself and a horrible piece of advice.
When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!
The concept of permanence is flawed. Nothing can keep its state, unchanged indefinitely. What is young and vibrant will eventually wither and fade. I never fully grasped this simple truth until my father lay dying in the next room. While he would always be my father, I realized my dad wasn’t as permanent as I once thought. I had confused permanence with stability, and stability was exactly what I needed as my world spun out of control. Gut-punched, I reached out for the most stable thing I could find: my camera.
Don’t crop those photos when using for them for Facebook profile photos. Why would you want to if you don’t have to? It doesn’t show the full image in all its wonderful glory. That photo was picked because it’s one of your best works, or the model’s favorite photo, or the best portrait that person has, and so forth. Why not show it in its entirety? Don’t crop those photos!
Lighting on land can be daunting when a photographer is first starting out in their business. Understanding the angles, the intensity, and the direction comes from education and experience. So when I started working with illuminating subjects beneath the water's surface, it felt like a whole new game.
This article will probably seem like a giant “duh” to a lot of you out there. Hell, even most avid selfie-shooters have figured this out. This is geared more towards the photographers who lust after huge, expensive light modifiers and overlook the amazing light source that is probably staring them in face. I suggest you start staring back!
MagMod has quickly become the go to flash modifier for a ton of photographers. Being able to quickly and easily attach grids, gels, and diffusers to your flash via small magnets makes shaping your light super simple. So when MagMod announced the new MagBeam, a lot of people got really excited. So excited that they demolished their $25,000 goal by raising just over $300,000 via their Kickstarter campaign. But does this new modifier live up to the hype?
David Guttenfelder shot for the Associated Press for 20 years, based in Nairobi, Abidjan, New Delhi, and Tokyo, but it wasn't until he helped open the AP's North Korean bureau in 2011 that he became truly famous. His Instagram account has nearly a million followers and is filled with stunning iPhone photos from around the world. He was one of the first photographers to publish images shot on his phone, which caused a bit of a stir at the time.
How do you commemorate the opening of the third tallest building in the United States and the tallest residential building in the world? With an epic photo shoot, of course. Model and Dancer VikTory took to the sky to pose for this amazing set of photos that duly capture the scope of the building.
