The Elinchrom Indirect softboxes are quite well known amongst fashion and commercial photographers. Especially the 190 octabank. Recently Elinchrom revised its indirect lineup and renamed it Indirect Litemotiv. The Swiss brand offered me the chance to play around with the whole line of Indirect Litemotiv for a little over a month. I must admit, these are great light shapers, and I did not really want to give them back. Are they the ultimate softboxes? I would not go this far, but they are very close. Here is why.
September 7th is Labor Day in the US, which means most people get to enjoy the last bit of summer sunshine with a three day weekend. To help kick off the end of summer, we are offering incredible discounts on all of our Fstoppers Tutorials in the Fstoppers Store. Our next sale will probably happen at the end of November so if you are wanting some new education make sure you take advantage of this now. This is our first Labor Day sale and you can find all the discounts in the main post
So, you want to be a successful photographer? Or retoucher? Or art director? Or just about any other creative field imaginable? It is a treacherous road, ranging from emotional bliss to hopeless depression. Be prepared to battle the fiercest of foes with nothing more than obsessive determination and your arsenal of skills.
The day has finally come in which we are no longer bound to the square crop within Instagram. The ability to post horizontal and vertical images has been requested by users since the beginning of the app. In the past, you would have to open your image in another app, add borders, and then export the new image to Instagram. Since this is the process I follow, I know it’s a huge pain. But even with this new cropping ability, I’m sticking with my old ways.
There has been a disturbance. Have you felt it? Some astute photophiles (not a word I just made up) have noticed a change in quality in their posts when Instagram pushed a photo to Facebook after the most recent update, 7.5. So I decided to run a few comparison tests of my own to see if the quality really was different, and why my photos suddenly started to look so gritty.
Platon has photographed many of the world's most powerful leaders and biggest celebrities and often shoots covers for magazines such as Wired, Esquire, Newsweek, Rolling Stone and New York Times Magazine. Most recently, he captured comedian and TV show personality Stephen Colbert for the cover of Time, which you can see in the video posted above. His style of shooting proves that you can take some of the most legendary portraits of our most powerful people with nothing but a light or two and a real connection between subject and photographer. In fact, I learned that from him directly when he came to teach a couple of classes to some of us lucky photo majors back at Rochester Institute of Technology over 10 years ago. It was those classes that changed my view on portrait photography forever.
VSCO Keys is no more. There is no glorious explanation, no plans for a big, better, more badass version.
Today, mass emails filled the inboxes of photographers everywhere letting us all know that the maker of some of the most popular photography mobile software and editing presets was calling it quits with the beloved Lightroom shortcut plugin.
In case you missed it, ‘Rocket Wars’ is a five minute film that has changed the game. It's breaking new ground and heralds in a beautiful new era in filmmaking. 150,000+ views and a Vimeo ‘Staff Pick’ are pretty amazing, but what’s ground breaking isn’t that the film is just a beautiful cacophony of visual and aural eye and ear candy. What’s fascinating is the fertile new ground it thrusts us headlong in to, and how it engages us. How did the filmmakers pull this off – and importantly – what can we learn from them to apply to our own projects?
Many beginning photographers find it very difficult to translate their vision verbally. In order to save yourself time, effort, and frustration the day of your shoot, use a mood board. Mood boards are visual collages of inspiration designed to provide your team or client with a visual reference guide that everyone can agree on before your photo shoot.
I’ve been a user of the original One Man Crew for many different videos. It’s ability to get elegant motion video clips have made it a go-to piece of gear for when I need my interviews to have an interesting look to them. When I heard that an updated version was being released, I was excited to see if a few issues were fixed. In this gear review, I'll break down what is fixed, and what left me wanting more.
It's Monday so it's time for another speed retouch and episode of Retouching Mondays. This week image comes courtesy of last weeks winner, Ben Scott. If you would like me to retouch your image and send you back the full-high res final image, all you have to do is post your image in the comments and wait to hear back. I will email the winner on Thursday morning, so post your newest favorite image that you want retouched. It can be any genre, beauty, fashion, landscape, wedding! I'll record the retouching and send you the final image to use as you wish! Take a look at the speed retouch of Ben's image and let me know in the comments if you have any questions, I'm happy to answer them. Now lets take a look at the before and after and the challenges for this week's Monday Retouch.
An influx of talent naturally creates more competition and offers your client more choice. That choice ultimately leads to lower odds of you landing any given job. It would be very easy to look at the current state of photography and blame it on a numbers game, but then, you wouldn’t be entirely correct.