Apple has introduced their latest Silicon, the M4 chip. This powerful system-on-a-chip (SoC) is set to debut in the newly redesigned iPad Pro, promising a significant leap in performance and capabilities. Built using a cutting-edge 3-nanometer process, the M4 chip boasts impressive power efficiency while delivering remarkable speed and functionality.
A few months back, I switched systems, mainly due to work-related requirements moving forward. The system I switched to was Sony, namely the a7R IV, so I needed a versatile lens to start with to allow me time to save for another lens after clearing out my bank account.
Big softbox, little softbox, umbrella, or beauty dish? When choosing a key light modifier for your portraits, it can be daunting to decide which one is the best for the job. I've been working as a portrait photographer for 19 years, so in this article, I'll take you through the modifiers I grab most often for shoots and explain what each one does and the best scenarios to use them.
Having used Capture One for a while now, I came to understand that I never gave the software a proper review. Not an article that talks about tips, or one that only talks about the positive, but a proper in-depth review. The good, the bad, and the ugly. Well, here is my review of the latest version of Capture One.
The Google Pixel 8 Pro has a ton of camera features, including a whopping 50-megapixel sensor that allows raw and manual shooting, but how does it compare to mirrorless cameras, including one with a 50-megapixel medium format sensor?
Towards the end of last year, ON1 released the latest version of its software. Its newest advancements are likely to attract even more people to it from Adobe’s Photography Plan for some very good reasons.
When it comes to versatility and performance, the Fujifilm XF 18-55mm f/2.8-4 R LM OIS Lens is an excellent choice. Available as part of a kit or sold individually, this lens performs exceedingly well. Although there are other lenses with a similar focal range for the X-mount system, and great ones at that, this lens should not be dismissed as merely a kit lens, as it produces some great results.
Canon sent me the RF 28mm f/2.8 STM for a review. To be honest, I didn’t expect much from this small pancake lens. However, it grew on me, and I enjoyed using it more than I would like to admit. It has only one downside, and that is its size.
The decision of whether to shoot in color or black and white is a fundamental one, impacting the mood, tone, and overall message of an image. It's a choice that goes beyond mere aesthetics, leveraging the very essence of how we perceive and interpret the world around us.
It’s always a good idea to have the best camera possible to fit your professional needs. But, sometimes, the camera you choose to use just for fun can be equally important.
The tired arguments against the Micro Four Thirds (MFT) standard are obsolete and rarely voiced now. Furthermore, the release of the OM-1 a year ago has seen a massive migration to the system, and for good reason. Many consider giving their creativity a boost by swapping to an MFT camera.
This tripod was so different from all others in the market when it was released four years ago. Now that it’s obvious that many other brands have copied its unique form factor one way or another, it definitely deserves a closer look.
Sony released a rather odd lens a few days ago. The FE 16-25mm f/2.8 G is neither a replacement for the GMaster nor the cheaper f/4. It is its own odd thing. What is its purpose? Where does it fit in the lineup? Does purchasing it make sense? For some, it most definitely might. Not for all, though.
In a time when older cameras and lenses are getting new updated versions left and right, one of the best things to see is when the piece of gear gets an entirely new purpose. This is definitely something that no one expected from the new Sony f/4 telephoto lens.
Over the past decade, the realm of photography has witnessed a rapid transformation driven by rapid technological advancements. Cameras today stand as marvels of innovation, vastly different from their counterparts from just 10 years ago. In this article, let's delve into the technological differences between cameras now and those from the past decade, exploring whether these advancements translate into significantly better image quality and examining how technology has reshaped the landscape of photography.
I woke up this morning to some pretty exciting news. Nikon, the legendary still camera manufacturer, has agreed to purchase RED, the company behind some of the most popular cinema cameras on the market today.
Photographing in low light is one of the most challenging tasks you can encounter. This is a scenario where your setup truly matters. Not only should you know what to do with your camera, but also keep in mind which camera to bring for low-light photography. In this article, I will go over the essential gear for such work.
In 2019, I wrote about how I would never quit full-frame DSLRs. Back then, I complained about mirrorless cameras for wonky bodies and mediocre autofocus. Today, I’m eating crow.
With its innovative APS-C and medium format cameras, many have long wondered why Fujifilm has steadfastly refused to enter the full frame market. It turns out they have had their eyes on the full frame market the whole time.
Fujifilm is currently managing incredible demand for its X100 series of cameras. Despite the latest X100VI only being released a couple of months ago, the backlog has already grown to immense proportions. In our latest video, we speak to Fujifilm to see why this is the case.
Many dream of having one, yet most can’t ever afford one. What makes the Hasselblad X2D 100C so special? Should you even think about getting one? Who is it for, anyway? There are quite a few questions I had when I was getting this camera, and in the few weeks of using it, I got some answers.
After years of not owning a camera bag, I now have the Peak Design Travel Backpack 30L. I used it for traveling because of its security; unusually, I was transporting a lot of expensive gear. Here's what I concluded about it.
The iPhone 15 Pro is an amazing phone, but after days of testing, I haven't found it to be a significant upgrade over last year's 14 Pro.
I get it, on almost every camera launch, things get sensationalized and hyped more than they probably should. But in this case, the hype is real.
If you’re looking for a vintage digicam for your travels, look no further than 2002’s Casio Exilim EX-S1. With a 1.3-megapixel CCD sensor, this ultra-compact digicam is sure to give your photos that early 2000s vibe. About the size of a credit card (though a little thicker), this is the perfect digicam for travel.
Nikon has started making APS-C mirrorless cameras a few years back, and they are definitely worth considering. Their image quality is decent, the autofocus isn’t half bad, and they undoubtedly have their fans. But they lacked a decent selection of dedicated glass. That is finally changing.
With so many different products on the market, it's easy to get lost in trying to pick the perfect one for you. So many brands, so many modifiers, and so much to learn. What if there was an almost perfect kit for beginners? Well, this might just be it.
In landscape photography, there is a powerful reason why it's important to have a go-to location, which cannot be overstated. While the attraction of venturing into new and potentially uncharted territory may be strong, there also exists meaningful value in revisiting familiar spots time and again. This article will delve deeper into the significance of returning to familiar locations and how it can enhance your photographic skills and artistic expression.
The Tamron 150-500mm f/5-6.7 Di III VC VXD is a super telephoto lens available for Fujifilm and Sony APS-C cameras, and it has quite a few tricks up its sleeve. In this review, I detail my experience using this lens for sports and nature photography using Fujifilm cameras.
I’m never taking a tripod on vacation again. Last year I took a lightweight compact travel tripod to Japan but never used it once. This was because shooting long exposures on the OM System OM-1 was a breeze. The camera boasts incredible 7 stops of image stabilization, increasing to 8 stops with compatible lenses.
Let's be real, photography gear can get expensive. Between cameras, lenses, lighting, and backdrops, the cost of setting up a studio can quickly drain your bank account. But what if there was a way to create a functional studio without breaking the bank?
Selecting the ideal laptop for photography isn't just about choosing a portable computer; it's about finding a versatile tool that enhances your artistic and processing capabilities without becoming a financial burden. This excellent video review takes a look at the MacBook Air M3 for photographers.
Whether you’re shooting video, stills, or some combination, there’s a camera that offers incredible levels of excellence in both, and at a price point that’s hard to ignore. Watch it get put through its paces in a 4-week trip to South America, and see how it stacks up against the competition.
Do you remember the Canon EF 11-24mm f/4L USM that was released in 2015? It was a one-of-a-kind lens and a large and heavy one. Canon released an RF version, and it is not only smaller and lighter, it offers an even wider field of view. This is the review of that lens; the RF 10-20mm f/4L IS STM.
If you've ever owned a fixed focal length wide-angle lens, you've probably noticed the numbers located between the focus ring and the aperture ring. This is the depth of field scale, and it's a valuable tool that helps you check the depth of field for different apertures and focus distances.
When I was sent a Pentax K3 Mark III Monochrome for review, I must admit that I didn’t know what to expect. Releasing an APS-C DLSR in 2023 – one that only captures monochrome images – is quite a bold move, and the K3 Mark III Monochrome is in fact the only camera in existence that can claim these unique specifications. After using the camera for a few weeks, however, I have found a lot to love about the K3 III Monochrome, and it doesn’t begin or end with the monochrome sensor.
In this article, I share five photo editing techniques in Photoshop you can use to create better night photos.
A 300mm lens with an aperture of f/2.8 is a wonderful lens. But it’s often large and heavy, or so it used to be. Although the diameter of the lens is unchanged, Sony managed to keep the weight within acceptable limits. It makes the FE 300mm GM OSS a great tool to work with.
As someone who has been making landscape photography videos since 2017, I have had my fair share of cameras to allow me to get the job done. I am also someone who doesn't jump onto the latest and greatest tech the moment it comes out. Instead, I normally wait until I can pick a unit up secondhand, long after it has proven its worth and capabilities. This, however, has now changed due to the latest release from DJI, the Osmo Pocket 3.
It used to be so simple. The camera shutter opened and closed again. The time in between was the exposure time. With digital cameras and mirrorless systems, things became a bit more complicated. Let’s have a look at the different types of camera shutters.
When the Tourbox Lite arrived for me to try, I wondered whether I would be impressed. After all, I already have a Tourbox Elite. But after using it for a week, I wondered whether it might suit me better. Two weeks in, here's what I concluded.
If you're looking for a long telephoto lens for the mirrorless R system, Canon has some great options available. The RF 200-800mm f/6.3-9 IS USM is the most recent one, and I predict it will become a very popular lens. And it's with good reason.
In photography, faster lenses are better, aren’t they? Many struggle to see the benefits of having a range of f/4 lenses. But, if you start using them, you’ll realize there are good reasons for challenging that assumption.
As a landscape photographer, the chase to capture stunning images of breathtaking scenes is a continuous journey. Yet, in the middle of this mission for the perfect shot, lies a crucial aspect often overlooked—the necessity of challenging ourselves and getting out of our comfort zone. In this article, let’s dive into why pushing our boundaries and embracing discomfort is vital in the journey of landscape photography.
Social media has become an indispensable tool for photographers to showcase their work, connect with potential clients, and build a community. However, navigating the complexities of these platforms can be challenging, often leading to frustration and burnout. Understanding the nuances of social media is crucial for photographers to effectively utilize these platforms and avoid common pitfalls.
Sigma continues to grow their line of small, fast, budget-friendly lenses for APS-C cameras. The Sigma 10-18mm f/2.8 DC DN lens is their latest offering, and it does indeed have a lot to offer photographers looking for an excellent and fast wide angle zoom that won't break the budget.
Observing the skies and understanding the interaction between light and cloud formations are crucial elements in capturing breathtaking landscape images. This helpful video will show you how to improve your sunset images.
Landscape photography often aims to capture the vastness and beauty of natural scenes. However, achieving depth and dimension in these photos can be challenging, especially when dealing with flat lighting or a lack of contrast. Fortunately, post-processing tools like Lightroom offer powerful techniques to enhance your landscape images and bring them to life.
