I Bought My Dream Wedding Photography Lens

I Bought My Dream Wedding Photography Lens

For several years, I traveled to weddings or other events with multiple lenses in my bag, much to the detriment of my back! No longer is this the case, as I finally purchased a lens that was top of my wish list, and the results have been amazing! Can you guess what it is yet?

I am sure many of you can probably take a solid guess on what lens this is, and if you guessed the Tamron 35-150mm f/2-2.8, you would be correct. 

We are fast approaching two years since this lens was first announced, so I am late to the game on this amazing option, but ever since it was first launched, it has sat at the very top of my wish list. I lost count of the number of reviews I read or watched, and also the bouncing back and forth deciding between this model and its competitor, the Samyang 35-150mm f/2-2.8

In the end, instead of the cheaper Samyang offering, I opted for the Tamron, and I do not regret it one bit. I have not used the Samyang, so I cannot compare the two lenses, but as I have used more of Tamron's products in the past, I decided this would be better suited for me.

Versatile

The first thing that comes into my mind when thinking about the Tamron 35-150mm f/2-2.8 lens is the incredible versatility it has, especially when taking the fast apertures into consideration. Whether you want to shoot wide at 35mm or telephoto at 150mm, the options are there, and it performs very well throughout the focal range. 

Beautiful bokeh with the groom playing peekaboo

The benefits of the versatility during a wedding are second to none. During the ceremony, I can position myself almost anywhere within the room and capture a wide variety of images from many angles. This makes my life so much easier, especially when previously I could be switching between 3 different lenses throughout the day.

I now pronounce you husband and wife

Of course, you could have two camera bodies with a different lens on each, but that is extra weight and can be a hassle.

Having this lens in my camera bag minimizes the requirement to have multiple lenses such as primes. Of course, with primes you may get even sharper quality or brighter apertures below f/2.0 which of course is nice to have, but this lens is no slouch wherever you take it.

Weight

Despite all of the pros this lens has, the most common complaint and one of the only complaints I see is regarding the weight. This lens weighs in at 2.6 lb / 1,165 g, so it is no feather, but for me, I actually like the weight.

The Tamron sits nicely on my Sony a7 IV body, and the weight of the lens is comfortable for me to hold. To be fair, I am a big fella and I head to the gym 3-4 times a week for weight training, so that might give me an advantage over some other users. However, I am sure for many of you, the weight of this lens is not a deal breaker.

The lens is very well built, especially when compared to the lighter lens offerings from Tamron such as the 28-75mm and 70-180mm (these are well built as well, but the 35-150mm is a tank!).

Yes, this lens is heavy, but the great performance does all the heavy lifting here.

One of my favorite images of baby Rory reaching out for Lady the dog

Performance

For the focal range and wide aperture this lens offers, the performance across the range is absolutely fantastic. As you continue to zoom up towards the 150mm range, the bokeh and sharpness continue to impress me. I saw some reviews early on mentioning that the focus speed was slow, however I experienced no such issues with the autofocus performance.

Using back button focus, I reliably always found my subject and quickly, even when shooting from afar against the backlit bride and groom.

Beautiful light behind the bride and groom

With 35mm at the f/2.0 range, and then building up to f/2.8 within the focal range, you can easily replace a 35mm f/1.8 prime and one or two longer f/2.8 lenses. The barrel of the lens does extend when zooming, so do be wary if using the lens on a tripod, gimbal, etc., however, it does not extend that far where it became an issue for me.

The lens does suffer from some vignetting across the focal range, however, it is easily fixed in post-processing, and to be honest, I quite like the vignette in a few of the images.

The lens does feature some custom buttons, a lock switch where you can lock the extension of the lens at 35mm, AF/MF switch, and a custom switch. Most of these functions are commonplace now on lenses for mirrorless cameras and are always handy to have when the need arises.

Summary

The Tamron 35-150mm f/2-2.8 has to be one of my favorite lenses of all time, and I have bought and sold quite a few over the years. Up until last year, I had the Tamron trilogy of the 17-28mm, 28-75mm, and the 70-180mm lenses, and I was very happy with them all, but the 35-150mm feels like a massive step up compared to carrying those 3 lenses.

With having this one lens, I am missing some range on the wider and more telephoto end of the Tamron trilogy, and it has not been a big problem. I will eventually be looking to get something within the 16-35mm range again just to cover larger group shots, etc., but until that point, the Tamron 35-150mm f/2-2.8 is very capable and I can just stand a little further back!

What I Liked

  • Versatility: The Tamron 35-150mm f/2-2.8 lens offers incredible versatility, allowing me to shoot wide at 35mm or telephoto at 150mm with ease. This flexibility is especially beneficial during events like weddings, where I can capture a wide variety of images from many angles without constantly switching lenses.

  • Build Quality: The lens is very well built, feeling sturdy and durable. Compared to other Tamron lenses like the 28-75mm and 70-180mm, the 35-150mm stands out as exceptionally robust.

  • Performance: The lens performs fantastically across the focal range. The bokeh and sharpness remain impressive, even towards the 150mm range. Despite some reviews mentioning slow focus speed, I experienced no issues with autofocus, reliably and quickly finding my subject.

  • Aperture Range: With an aperture range from f/2.0 at 35mm to f/2.8 at 150mm, this lens can replace multiple prime lenses. The wide aperture allows for great depth of field control and low-light performance.

  • Comfort: Despite its weight, the lens balances well on my Sony a7 IV body.

What I Didn't Like 

  • Weight: The lens is quite heavy at 2.6 lb / 1,165 g. While I personally don't mind the weight, it could be a significant drawback for other photographers, especially those who prefer lighter gear.

  • Vignetting: The lens does suffer from some vignetting across the focal range. Although this is easily fixed in post-processing, it's something to be aware of, especially if you prefer minimal editing.

  • Lens Extension: The barrel of the lens extends when zooming, which could be an issue when using the lens on a tripod, gimbal, or other stabilizing equipment. While it didn't cause me problems, it's worth noting for those who frequently use such gear.

The only question I really ask myself is why on earth did I not buy this lens sooner?! I do know why, I was skint (British slang for no money!). However, if I was able to buy it sooner, I absolutely would have. With the lens retailing around $1,800, it is not cheap, but you do get the quality you pay for, and if it lightens the load in your backpack by removing some other lenses, then I am all for it.

Greg Sheard's picture

Greg Sheard is a Scottish based photographer, focusing on wildlife, landscape and portrait work. Greg's mission in life is too help those who suffer with mental health issues and be a voice for the millions of people around the world who need that care, attention and awareness.

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12 Comments

It is aways good to hear a photographer who truly uses a lens and has used other lenses as a compare and is so happy!! Also a rather unheard of lenses is good to hear about. You captures are really great with that new A7iv.
Now just some info only not to bust a bubble or anything and I am not a wedding photographer or much of anything else just a happy capturer. There is an unsung lens that has a lot of uses for me and it is the FE 24-240mm F3.5-6.3 OSS Full-frame Telephoto Zoom Lens with Optical SteadyShot, now no it is not a fast glass but on a Sony does not really matter due to low noise at all ISO's with add noise reduction software in todays world. For me to get great bokeh is just to use the little square for focus point. Also if use a button for APS-C switching you get 36-360mm at center of sensor so faster AF etc. I have most every Sony lens but keep in my drive/walkabouts everyday bag with a 16-35mm f/4 for wider shots.
I started with Sony back in 2014 with the A7s doing any or everything but my favorite is Milky Way's and that is where I found fast glass was really not needed for I got great images at 10mm f/5.6 even and so bright it was like daytime with stars, not real looking but heh you show all you can. As far as bokeh using that little square for focus and narrow DOF.
#1 no lights while capturing MW's had a friend join me 16-35mm f/4
#2 FE 24-240mm F3.5-6.3 OSS
#3 A7s + Voigtlander 10mm f/5.6
#4 about 100 yards away 24-240 at 360mm using small square for focus a7M3 DOF and bokeh
just a handy lens and just info the Fe PZ 16-35mm f/4 is small and handy also. just for info also 16-35 is used by architecture inside for like a 12mm makes things in a room just look to far.
Have Fun glad you are happy!!!!
also check out some old Film lenses with adapter they all are fast but not chipped but super small...

Thank you Edwin.

You do own some great lenses there and the 24-240 is a nice walkabout lens or travel lens when you just want to take something lightweight and easy. I believe Tamron have their own version of that too which is a bit sharper as far as I have heard but I have not used it yet.

I've used this lens as well and while I'm not sure any lens is my "dream" lens (that would be a lens that probably isn't able to be created due to the limits of physics), I will say I've found this focal range to be much more enjoyable than I would have thought. Sometimes when shooting weddings, having something wider than 35mm just to document a quick moment or detail can be useful, but for truly more artistic and photojournalistic style images (or portraits), 35mm really is a good sweet spot. Great article!

Thank you Patrick, I really appreciate the comment.

You are absolute right about wanting something that may not even be possible, or would just be far too heavy! As a wildlife photographer as well, I would love some more affordable long primes for Sony. The new Sigma 500mm looks incredible, let's hope for some more!

Very happy with my Samyang 35-150, but I still switch to brighter primes for specific parts of a wedding, mitzvah or corporate event indoors. The zoom is great for better lit situations in large spaces.

Hey Jacques, thank you for the comment.

I do agree with you that depending on the circumstance, a prime with a faster aperture could be beneficial especially if the venue is against flash or just dark in general.

I work a lot in available darkness. I use a 35/1.4 wide open for subject isolation and an 85/1.4 for two full stops more light gathering than the 35-150 (which is f2.8 beyond 80mm). A 135/1.8 is on standby for long shots in dim light, but I don’t use it much now that I have the 35-150. The only downside to the zoom has been veiling flare shooting against a large very bright background, such as a subject in front of a big window filled with bright sky.

i've been using it for concert and burlesque photography for about a year. its an amazing lens.. and a great focal length/range

www.instagram.com/darrellmillerphotography

Love it! Fantastic burlesque work! Not something I have photographed myself however I do photograph a lot of ballet dancers

Great review. Very happy for you. I loved my 35-150mm Tamron when I got it and still do after I have used it for weddings, events, and most photo sessions. I sold my Tamron 28-75mm and 70-180mm to fund it and kept my 17-28mm. I have two dream primes of mine and a second Sony body but this lens and my main camera are what I use most by far. I have written more blog posts about this lens than any other as a result. Here is one: https://ewoodsphoto.com/2022/10/15/wedding-second-shooter-duty-newly-dub...

I have this combo as well, but will replace the 17-28 with a 20-40 as that’s a better zoom range for my dance floor work.

Great read! I also sold those 2 lenses to fund the 35-150mm and so glad I did. Sure, I miss a bit on either end but it hasnt been a deal breaker for me.

I will need to get something wider again at some point but still debating whether I want a zoom or just something like a 14 or 20mm prime