Most of us know that arbitrarily uploading your shots on Facebook generally fuddles them all up, which is a reason to panic considering our image's quality is a big part of how we make a living. Back in December, I wrote an in-depth article on how I export and then upload my photos to Facebook and preserve the quality of images in the process. As clear as I thought I was, I still received tons of questions. As such, here is a step by step video tutorial you can watch as a visual aid for the original article.
Matthew Jordan Smith has gained a reputation as one of the industry's top fashion photographers and also as one of the leading photography educators. Those of us who have seen Smith teaching or in interviews have been left with the same impression: he is a photographer and instructor that is forthcoming, sincere, and passionate. My experience in interviewing him proved all of these to be correct. Smith was both very candid and insightful, and here are 10 takeaways from my interview.
Whether you're an intern about to work on set for the first time or a production veteran, acting well on set is the easiest way to move up in the world, learn more quickly and be asked back on more shoots. In this primer, we'll cover some simple do's and don'ts that should be able to get anyone through his or her first production.
Tired of booking the same types of shoots? There’s an easy answer: stop posting them. Instead, only post the type of work you want to get hired to do. Coupling strategic use of Instagram with a strong portfolio of the types of shoots you actually want to book is the best way to increase getting the work you want!
Video is booming. Facebook is apparently in talks with several partners for it’s “Anthology” project – higher quality video produced by dedicated market-leading media companies. Adobe found unique visitors to video sites grew 146% in June 2014 year to date, and advertisers shelled out 28.5% more on video ads than they did in the same period. But what does this all mean to those in the photography business and (more importantly) how can you take advantage of it?
The one and only Pepper Yandell, based in Dallas, Texas, could be called the rising star of automotive photography for some time now, and for good reason. Yandell produces some of the most striking and commercially viable automobile images I've ever seen, so recently when BMW handed him the keys to a factory fresh 2 Series and told him to get lost for 24 solid hours, it was pretty clear that this rising star had ascended to a new level.
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you to check out Lesson #7: Filters.
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you to check out Lesson #6: Brushes.
On Fstoppers, we’ve long been fans of quality behind-the-scenes video counterparts to an interesting photo or video project. They are great marketing tools for us as creatives searching for more work, but they also help promote the primary business or product. This means we can justify pitching these videos as an add-on service to our clients.
Last week I traveled to Utah to shoot the athlete that landed the first ever double backflip on a downhill bike. Upon arriving at the Red Bull Rampage site, my mind was blown witnessing the extraordinary things these athletes are capable of. This trip has taught me more than any other sports photoshoot I have ever done.
The 2015 Fstoppers Workshops is right around the corner, and 2 weeks ago we launched one final contest. Today 5 lucky winners will receive a free spot in a class of their choosing and one of those winners will receive an additional free class, a paid flight to the Bahamas, and a free hotel room for the 6 day event. If you entered this contest through one of our 5 social media platforms you definitely need to keep reading!
It’s not personal, it’s just business; Perhaps a saying more profound than most would imagine. As is the case with many endeavors born from a pursuit of passion, it can be hard for photographers to turn a hobby into a business. Here are five mistakes that might send you back to shooting as a hobby before you can even say “open for business.”
Having a makeup artist when shooting is a luxury for some photographers. While it is a must-have on a beauty or fashion set, when doing more simple portraiture it is not always easy to justify the cost for one. The biggest problem I find myself with when not having a makeup artist on set is people with oily skin are going to shine under strobe lighting. A simple makeup brush and some setting powder can do the trick, but sometimes we don’t even have that with us. So I am going to show you a way to quickly correct that using Photoshop.
Patrice Michellon is a freelance photographer from Paris, France who refers to himself as a passionate pixel breeder. He gave up on clunky DSLR cameras and heavy lenses after health issues and back surgeries back in 2013 / 2014, but he found new desire within Fujifilm’s new x-series of mirrorless cameras. He specifically fell in love with the new x100T which became the main concept for the X100 Collective: one camera and a fixed lens. That's it.
One year after the announcement of the original Sony Alpha a7, the new Sony a7II takes calculated steps towards improving function and ergonomics in their full-frame compact system camera series. With its revised exterior design now fashioning a pronounced grip with a DSLR-like forward-angled shutter button as well as the internal introduction of five-axis sensor-shift image stabilization, Sony turns their base model a7 into a not-so-basic specialist of its own. In this Fstoppers review, I examine the good and bad of how the Sony a7II performs with real-world use.