Last night on the EDM Photographers Facebook group a member posted a tweet from an upset photographer who wasn’t properly credited for an image that famed music producer, Diplo, posted on his Instagram feed. The concert photography collective, Visualbass, tweeted their irritation to Diplo about the uncredited photo and was met with an rather unpleasant and public exchange from the artist. [more]
Most people haven’t heard of Saul Leiter, yet he was one of the great photographers of the 20th Century. The reason you might not know him or his work is because he simply didn’t care about pursuing recognition or a particular career path. With his passing last month, let’s use this opportunity to reflect back on his stunning work, and see what we can all learn from his artistic vision, his philosophies and his razor sharp eye. [more]
The first automobiles were controlled by something called a tiller (similar to how ships were steered). It was, obviously, not the most practical or efficient means of control. However, in 1894, the first steering wheel was fitted on a four horsepower Panhard for a race from Paris to Rouen. Within ten years, nearly all tillers had been replaced by steering wheels. The mouse, although all-purpose, is the tiller of Lightroom. Ladies and gentlemen, the PFixer by Pusher Labs is the steering wheel we’ve been waiting for. [more]
This powerful timelapse video called “Wyoming Wildscapes II” was put together by photographer Nicolaus Wegner. Taking 14 months, this video covers the cycle of the seasons, the shifting of the landscape, and the ever-changing weather. To find out more about this project, I interviewed Nicolaus and asked about his gear, workflow, and experiences. [more]
I’ve just had Selina’s answers back for this interview and feel sick. Some numbers – 80 hours shooting, 7000+ stills, 40+ hours of rendering, sleeping in shifts to meet deadlines. I thought my current project was tough – compared to her’s, I feel like I’m sat on a beach drinking a piña colada. Her video “Limitless” has had 6+ million views in 2 weeks, so all her hard work paid off. Read on to find out how she put this beautiful video together. [more]
One of the biggest niches in commercial photography today is food photography. We’ve all had the same experience, walk into a small local restaurant and ask to see their menu. The photos look atrocious and you wonder to yourself, “who took these photos?” You know you can probably do a better job, but how much better can you really do? “Photographing Food” an ebook series by Taylor Mathis helps you take ordinary food photos and makes them extraordinary. [more]
Fstoppers Answers – What Is Your Photo Education? How Important Do You Think Formal Education Is In The Field?
Each and every week, we feature a segment called “Fstoppers Answers“, where we invite our community to ask a question to our writers to answer. This week, you asked “What Is Your Photo Education? How Important Do You Think Formal Education Is In The Field?”
Working as a commercial photographer, I have the opportunity to travel often with my work. In the year 2013 alone, I’ve flown over 25 thousand miles, and have a few thousand more before the end of the year. Here are some tips I’ve picked up over the years to help make traveling as a photographer much easier and far less stressful.
My passion is shooting outdoor lifestyle and documentary projects, and those shoots often require me to be on the go and in remote areas. Historically, getting an expensive jib or crane in those locations was not possible. With the Aviator Carbon Fiber Travel Jib, taking a jib into the field is not only possible, but easy for everyone. [more]
Tadao Cern is a photographer who has a particularly interesting approach to developing his projects. His latest body of work, “Comfort Zone” is a whimsical look at how we can all – for whatever reason – seemingly leave our physical and psychological inhibitions at home when it comes to sunbathing on the beach, and be happy to “let it all hang out”. We’ll take a look at Comfort Zone, and how Tadao approaches ideas for his work, which we can probably all learn a little something from. [more]
Each week, we have a segment called “Fstoppers Answers” where we invite our community to ask our writers a question pertaining to the industry or their workflow. Last week, you asked “Does Not Having The Latest Gear Make You Feel Less Adequate?” and this week, we want to see your workstations for editing photos and video footage. [more]
As the end of the year looms, we begin to look back and reflect on the previous year and think about aspirations for 2014. What will make this coming year successful for you? Getting paid to live and work as a photographer? Producing creative, fulfilling work? Being published? Teaching and helping other photographers? One photographer I’ve worked with this year did all of these and in this interview, she shares her insights on what success is for her – and importantly, what this could mean for you and your career in 2014. [more]
For event videographers, shooting in dimly lit conditions can be big challenge to deal with, and in certain cases an on-camera light is the solution. In this review of the LED Science LS-S6-20, I’ll tell you why this light may or may not be a good choice for you. [more]
Tired of hunting for budgets as if they were unicorns? A few weeks ago I wrapped up our commercial pricing guide which is a great reference IF you can get a paying client. As many of us know, sadly, that can be a pretty big IF. Here are a few strategies to help you turn a client with no budget into a winner! [more]
It’s no secret that I love the music phenomenon of EDM or electronic dance music, and it seems I’m not the only one with fans ranging from all ages across the globe its popularity only seems to be spreading. With so much new music and artists coming into the scene it’s interesting to see how the music can be visually interpreted into music videos. [more]