Welcome back to our weekly segment of Photographing The World Behind the Scenes where we take you through the process of filming our landscape photography tutorial with Elia Locardi. In last week's video, episode 2, we ran through 4 different lessons in 4 completely different locations around Iceland. This week's location, a glacier ice cave, was so amazing that we decided to dedicate an entire episode to it.
With July coming to an end, summer in the North East is in full swing and what better time to get out and shoot than the present. Whether you are shooting portraits or landscapes, in the daylight or under the stars, sometimes the best way to stay motivated and make sure you are having fun with your photography is to keep things simple. While I don’t go bare-bones with one camera and a lens, if I am out adventuring, chasing a sunset, or on a day trip hiking through the forest, I like to keep my gear minimal. While each piece of equipment has various uses, here is a look into my camera bag and different ways you can use each piece of equipment.
Let’s be honest, there are a lot of advantages to using speed lights. They are light, portable and they run on batteries. Speed light modifiers that accompany them are also usually quite light and portable as well. But speed lights do have their draw backs and they can be a real pain to use when you encounter issues, such as a painfully slow recycle time between flashes and a lot less power then you need on a bright sunny day. If you have a love hate relationship with speed lights then this article might just have a solution for you.
Last week I wrote a post about how Nikon really needs to jump on the 4k bandwagon. I got a few comments that basically said; "Why do you care about 4k? nobody even owns a 4k TV at this point." They were right, 4k TVs aren't very popular, but I have no interest in producing 4k videos right now. I want to shoot 4k footage to enhance my 1080p videos.
Ultra wide-angle lenses are a staple for landscape photographers but most cannot accept a regular threaded filter due to their protruding front glass elements. As such, photographers need to use a filter box which clamps to the outside of the lens and holds a large glass filter in place. Thus far lenses like the well received Tamron 15-30mm f/2.8 have not had many options. That is until I got my hands on this new filter system from NISI.
Controlling your image is a valid quest for any photographer, as we all want to protect our brand. Seeing one’s work altered without permission can be frustrating, as can discovering your work on blogs that are void of any credit. The first response for most photographers is to watermark their images, ensuring that their logo or website graces every image that hits the internet. In today’s landscape, is watermarking your photographs the best way to protect them? Let's review both sides of this debate, and explore the current state of the watermark in photography.
Color management is constantly an issue for photographers, digital artists, and videographers. We spend money on great monitors, only to know that we have to calibrate them and our input devices and our output devices as well. Some of us even opt for a wide gamut monitor designed specifically for those who work in the digital arts, allowing us to adjust brightness, color, and contrast like we would an image. This introduces one more, slightly more insidious potential problem: color management within our web browsers.
Dodge and burn, frequency separation, and other techniques used by high-end retouchers are great but time-consuming. Shooting and retouching weddings, as well as fashion and beauty, I sometimes find myself spending way too much time on wedding retouching. Being used to cleaning skin with dodge and burn for beauty, I tend to do the same with weddings. Which, as you can guess, is not very profitable. The same thing goes for proofing portrait sessions. I like to give lightly retouched proof images instead of pure raw files. So for weddings and portraits proofs I had to come up with a quick way to clean skin without making my images look too bad. Here is how I do it.
I’m often amazed by how many photographers don’t really know all that much about the technical aspects of operating their gear. While I’m not expecting everyone to go out and study how the mechanics of a lens works, I think it is utterly paramount when you are on a shoot that the actual act of operating your equipment to achieve a professional-quality image should be trivially easy so that you can focus on the more important aspects.
When I first looked at placing my camera into the water I noticed that there was a lot of different options. The most practical and safe method was the big and very expensive dive housings that are used for scuba diving. The cheapest, most dangerous option was the little plastic zip lock bag-type housings that can be found on eBay for $100. I wanted something that would not break the bank, but would also be safe enough that I could put in an expensive DSLR plus a lens, and trust it would be safe. These stipulations are what brought me to the Outex underwater housing.
When it comes to all things headshots and manipulating human expression, the best guy to seek council from is Peter Hurley. Peter's career has spanned about 15 years now, and over those years he has gained a tremendous amount of knowledge. Last year with the help from our friends at Profoto, Lee and I were able to film a supplemental free chapter to Peter's Illuminating the Face Tutorial. In this video Peter takes us outside to show some of the techniques he uses out on location.
For those of us who admire and look to gain a foothold into the fashion photography industry, finding reliable quality resources can be invaluable. Being a great fashion photographer goes beyond lighting and encompasses understanding the genre, trends, and the ever evolving industry as a whole. In this article we rank the top online resources for fashion photographers. All of these sites can serve as inspiration and show insight for both new and established members of the fashion photography industry.