Michael Kelley (mpkelley.com) is a Los Angeles-based architectural and fine art photographer with a background in digital art and sculpture. Using his backgrounds in the arts, he creates images that are surreal and otherworldly, yet lifelike and believable. A frequent traveler, Michael's personal work focuses on the built environment of unique
If you own a DSLR camera, the odds are that you've tried to create an HDR image using one of the many available HDR software programs available on the market, and you might have even created what people call 'disastrous' results. But fret not, because SLR Lounge recently released the end-all, be-all HDR tutorial to conquer all other HDR tutorials.
I love aviation and I love photography. So the other day, inspiration struck and I ran to LAX to capture a photo that compresses eight hours of airport traffic at one of the biggest airports in the world into a single frame. Here's how I did it.
There's been a lot of buzz these past few months about Rokinon's new 24mm tilt shift offering. Many enthusiasts are interested in tilt and shift capabilities, but are not interested in shelling out the $2,000+ for the Nikon or Canon equivalents. Rokinon's entry into the field has been widely anticipated and it was finally my chance to get my hands on this little lens for a review.
Anyone who has picked up a magazine with photographic content is well aware of the amount of retouching and massaging that goes into many of the photos displayed in advertisements or in editorial features. But at what point does the 'retouching' go too far?
I know that many of our readers are real estate photographers or have at least tried their hand at real estate photography. The most common method used to create 'good enough' real estate photos is HDR: whether it is tonemapping or exposure fusion, HDR is definitely the most-used method for real estate and beginner interior photographers. In this post, I'll do a comparison between tonemapping, exposure fusion, single on-camera flash, and multiple off-camera flash, and show you the benefits (or disadvantages, rather) of each.
When it comes to interior and architectural photography, there is often much more involved than what meets the eye at first glance. In order to create a photograph that is realistic and enticing, careful planning, staging, lighting and a healthy dose of patience is imperative. In this Fstoppers Original, we dive into a luxury interior shot and see what it takes to construct a mouth-watering interior photo from the ground up.
Most photographers and videographers have felt the need to slow down their shutter speeds on more than one occasion: whether you're a landscape photographer looking to get scintillating blurry water and clouds, a portrait photographer trying to slow down a shutter speed to use shallow depth of field with a wide aperture, or a videographer in search of that cinema-like look. While there are a number of solutions, one of the most well-known and most flexible is the Singh-Ray Variable Neutral Density Filter.
As I continue my articles on interior, architectural, and real estate photography, I thought it would be interesting to see different approaches to shooting these types of subjects. So, for this month's article, I've invited a number of professional interior, architectural, and real estate photographers to share their images and techniques with everyone who reads Fstoppers.
We've all heard of renowned portrait photographer Zack Arias - not only is he a great shooter, but he's got a reputation for making some bold claims. Make no mistake that the Fuji X100S is a great little camera. Small, compact, feature-packed and with great image quality, you've probably heard quite a bit about it lately. But just HOW good is it? Zack Arias says that it's so good, in fact, that the DSLR is dead. Check out the video and let us
At a recent TED Talk, conceptual photographer Erik Johansson broke down his approach and method into a bite-size chat. While many photographers consider their work finished as soon as they hit the shutter button, apply contrast, and upload to Flickr, Erik decides to take it further (quite a bit further, in fact). His images make you stop and think and may take a few minutes to sink in. If you're one of those who asks "yeah, but is it photography?" don't say I didn't warn you. Check out the video in the full post.
Adrift is a breathtaking timelapse film created by Simon Christen, the same guy who brought us the incredible 'The Unseen Sea' from a couple of years ago. Adrift is what Simon calls his "love letter to the fog of the San Francisco Bay" and what a love letter it is. Over the course of two years, Simon waited for perfect atmospheric conditions to capture fog rolling down the Marin Headlands and into the SF Bay. Shot entirely at sunrise, this required Simon to be on
Not only is this video hilarious, NSFW, cute, and lovable, but we also get an awesome look behind the scenes at the cameras and filmmaking techniques used to create it. Matt & Kim, you've knocked it out of the park on this one. Check out the video by clicking to the left, then check out the BTS video inside the post. Oh yeah, the song is super catchy too!
The New York Times just released an absolutely incredible piece of journalism titled 'Snow Fall: The Avalanche at Tunnel Creek,' which is a story told through the use of still images, video, computer animations and one hell of a piece of writing. I have to say that this looks like (I at least hope) the future of editorial journalism. It's been a long time since I've read, watched, or looked at a piece that captivated me like this one.
Brad Wilson, a commercial and fine art photographer who splits his time between New Mexico and New York, recently released this video of him shooting exotic animals in a studio. Take a look at how Brad works with giraffes, elephants, alligators and more to create breahttaking studio portraits of animals that are never seen in this environment. To be honest, the fact that Brad has the guts to get six inches from some of these huge cats to take their picture with studio lighting is just incredible.
As the Curiosity rover slowly sets up shop on the red planet, we earthlings are getting our first look at never-before seen images of the unexplored landscape around the landing site. A number of panoramic images have been created and are beginning to pop up on the web. While NASA has yet to photograph the beautiful Mt. Sharp, a 3-mile high mountain not far from the landing site and
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![[BTS] The Anatomy of a Luxury Interior Shot](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/04/Featured-Image-Mike-Kelley-Anatomy.jpg)
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