Have you ever had aspirations to shoot for the movie industry? To travel to some of the most notable cities in the world? To rock the streets of New York City, Shanghai, Detroit, LA, London, San Francisco, Philadelphia, Paris? Well I hate to burst your bubble (actually I kind of get off on it) but chances are you're going to end up in my new hood, Vancouver, BC, Canada.
It can be daunting to try to think of a completely new, never-been-done-before concept for a shoot. But sometimes, the answer is surprisingly simple. In an age in which everyone is touting shooting on the latest equipment with 4K video, while begging for ever-greater bit rates, Japanese designer Dan Tomimatsu took pause to give us something refreshingly simple and beautiful. Using a water droplet "stuck" inside a five-yen coin as a lens on an iPhone, Tomimatsu shot "O (eau)" with the intention of reminding the world that beauty can be found outside of razor-sharp 4K imagery.
Ryan and Josh Connolly of Film Riot always brings us the coolest do-it-yourself filmmaking and special effects tutorials. In this "rewind" episode (read: old) they show us how to create the killer effect of throwing someone clear across the room. What's doubly cool is how easily this can be done with just a still camera and software that most of us already have (Photoshop and After Effects).
Are you as stealthy as a fog horn? Do you have all the grace of a dirigible in a sudden windstorm? Certain genres of photography — wedding and wildlife photography in particular — require a certain physical tact, an ability to be unseen. Check out our tips on how to capture the focus of an event without becoming the focus of the event.
Editorial photography is still alive and well, despite what the cynics will tell you. It no longer has the budgets it used to, and there are not as many publications to go around, but you may still get called on from time to time to shoot a series of images for a magazine. Editorial assignments can be extremely varied, and a challenge to do successfully, but they're extremely rewarding and often lead to meeting interesting people along the way. But where do you start when you get the call?
Have you ever found yourself questioning which file format to use, when it comes to displaying, storing or printing your images? Are you curious about what JPG, PNG, GIF, TIFF and BMP actually stands for? Do you want to know how each format deals with compression and data loss? If so then this crazy informative infographic is just what you've been looking for.
Retouching can vary from photographer to photographer. But it can also vary depending on the genre you are shooting. I know it does for me. My wedding retouching is far from being as refined and time-consuming as my portrait retouching. When dealing with hundreds of pictures, you have to find techniques that get you close to a perfect result, but as quickly as possible. One thing I had trouble getting my head around was maximizing my dynamic range in my wedding pictures without stacking multiple raw developments. That was until I made a lucky mistake when sharpening an image using a high pass filter.
While the original source couldn't be independently confirmed, the studio behind the recently released movie, "Everest," apparently sent BBC a clip of the still unreleased film without audio effects. Instead, throughout the entire otherwise hair-raising scene, the actors speak to each other in a tone seemingly more appropriate for a focus group discussion between amateurs trying to solve a Rubik's cube than for a life-threatening situation climbing Mount Everest.
I love cameras: all shapes and sizes, formats, brands, and styles. No matter what kind of camera it is, I’m interested in what makes it work and what makes the image quality different than others. I enjoy experimenting with 35mm film, instant film, and all types of digital formats. I believe that using different cameras is a great way to better yourself as a photographer. Over the past several years, I’ve developed a decent collection of cameras and the more I obtain, the more I try and jam into my bag. At a certain point, I started to realize that my obsession was getting ridiculous and it just wasn’t practical to bring all of these toys with me to every shoot I had. This being said, where do you draw the line? And what goes into deciding what camera to bring with you? If you're like me and enjoy experimenting with different types of cameras, here is an inside look at some of my favorites and what goes into my decision process when choosing which one to bring with me to a photo shoot or on an adventure.