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              nick fancher, columbus ohio photographer
              nick fancher, columbus ohio photographer
              January 22, 2013
              Nick Fancher

              Six Things Every Beginning Photographer Should Know

              About once a week I get an email from a student or aspiring photographer that wants advice on how they can break into a career of being a professional photographer. I found that I was writing the same response every time. So for the sake of time just as much as my desire to share what I have learned, here is my list of six things that I think every beginning photographer should be doing.

              1. Get a website

              Even if you don’t have any money, you can have a website. First, buy your domain name, using your name if possible. Clients would rather say “We use John Doe for our photography” than “We use Shimmering Pixel Photography”. “Shimmering Pixel” could be one person or several. It can easily get confusing. Let your signature, instead, be in your work. If you don’t have the money to hire a designer to create a website for you, you have some cheap options. Both WordPress and Squarespace cost around $100 for a year and are super easy to use. They are also both very SEO compatible. Tumblr is a fantastic resource, for blogs especially, because it’s free and you can customize the html to make it look exactly how you want. It also allows for audio posts and video embedding. Not to mention, the site allows for people to subscribe to your site and reblog your posts.

              2. Start a Facebook Business page

              Facebook is another brilliant resource for photographers. Not only is everyone and their mother on Facebook, it’s free. I “friend” anyone I have ever worked. That way, when I post new photos to my Facebook business page, I can tag the people and instantly reach all of their friends. Since all of my work comes from word of mouth, having the ability to reach thousands of friend’s friends in one post is essential.

              3. Create a Google Places page

              Google has taken over the world, so you may as well embrace it. Creating a Google Places page is another free resource that nearly every business is already using. It allows you to post up to five searchable tags to describe your business such as “portrait studio” or “wedding photographer”, or you can write in custom tags. You can post up to ten of your portfolio images as well as one YouTube video. You can get reviewed by clients, which is huge. The more people that are searching for you and talking about you on Google, the higher you will rise on organic Google searches such as “Columbus, Ohio Fashion Photographer”. Not even Google AdWords is as effective as organic searches.

              4. Join Flickr

              Flickr may be affiliated with Yahoo!, but it is still one of the top ways to get your images to show up in Google image searches. Once again, make sure to tag the hell out of your photos. The best part of Flickr is their relationship with Getty. Getty shops Flickr user’s photostreams and invites select images to be added to their catalog. This means money. I have personally made money from several clients on Getty, through Flickr.

              5. Shoot for Free

              Selectively. Photographers are a dime a dozen these days. What gets you the jobs over someone else is, more times than not, if someone knows you. The second thing that will win you a job is your portfolio. So your portfolio needs to reflect a diversity of images. This means, multiple locations, subjects and styles. So if your portfolio isn’t very diverse, start thinking about the types of clients and jobs that you want to get, and then approach them. There are plenty of small businesses or bands out there that would be thrilled to have you shoot for them for free or for trade or a for a discounted rate. If it means that you get to add the types of images to your portfolio that you need, then it’s mutually beneficial. Not to mention, now this business owner or band that knows other business owners or bands is talking about you and your photography. Soon, people will come to you, asking for you to do for them what you did for the other business. And these guys may have money. If you aren’t busy with life or other shoots, you have nothing to lose. At the least, you have new material for your blog.

              6. Share Your Knowledge

              Everyone loves watching behind-the-scenes videos. This is our bread and butter, here at FStoppers. They are a great way to help others as well as promote yourself. If you know that you will be doing a unique photo shoot, consider having someone shoot some video. If you can, include technical info like EXIF data and lighting diagrams. Then send your video to every applicable blog you can think of. Even if this doesn’t immediately lead to paying work, it’s good juju.

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              ← Older Comments
              • http://www.facebook.com/dannysantosii Danny Santos II

                I think rather than shooting for free, work on personal projects that will allow you to get better at the craft and provide your prospective clients a glimpse of your vision on your photography. That was the route I took and worked quite well.

              • http://www.facebook.com/foreverfire Daniel R. Chang Acat

                WordPress is a pain in the *ss to maitain and upload a catalog like portfolio. Trust me, i triet: take a look: http://foreverfire.16mb.com

                Facebook may not have the best quality for my photos but at least it’s easy and fast to keep it updated like this:

                https://www.facebook.com/pages/ForeverFire-FilmsPhotography/102864106448929

              • http://vieverie.tumblr.com Genevieve Son

                QUICK QUESTION: Flickr or 500px?

              • JonaGMM

                I’m not a professional, nor I want to be, but getting to show the photos, places and events that I enjoy, won’t hurt either I guess. So, here:

                jgmm.wordpress.com

                And fine piece of advice, I didn’t know about the Google Places thing. Thanks!

              • http://pulse.yahoo.com/_I6SK6HEETSYEJKPOWNLJLBR73U Julio

                If you have only one photographer shooting for your company well then yes you ARE the business…But if your studios employees 20-30 shooters and you average 150-1000 portrait session and or weddings a year then you no longer ARE the business…For example the Portrait People or Lifetouch…If you only have the dream of a one man operation then good luck with making any real money…

              • JonaGMM

                Both have good qualities.

                Personally, I use FLickr to upload most of my photos. Serve me as backup and as a way to easily share a particular photo.

                On the other hand, I upload to 500px the photos I like the most. Quality over Quantity kinda thing. And it’s a great site to 1) Be amazed of other people pictures and 2) To learn and be insipred about the craft.

                So I would say: use both.

                This are mine btw (heh):

                http://www.flickr.com/photos/mrjona/

                http://500px.com/JGMM

              • http://pulse.yahoo.com/_I6SK6HEETSYEJKPOWNLJLBR73U Julio

                Heres my top 5 steps to opening a photography business.

                 1- Knowledge/Creativity (Get it by either second shooting or go to school)
                 2- Branding/Marketing (Start with a logo then work on your social sites)
                 3- Gear (Buy what you need and work your way up)
                 4- Organization Skills (Either your born with it or you better hire someone that has it)
                 5- Find Your Style and Stick with it (Find your niche and believe in your self)

              • http://www.briancarlsonphoto.com/ Brian Carlson

                I wouldn’t even shoot for free for a small client that needs images. Just because they have money doesn’t mean they shouldn’t “pay” or don’t have something I could use. In my experience, I would tell them how much it should cost for the images/shoot (in order to educate them) and then work out a trade with them. They will have something to offer (whether it be goods, credit at their store, yard work, etc.) and if the images are of that much value to them they will find a way to compensate you. Plus, in my experience, when someone says “I don’t have the money,” they’re usually saying, “I don’t want to sacrifice something else to get these images.”

              • http://twitter.com/Gustaveux Gustaveux

                have fun doing it.

                http://gustavo.photoshelter.com

              • http://twitter.com/duskrider Andre Goulet

                I completely agree that cheap is the dangerous part, not free. Free is a yes or no type of thing, cheap is a mindset. In my IT consulting job, I will give an hour away for free as a reward for x, but I will never lower my hourly rate. I don’t want to get that line of thinking started…

                Frequent user reward systems all work like this too. Buy 10 coffees, get one free. This never causes you to perceive a lower value for the paid for coffee.One way around all of this is to work for free for charities or non-profits. They can use great photos as much as anyone else, yet you set no expectations with any paying or potentially paying clients. In fact, this would be a great way to get your work out there and to easily showcase it, all the while being a total win-win for all involved.

              • http://www.facebook.com/derrel.hoshing Relzlife Ho-Shing

                well said Patrick. I totally agree. I started off doing free shoots for ppl, and it helped me build my port and develop a style that ppl wanted…. Everyone that saw my pics thought they were paid lol. So they’d ask me my rates, and i’d charge em. But for real, if i didnt shoot for free, i wouldnt have landed big paying gigs 

              • http://twitter.com/Jensthetraveler Jens Marklund

                Cheers! 

                Let me show all of you the traffic I got for the above link. It’s pretty insane.
                http://qikr.co/files/pics/s/stats70685.jpg

              • http://profile.yahoo.com/C6ASFCPQS4JICYQR2PY7KLBFKE futbol4vida

                How about my site I created just last summer: http://www.dlindahlphotos.com . Im more of serious hobbyist than making a a career out of it at this point.. Any thoughts or suggestions do let me know.

              • Scott Hargis

                Six pieces of advice and only one of them involves touching a camera? Seriously? You think being a photographer is all about Flickr and Google?

              • http://andrushka.net/ Scott Cushman

                Just yesterday, a friend who is a wedding organizer was telling me about a photographer she’d worked with over the weekend. He showed up late, not dressed appropriately for a wedding, spent far longer one-on-one with the bride than expected which meant he never got the list of group shots the mother-in-law had requested (making her upset), and had a bit of an attitude throughout. It was a bad experience overall. I restrained myself from saying, “well, you could have hired me instead …” 

                From her story and so many others I’ve heard (and not just about weddings), I’d add the advice that a photographer should always be punctual, polite and situationally appropriate. In other words, respect and serve your clients, models and coworkers. 

                I don’t think it matters how great your website looks if your customers won’t recommend you and never want to work with you again.  

              • http://ericoahu.com/ Eric

                I agree – cheap is what really hurts. I was negotiating with a company to do a shoot for them. Long story short, I was competing with some dolt who was willing to sign away his copyright and do the day-long shoot for $100. The guy claimed he liked my portfolio much more “and really wanted me for the job” but they had to go with the other “guy with camera.” 

                That experience soured me on the whole idea of doing this professionally. It pushed photography back down to the hobby category. I loved building my portfolio doing trade work on MM. That was a fantastic experience and a win win situation. I don’t have the stomach for dealing with low ballers so I’ll leave the professional work to those who can and shoot only what I like. If the universe begins pushing people at me who’ll pay anything for my work, maybe I’ll re-evaluate.

                That whole thing was a real dilemma for me. It was a tough decision. Not because I needed the money, but I’d rather cut grass or wash dishes than whore out my photography to avoid starvation, if it ever came to that. I didn’t have anything better to do that day. It may have been a worthwhile experience. For a budding photographer it would have been nice to have a job like this on my resume. 

                The thing that tipped me against plugging my nose and taking the offer was it is insulting. First to me, but also to photography in general. Had I taken it they’d have been even more comfortable demanding a lower fee and crazy stipulations from the next photographer. I just don’t want to be part of the problem. 

              • http://www.facebook.com/profile.php?id=100000452007951 Jozef Povazan

                A nonsense advice for beginners. When they follow your advice they feel they are already PRO and that is exactly what is happening around us now. Every one is a photographer! I teach photo workshops and shoot commercial photography. If you want to give this kind of advice to a staring mechanic who just bought a first wrench key, well I doubt you will go and see him when your car breaks down, even thou he has a website, images on flickr, works for free etc…. The KNOWLEDGE of the craft one should be able to offer is MISSING boy. THINK and then write :) or you encourage them to feel the way they should not feel yet. Step by step like baby when from crawling comes walking, hitting walls and then finally running around with D4+85f1.4 :) That is the way I can see it on my workshops and people love it and follow the advices…

              • http://www.facebook.com/scotthargisphoto Scott Hargis

                 You’re joking, right?
                Retail photography is only one business model. But there are plenty of photographic commercial artists making plenty of money who don’t (and can’t) subcontract shoots to lesser photographers.
                It’s not like Bruce Springsteen has some other guy around to play the smaller concerts….people hire ME, not my camera.

              • the_pro_amateur

                But he was a PROFESSIONAL and BUDGET FRIENDLY, just like me!  That’s what brides want.
                It doesn’t matter if we steal real photographer’s images, act like a spoiled kid, or don’t read our manuals.  We blow all our Walmart money on booze and video games, so we need the cash from these super easy weddings.  Refer to my list above.  Just use actions and have no overhead.  You won’t believe how many compliments I get from my mom and high school friends on facebook.

              • http://twitter.com/JT__photography James Tarry

                gotta agree with you here Scott….

              • http://twitter.com/JT__photography James Tarry

                Flash sites are ok (im going to say that as ive got one lol)-but there is a reason for choosing it over non flash (for me anyway)

              • http://www.facebook.com/LucyM121 Lucy Merriman

                To everyone who’s saying the first piece of advice should be, “learn the craft,” isn’t that obvious? Maybe he wanted to give practical advice to enthusiastic beginners who’ve already learned how to photograph, at least to an extent, and want to make the jump from student to professional. 

                Like he said in the first paragraph, the students and aspiring photographers were looking for advice on “breaking into” the business. So this is solid advice right here. 
                I know from my standpoint as a writer, I get annoyed whenever people say to novice writers, “write every day, read a lot of books.” Well duh. Anyone who doesn’t already do that will never be professional, so why address them in the first place? 

              • http://twitter.com/duskrider Andre Goulet

                I think that is great that you stuck to your guns! Hopefully they got no more than decent work out of the $100 shooter.

                Photography is simply a business based on referrals and working to get referrals of a high(er) magnitude is the only non-paying work one should do.

                Joel Grimes does one shoot per week (or so) on his own, just to keep learning and to keep refining his skills and to keep adding his own creative ideas to his portfolio. That’s investing!

              • http://twitter.com/duskrider Andre Goulet

                Great insights. Thanks!

              • http://www.facebook.com/profile.php?id=1431105898 Aaron Radford

                No no like this people

                http://www.theofficialphotographers.co.nz

              • fancher8

                Bingo

              • http://www.facebook.com/david.crockett.71 David Crockett

                I totally agree with you WELL SAID!!! Advice #1 should be LEARN YOUR CRAFT!!! You can’t start calling yourself a nurse just because you want to be one!

              • http://www.facebook.com/david.crockett.71 David Crockett

                No it is not obvious! There are too many people out there, WAY too many people, that buy a camera and start calling themselves photographers. It’s sickening! I’ve talked to “professional photographers” that don’t even know what and aperture is let alone how to light something professionally! No kidding!

              • http://www.facebook.com/david.crockett.71 David Crockett

                This post is completely inappropriate! This is not the place to make people look bad! Shame on you!

              • http://www.facebook.com/david.crockett.71 David Crockett

                I’ll be the first to give constructive criticism. You work is at hobbyist level but not at professional level. You need to learn framing and photo retouching. Many photos have issues with the framing with way too much unnecessary negative space and light balance is just all over the place. All of your portraits have many many blemishes that could be easily removed in photoshop. I suggest taking some classes at a local college to further learn the craft before thinking of charging anyone for photography. Also, that starry background is kind of cheezy. I am only pointing all this out in honesty and not to be mean. You clearly have a passion for photography, it’s just that is not enough. Hope this helps. Cheers.

              • http://twitter.com/Too_Creative Lorenzo P

                I am definitely sharing this!!! Very informative and useful information!! 

              • http://profile.yahoo.com/C6ASFCPQS4JICYQR2PY7KLBFKE futbol4vida

                No offense taken at all, I prefer honest feedback to sugar coated crap. It makes me better. I actually did take a few classes several years ago in college but perhaps Ive lost my way. I actually like the negative space and I would agree Im weak with light- although I as a hobbyist I am working during the week and thats my excuse. Thanks a ton for the tips, if you wouldnt mind commenting on specfic shots with recommendations on my flickr I’d highly appreciate it (http://www.flickr.com/photos/27659703@N02/).

                Thanks!

              • Mark Bolton

                Specialise, dont shoot everything.  And dont shoot for free…

              • JonaGMM

                It is obvious.

                And if some clients like or choose those “professionals” over you, who knows what is an aperture, then the fault lies with the clients, not with the photographer, and even less with the people who gives the advice of “having flickr”. 

                Show them you are best with your images, not with you mouth (or keyboard).

              • http://profile.yahoo.com/EKWOWT74THRNDJORSITHOYQR74 Homer Horowitz

                By doing “should be payed” jobs for free you’re only earning yourself and those around you better odds of not making it as a business.    

              • Daniel McVey

                Great Article. Did not know about Google Places. http://www.danielmcvey.com

              • Aman Agarwal

                actually like this : 

                http://www.flickr.com/photos/amanagarwal/

              • mathildajohnson

                Why do you have a “coming soon” under your info on the website?  How long would it take to write a simple statement?  It just looks like you don’t care. “Coming soon” has about as much meaning as the “try again later” error message you see on computers sometimes. Also, the animal photos are terrible. They don’t look “artsy,” they look stupid and they look like they were taken with a cheap point and shoot. Until you fix your website, you really shouldn’t post a link to it here.

              • http://twitter.com/DebraTidd76 Debra Tidd

                Do shoot for free! You do not advertise that you are doing work for free. You seek out people directly and make them an offer.
                Shooting for free is intended for the group of people that support your
                career choice and will advertise the work for you and will purchase the
                work you create. You do the shoot for free with permissions to use the
                work for promoting your business, offering them a small sample of the
                work you create…if they are your support…they will purchase from you
                and will tell others!  If your work is not good…then they won’t…you
                need help with more than marketing. 

              • EddieClark2

                Since there are so many unqualified opinions here, let me qualify my statement with this fact; I am a professional photographer making a living through my photography, and do not have a second job waiting tables or whatever to pay my bills.  I also love what I do.
                Working for free is a good way to end up not working as a photographer.  It says you don’t value your photography (because it’s probably bad), and it undercuts all the real pros who can provide good work all the time (this will maybe be YOU someday).  Taking on what should be a paying job for free or cheap is not necessary for becoming a better photographer, and especially not for succeeding- since when did any successful business not charge for their services or product?  
                Creating a solid portfolio and becoming better at photography requires education (formal and/or informal), honest peer review (NOT Facebook friends and family ‘likes’), and practice practice practice by taking thousands and thousands and thousands of photos.  Do join a real professional photography organization or association to learn and support your trade.  
                Becoming a full-time photographer requires money in the bank (and/or a degree from a very prestigious program/university) to get through the first 6 months to a year with little income because getting your name out there and building a reputation doesn’t happen over night.
                And lastly, be nice to others and have fun because if you can’t do that you wont last long. 

              • Jim Holmes

                Shooting for free establishes your value to your client. You get what you are worth and show you are worth nothing to them.

              • http://profile.yahoo.com/SLXGYO4SYFWJQ7QUOQQBVRODL4 Ashley

                I once read a piece of advice about turning a profit that has stuck with me for months since I read it. When first starting out, as a BEGINNING photographer (since that is the audience that this article is aimed at), try to book shoots for friends or relatives in which you are going to use as practice and to build a portfolio. As an amateur it isn’t expected that your work would be worth as much value as an experienced photographer. Then, as your skills increase as well as the demand for them, start charging. Small amounts at first, so people don’t have to worry about dishing out a ton of money for a relatively new photographer’s work. When the demand is high enough to make you competitive, or even overwhelmed in those requesting your services, bump up your prices again as you have now become worth it to the customers to pay extra for if it means guaranteeing you for a shoot. Keep doing this over and over as you become more established and demanded. Start small, maybe $20 a shoot, then $40, then $60, then $100, then $500 or more to weed out those who are not willing to pay as much for your services and to better meet the needs of those who are. I did not come up with this but I do find that it makes the most sense! As a beginning photographer I can’t imagine charging others for my services when they are not worth much at the moment, but who’s to say that in six months after taking classes and practicing that I won’t be worth more? If I become a skilled photographer then I can charge an appropriate amount at that time, if the demand is high enough to keep customers around after a price increase. Use your skills and prices as a filter. Meet the needs of yourself and your clients.

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